| | Benevento-Russo Duo Best Reason To Buy The Sun CD Benevento-Russo Duo Discography of CDs
(3 Customer Reviews)
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Live Recording
Benevento/Russo Duo: Marco Benevento (organ); Joe Russo (drums). Audio Mixers: Joey Waronker; John Paterno; Danny Blume. Recording information: Sound Factory, Los Angeles, CA. Illustrators: Thomas Schmid; Adrian Cunningham. A couple of guys on the neo-jazz scene who have been building massive followings have finally put out an album with Best Reason to Buy the Sun. It's a Wall of Sound approach, with organ, bass, drums, and samples pounding out simultaneously. At times slick and funky, at times domineering and forceful, the album moves around the duo's influences, foremost of which would appear to be the city of New York. The sound is busy, frenetic. Program music displays the life of the city, the movement through crowded streets, subway window etchings. The components of the pieces are relatively simple in general: basic basslines, repeating hooks. The fusion of the components, though, is where the magic happens, with grandiose organ buildups and wild saxophone cameos. This most certainly isn't your father's jazz, but they've certainly listened to your father's jazz, and digested it before ceremoniously thrashing the old records. ~ Adam GreenbergMojo (Publisher) (p.96) - 3 stars out of 5 - "[They] whip up an impressive racket....When the pummeling riffs threaten to overwhelm, Benevento lightens the mood with some sharp acoustic piano." Best Reason To Buy The Sun Music Benevento-Russo Duo Best Reason To Buy The Sun Songs Best Reason To Buy The Sun Music Review Average Rating: (5 out of 5 stars)   DON"T MISS OUT ON THIS ONE You have to buy this cd no matter what kind of music you listen to. Marco and Joe are simply amazing. Submitted by Ed (Wyckoff, NJ, USA) Was This Review Helpful? Yes No
Grows on ya This album only gets better w each play until you are humming it after 3 to 4 times.. each cut stands on it's own ..Sunnys song, becky and vortex are outstanding and my favorites.. the rest are just terrific.jo. Submitted by joecdnj (Hamburg nj) Was This Review Helpful? Yes No
Awesome CD Buy it. DEFinitely. Submitted by CWB (Portland, Orgeon, USA, EARTH) Was This Review Helpful? Yes No
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$15.09 Cream: Jack Bruce (vocals, guitar, cello, recorder, harmonica, bass, calliope); Eric Clapton (vocals, guitar); Ginger Baker (vocals, glockenspiel, marimba, drums, tympani, tubular bells). Additional personnel: Felix Pappalardi (viola, organ pedals, trumpet, tonette, Swiss hand bells, tambourine). Engineers: Adrian Barber, Bill Halverson, Tom Dowd. Recorded at IBC Studios, London, England in July-August of 1967; Atlantic Studios, New York, New York from September 1967 to June 1968; The Fillmore West, San Francisco, California on March 7, 1968; Winterland, San Francisco, California on March 8-10, 1968. Originally released as a 2-LP set, half live, half studio recordings. Personnel: Eric Clapton (vocals, guitar); Jack Bruce (vocals, acoustic guitar, cello, harmonica, recorder, calliope); Ginger Baker (vocals, marimba, glockenspiel, drums, hi-hat, tambourine, timpani, tubular bells); Felix Pappalardi (viola, trumpet, organ). Audio Remixer: Adrian Barber. Recording information: Atlantic Studios, New York, NY; Atlantic Studios, NY; Fillmore West, San Francisco, CA; IBC Studios, London, England; Winterland, San Francisco, CA. Arranger: Robert Stigwood. If Disraeli Gears was the album where Cream came into their own, its successor, Wheels of Fire, finds the trio in full fight, capturing every side of their multi-faceted personality, even hinting at the internal pressures that soon would tear the band asunder. A dense, unwieldy double album split into an LP of new studio material and an LP of live material, it's sprawling and scattered, at once awesome in its achievement and maddening in how it falls just short of greatness. It misses its goal not because one LP works and the other doesn't, but because both the live and studio sets suffer from strikingly similar flaws, deriving from the constant power struggle between the trio. Of the three, Ginger Baker comes up short, contributing the passable "Passing the Time" and "Those Were the Days," which are overshadowed by how he extends his solo drum showcase "Toad" to a numbing quarter of an hour and trips upon the Wind & the Willows whimsy ...
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