| | Adam Rogers Apparitions CD - Import Adam Rogers Discography of CDs
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Our Price: $16.39  CDFor Sale Usually ships in 1-2 days
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On Apparitions, for the third time, guitarist Adam Rogers convenes band mates Ed Simon (piano), Scott Colley (bass) and Clarence Penn (drums), who also appeared on his well-received label debut, "Art Of The Invisible" (CRC #1223) and "Allegory" ... Adam Rogers Apparitions Songs Apparitions Review
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Purchase Apparitions CD To buy, Click on price to add to cart | Adam Rogers Allegory CD (2003) (Import) Netherlands
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| | KFRC Oldies: Motown, Soul & Rock N' Roll: Rock N' Roll CD (2003)
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This third installment in the series specially crafted by Collectables for WSNI FM focuses on the greatest hits of one of the most revered labels in pop music: Motown. With every single one of the 25 songs contained herein being either a chart-topper or a major hit, it's hard to refute this as nothing more than an extremely well-sequenced compilation covering Motown's glory years, and at an economically sensible price, it serves as an ideal starting point to those unfamiliar with Motown's vast arsenal of soulful hits. Simply outstanding from start to finish.~ Rob Theakston
Collectables' 2003 compilation WCBS FM: Motown, Soul and Rock n Roll - Motown delivers 25 tracks of pure Motown gold. It was put together by Joe McCoy from WCBS FM and plays like what one might hope the radio would sound like in heaven. Every song is a hit and the disc flows like a river of sweet champagne. The songs are a fine mix of up-tempo dancefloor fillers like the Marvelettes' "Please Mr. Postman" and the Contours' "Do You Love Me" and heartbroken ballads like the Temptations' "Just My Imagination (Running Away With Me)" and Jimmy Ruffin's "What Becomes of the Brokenhearted." The only flaw in the presentation is the duplication of "I Heard It Through the Grapevine." Both Gladys Knight's and Marvin Gaye's version are included at the expense of some other Motown classic. Still this is a set that is destined to get listeners up on their feet and dancing or at very least singing along at the top of their lungs. There are tons of Motown collections out there but this is one of the best. ~ Tim Sendra
KFRC Oldies - Motown, Soul & Great Rock n' Roll: Rock n' Roll is a varied and quite solid 25-song collection of chart-toppers from the '60s compiled by Joe McCoy of WCBS. Now why a DJ from WCBS compiled a disc that is billed as a presentation of KFRC oldies is a question that will only nag at the most retentive of music fans. The rest will just be happy to enjoy the music, as it is first-rate from beginning to end. McCoy draws tracks from many different styles: folk-rock (the Mamas & the Papas' "Monday, Monday," Scott Mackenzie's ...
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| | One Trick Pony CD (1980) Import
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Though released to coincide with the film One Trick Pony, which Paul Simon wrote and starred in, the One Trick Pony album is not a soundtrack -- at least, not exactly. If it were, it might contain the Simon song "Soft Parachutes" and other non-Simon music featured in the movie. Instead, this is a studio album containing many of the movie songs; the closest thing to a band album Simon ever made, it contains some of his most rhythmic and energetic singing. But it is also his most uneven album, simply because the songwriting, with the exception of the title song and the ballads "How the Heart Approaches What It Yearns" and "Nobody," is not up to his usual standard. Maybe he was too busy writing his screenplay to polish these songs to the usual gloss. In any case, though the album spawned a Top Ten hit in "Late in the Evening" and may have sold more copies than the film did tickets, it remained a disappointment in both artistic and commercial terms. ~ William Ruhlmann
Though it was released to coincide with the opening of the film One-Trick Pony, which Paul Simon wrote and starred in, the One-Trick Pony album is not a soundtrack, as it is sometimes categorized, at least, not exactly. If it were, it might contain the Paul Simon song "Soft Parachutes" and other non-Simon music featured in the movie. Instead, this is a studio album containing many of the movie songs, some of them in the same performances (two were cut live at the Agora Club in Cleveland). The record is not billed as a soundtrack, but a sleeve note reads, "The music on this Compact Disc was created for the Paul Simon Movie 'One-Trick Pony.'" Anyway, if Simon was in fact writing songs for Jonah, his movie character (as seems true of songs like "Jonah," "God Bless the Absentee," and "Long, Long Day"), he intended that character to take a somewhat less considered lyrical viewpoint than Paul Simon generally does, but to be even more enamored of light jazz fusion than Paul Simon had been on his last album, Still Crazy After All These Years. Tasty licks abound from the fretwork of Eric Gale, Hiram Bullock, and Hugh McCracken, and the rhythm section of Steve Gadd, Tony Levin, and Richard Tee is equally in the groove. This is the closest thing to a band album Simon ever made, and it contains some of his most rhythmic and energetic singing. But it is also his most uneven album, simply because the songwriting, with the exception of the title song and the ballads "How the Heart Approaches What It Yearns" and "Nobody," is not up to his usual standard. Maybe he was ...
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