Nancy Wilson Live From Las Vegas CD

Liner Note Author: James Ritz.
Nancy Wilson's unimpeachable combination of high sophistication and artistic substance was tailor-made for entertaining both the high-rollers and rubber-neckers assembled at the Sands Hotel & Casino's Copa Room for this August 1968 performance. She began with a delightful tweak of any star-gazers in the room, dedicating the opener to a "specific" (but unspecified) group in attendance at the show, then launching into a bustling version of "Hello, Young Lovers." Although Wilson had been sneaking contemporary pop songs on to her LPs for several years ("Sunny," "Ode to Billie Joe," "Goin' out of My Head"), she was undoubtedly mindful of the preferences of a nightclub audience, and avoided most of the crossover feel. She builds the first half of her set using traditional standards, most of them torch songs ("I Can't Get Started," "The Folks Who Live on the Hill," "The Man That Got Away") and a few obscure songs from the great-vocal-songbook repertoire. There are a few nods to her popular audience, however, including her brassy performance of "Face It Girl, It's Over" (a Top 40 hit for her that year) and an ambitious, theatrical three-part suite, "K.C. Medley," that salutes not the Missouri cradle of swing but a small boy. Overall, a subtle performance in the kind of city (and the kind of room) where subtlety is ignored, if it's even recognized. [Initially recorded by Capitol with an eye to a 1969 release, Live From Las Vegas was only first available in 2002 on Wilson's box set, The Essence of Nancy Wilson: Four Decades of Music. Three years later, it was issued separately as part of the Capitol series Las Vegas Centennial Collection.] ~ John Bush
Nancy Wilson is in top form on this 1968 performance from the Sands Hotel in Las Vegas. Her singing is passionate and spirited on all 14 tracks. Throughout this set, Wilson exacts the same kind of penetrating timbre and elegant, pointed elocution as her idol Dinah Washington. Wilson is a master communicator, and each lyric--particularly the racially charged "Black is Beautiful" from "K.C. Medley"--shows off her unique and poignant vocal abilities.
While "Just Go" was first premiered during Wilson's stint at The Sands, most of this material can be heard on studio albums. Nonetheless, hearing Wilson belt it out live is an experience to treasure. "The Man That Got Away" is an uproarious number that features a burning hot big band arrangement (played at breakneck speed). Not surprisingly, Wilson eats this tune up, delivering one of her best performances of the night. The old chestnut "I Can't Get Started" highlights Wilson's ability to interpret the standard repertoire. From back to front this exciting set is filled with great musicianship, smart orchestrations, and above all else, stunning vocal performances.JazzTimes (p.111) - "[I]t's terrific listening to Wilson at the point in her multi-varied career when she was just beginning the transformation from a silk-smooth standards bearer to a grittier soul singer."