| | Hair Police Constantly Terrified CD Hair Police Discography of CDs
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Our Price: $11.39  CDFor Sale Usually ships in 1-2 days
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Hair Police: Mike Connelly, Robert Beatty, Trevor Tremaine.
Additional personnel: Josh Olson (saxophone).
Constantly Terrified Music Hair Police Constantly Terrified Songs Constantly Terrified Review
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Purchase Constantly Terrified CD To buy, Click on price to add to cart | Sonic Youth Hidros 3 (To Patti Smith) CD (2004)
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| | Prurient Black Vase CD (2005)
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Pitched somewhere between S&M fests -- a chunk of the album art might as well be Merzbow approximations if not direct outtakes -- and instrumental abuse that will prompt tinnitus checks while any dogs in the area dance wildly about, Black Vase shows that it just needs a day for Prurient to do what it does. Quite literally -- the whole album was recorded at a one-day session, with sole Prurient member Dominick Fernow occasionally helped by engineer Kris Lapke on drums and related beats. "Roman Shower" demonstrates ...
| | Hospitals I've Visited The Island Of Jocks And Jazz CDs (2005)
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Following up a covers EP with a second album of all-original songs, the Hospitals embrace the noise-via-Load Records aesthetic through, on the face of it, expected ways. Unconventional/"ugly" mixes, the blunt ...
| | Sunn O Altar CD (2006)
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| | Brave Combo Polkasonic CD (1999)
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Since the early '80s, Texas-based Brave Combo has been redefining polka music. The group mixes "pure" polka (like jazz, and most other American forms, polka came from a fusion of ...
| | Hum You'D Prefer An Astronaut CD (1995)
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Hum's sound is a tasteful musical hybrid of the era's most aggressive guitar textures--the shimmering heaviness of My Bloody Valentine and Swervedriver, and the detached deadpan of Dinosaur Jr. and Smashing Pumpkins. And though Hum's tough guitar knots clench and clamor, the songwriting adds a rare sensitivity that contrasts the six-string muscle.
"And so I give myself away/to everybody every day," is the declaration on "Suicidal Machine," an aching mix of hushed guitar and distant snare drums. "And so I give myself to you/and you need it more than I do...with just a whisper/I'm lonelier than God." Hum's vulnerability and intelligence shines through the slamming riffs and aggressive rhythm ...
| | B.A.B.Y.: The Best Of Rachel Sweet CD (2001)
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It's very easy to remember Rachel Sweet as little more than a juvenile novelty within the Stiff Records canon, one more in a long line of headline-grabbing oddities who vanished from the radar around the same time as people stopped caring what the label itself was up to. To do so, however, serves up a dreadful injustice, to Sweet of course, but also to anyone who actually sits down to listen to Sweet's Stiff Records output and discovers there a treasure trove of excellence. Her Fool Around debut album, in particular, was a masterpiece, a country-new wave hybrid a decade ahead of its time, and littered with some sensational performances -- "Who Does Lisa Like" is only the most obvious, the almost shockingly mature "Wildwood Saloon" only the most surprising. Of course there were a few obligatory bubblegum boppers in there, but when the novelty factor gets too grating, it's the songs ("Cuckoo Clock," "Girl with a Synthesizer") that jar, not the singer. Sweet's second album, Protect the Innocent, ...
| | Stereophonics Language.Sex.Violence.Other ? CD (2005) Reissue
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Welsh trio Stereophonics' fifth album dishes up seriously powerful hard rock that distinguishes itself in sound and attack from the band's earlier releases. With the exception of a few cuts (the pulsing ballad "Rewind," the expansive "Lolita"), LANGUAGE. SEX. VIOLENCE. OTHER? packs a remarkably ferocious punch. No one would claim Stereophonics are breaking new musical ground here, yet their combination of post-grunge (bringing to mind Foo Fighters and Alice in Chains) and tuneful Britpop (a la the Stone Roses and Oasis) is synthesized in a fresh, convincing way.
The opening track, "Superman," builds on an edgy, repetitive rhythm and two voices, one mid-range and one falsetto, before launching ...
| | Sarah Lee Guthrie Exploration CD (2005)
Constantly Terrified music CDs
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When your last name is Guthrie, people are going to have certain expectations about your music, but Sarah Lee Guthrie (Arlo's daughter) and her husband and musical collaborator, Johnny Irion, have managed to make an album that speaks to her personal heritage while possessing a strong aural personality of its own. Exploration is a collection of songs filled with the easy charm and home-truth honesty of postwar folk music, and even boasts a new tune by family friend Pete Seeger, as well as originals from Guthrie and Irion that confront war, poverty, and other social ills with a gentle but firm insistence. But Guthrie and Irion also display a stronger musical backbone than their semi-folkie ways might suggest; Exploration was produced by Gary Louris of the Jayhawks in collaboration with engineer Ed Ackerson, and Louris brought along several of his bandmates to play on the sessions, so it's no surprise that the album displays some of the twangy élan of Tomorrow the Green Grass or Sound of Lies. But it also has a playful campfire singalong quality that's obviously Guthrie and Irion's doing, without undercutting the potent if understated rock & roll energy of tunes like "Gervais" and "Gotta Prove." Exploration is a high-energy post-millennium hootenanny that adds some high-kicking fun to the passionate and playful folk-rock that's Guthrie and Irion's natural stock in trade; it's as ...
| | Wackers Wackering Heights CD (1971)
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| | Fiend Can I Burn CD (2006) Reissue
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| | Herve Sellin Tentet Marciac New York Express CD (2008) (Import)
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