| | Eyal Barkin C-Sides CD - Import Eyal Barkin Discography of CDs
This collection of tracks from dance artist Eyal Barking includes "Action Jackson" and "Protection."
His first full length album in four years. C-SIDES is the untold half of a remarkable and often overlooked Australian talent. Rearranged tunes from Nick Barker's six solo albums comprise one of the great revelations of the Liberation Blue Acoustic Series. 2005. C-Sides Music | List Price | $29.99 (You save $2.40) | | Category | Rock/Pop Albums, Rock CDs | | Label | Liberation | | Orig Year | 2005 | | CD Universe Part number | 6844905 | | Catalog number | 8302760 | | Discs | 1 | | Release Date | Mar 14, 2005 | | Mono/Stereo | Stereo | | Additional Info | Australia |
Eyal Barkin C-Sides Songs | 1. | Action Jackson |
| 2. | Protection |
| 3. | Facing North |
| 4. | Lights Action Coma |
| 5. | Miles to Go |
| 6. | Jump |
| 7. | World's a Peach |
| 8. | Plait Your Hair |
| 9. | Imogen |
| 10. | 43 in the Shade |
| 11. | 90% Water |
| 12. | Time Bomb |
| 13. | Other House |
| 14. | Waiting |
| 15. | Mission |
| C-Sides Review
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Dusty Springfield's second British LP was roughly equivalent to the American You Don't Have to Say You Love Me album, which appeared ten months later in the United States and had the title hit and one other song ("Little by Little") added, and three of the U.K. edition's songs stripped off. The British version also appeared as a gatefold, filled with a series of beautiful photographs and extensive notes. More to the point, this second album presented a more mature Dusty Springfield, doing songs by Leslie Bricusse and Anthony Newley, Randy Newman and co., although all of the material here -- even "Who Can I Turn To," from the musical The Roar of the Greasepaint -- still has a soulful edge. Moreover, she scales new heights of passion on Rod Argent's "If It Don't Work Out" and the ethereal "That's How Heartaches Are Made," and seems close to bursting her lungs on Gerry Goffin and Carole King's "I Can't Hear You." A little more than half of this album -- mostly the up-tempo numbers -- was recorded with her on-stage backing group the Echoes, and they have a nice, lean band sound that was also a departure from the lushly orchestrated, outsized production of her early ...
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