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Chris Winters Impressions CD

 Chris Winters Discography of CDs

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"TOP 10 JAZZ CDs OF 2005" Michael Valentine, WDNA-FM, Miami, Jazz Week, Dec. 26, 2005“Telling Tales promises great things to come from this talented, authentic singer.” - JazzReview.com"Roz Corral has wonderful pitch, a velvet tone, world-class diction and a great sense of swing. But more importantly, she really connects to everything she sings and makes it come alive and sound new. In this day of young wanna-be jazz singers, Roz Corral is the real deal."Fred HershPianist, Composer"A singer of graceful flow and buoyant spirit..."Steve Smith, Time Out New YorkCombining a natural feel for jazz with an evocative interpretation of a lyric, Roz Corral offers a fresh approach to a song. This New York City-based singer makes her recording debut with Telling Tales, a combination of standards and lesser known entries beautifully arranged and sung, accompanied by a group of modern masters. Corral is an excellent story teller and Telling Tales aptly describes the essence of her singing style. As the great jazz vocalist Mark Murphy puts it: "...Roz always goes to the heart of a song." In his liner notes, Chicago broadcaster/writer Neil Tesser has this to say: "She finds the heart of a song's message, as contained in the lyrics, then she finds the best way to convey that message musically, in a timbre adult, throaty, and knowing. Telling Tales may be her first album, but his is no ingénue; her command of phrasing proves that."Another important aspect of Roz Corral's singing is her great swing feel. Pianist, Bruce Barth notes "She has a freedom of phrasing and rhythm that, for me, are the essence of jazz singing." This combination of attention to lyric and musical ease is evident in her swinging opener, "Too Close For Comfort," her hard-hitting version of "I'll Never Be The Same," the Brazilian feel of Frishberg's "Wheelers and Dealers," or her poignant versions of the rarely heard "I've Got No Strings" and "Say It Isn't So."Clearly in her element, Roz Corral is known for her live performances, where her sense of joy is palpable. She performed with her sextet to a sold-out audience at New York's Jazz Standard. She has performed as part of the JVC Jazz Festival's club participation at Sweet Rhythm; and has performed at the 55 Bar, Smoke, the Zinc Bar, Flushing Town Hall and holds forth at a regular Sunday jazz brunch with notable guitar/bass backing at North Square, in the Washington Square Hotel.(www.northsquarejazz.com)Her band lends invaluable support to this first project. Reedman Steve Wilson has performed as a member of two of the finest working bands in jazz, those led by Dave Holland and Chick Corea. In the latter he played with trombonist Steve Davis and versatile drummer Jeff Ballard. Ballard and the extraordinary bassist Larry Grenadier currently anchor the Brad Mehldau Trio. Both guitarist/arranger John Hart and co-producer, pianist/arranger Bruce Barth have a series of well-received recordings as leaders. Barth, who gained recognition as part of Terence Blanchard's group, is also known for his work with such notables as Nancy Wilson and Toots Thielman, as well as the highly regarded newcomers Luciana Sousa and Carla Cook.What People Are Saying:With a voice as cozy as a goose-down duvet and as clear and sparkling as spring water, Roz Corral is that rare sort of jazz singer who makes it all seem deceptively easy. Obviously influenced by Carmen McRae, Corral traverses 11 well-known standards with the panache of a born storyteller, investing the likes of Sondheim's "Anyone Can Whistle," Mercer's "Something's Gotta Give" and Pinocchio's "I've Got No Strings" (a particular standout) with unfailing charisma. Given the impeccable quality of her musicianship, it is no wonder Corral was able to corral a bounty of top players for her recording debut. Indeed, it's hard to imagine a recording neophyte (though refreshingly, no youngster) in better company than pianist Bruce Barth (who doubles as Corral's co producer), basJazzTimes (p.120) - "With a voice as cozy as a goose-down duvet and as clear and sparkling as spring water, Roz Corral is that rare sort of jazz singer who makes it all seem deceptively easy."
Impressions Music


Detailed Impressions Music Information



Category Rock/Pop Albums, Jazz CDs, Enhanced CD
Label Blu Jazz
Orig Year 2005
All Time Sales Rank   552620  
CD Universe Part number 6842622
Discs 1
Release Date Feb 15, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Roz Corral; Bruce Barth
Engineer Michael Marciano
Chris Winters Impressions Songs


Chris Winters Impressions Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Too Close For Comfort
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Wheelers and Dealers
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Little Girl Blue
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.I'll Never Be the Same
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Anyone Can Whistle
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Let's Face the Music and Dance
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.I've Got No Strings
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Change Partners
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Out of This World
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Say It Isn't So
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Something's Gotta Give

Impressions Music


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Personnel:Jerome Sabbagh: saxophone Ben Monder: guitarJoe Martin: bassTed Poor: drumsAll compositions by Jerome Sabbagh"North" was elected CD of the year 2005 by the readers of French monthly Jazzman. It was also selected in the top 10 jazz albums of 2005 by the Ottawa Citizen (Canada).Reviews“The willfully lyrical tenor saxophonist Jerome Sabbagh is the rarest of rare birds: a young tenor saxophonist with a distinctive concept, dependent not so much on his elders for inspiration as his own imagination.” (Chris Kelsey, JazzTimes)"Mr. Sabbagh played with untroubled self-assurance, and his songs had a sleek and sturdy appeal. Just as crucially, his colleagues strove for the unexpected, individually and as an ensemble. [...] Mr. Sabbagh avoided direct allusions to the saxophone totems. What he is working toward, simply and effectively, is a sincerely personal vocabulary." (Nate Chinen, New York Times)"One of the most skilled young tenor saxophonists around, Sabbagh's got a tune ...
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