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Joe Clay Legend Is Now CD - Import

 Joe Clay Discography of CDs

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Legend Is Now Music


Detailed Legend Is Now Music Information



List Price $15.97 (You save $1.28)
Category Rock/Pop Albums, Rock CDs
Label El Toro Europe / Zoom
All Time Sales Rank   333024  
CD Universe Part number 6850273
Discs 1
Release Date Feb 01, 2005
Additional Info Import
Joe Clay Legend Is Now Songs


Joe Clay Legend Is Now Album Track Listing



1.Whole Lot Of Trouble
2.Feet Of Clay
3.The Legend Is Now
4.I Dig Her Style
5.Did You Mean Evergreen
6.Shake It Loretta
7.Annabella
8.Fishing Pole Song
9.My Cars Alright
10.Hitting That Spot
11.Kwitchur Belyakin
12.In The Night
13.I Blame You
14.Interview
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This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King ...
Oh The Wind And Rain
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CD $12.05  Audio Samples
A trait Brooklyn-born Jody Stecher shares with most urban-traditional singers is a careful attention to the history of the songs he sings, approaching them as valuable pieces of art in need of delicate restoration. In some ways Oh the Wind and Rain is Stecher's best album. It is certainly his most thematically consistent, comprising 11 ballads, all of which have long pedigrees, and he works each one as carefully as a man refinishing his grandmother's rocking chair. The arrangements here are marvelous, with Stecher supporting his easy, everyman vocals on guitar, banjo, mandolin and oud, bringing in interesting strands of folk DNA to flesh things out and give each of these ballads a full, complete feel, and at the same time, creating an album with remarkable unity and cohesion. The two obvious highlights here are the title tune, a poetically rendered murder and ghost story probably best-known in a version by the great autoharp master, Kilby Snow, and an unhurried-yet urgent-reading of that ballad of all ballads, "Barbary Ellen." In both cases Stecher finds the narrative and emotional center of the song, and then lets it wind out with its dignity and inherent structure enforced, yet he still takes care to leave its native mysteries preserved. And he's in no hurry, either. "Oh the Wind and Rain" clocks in at nearly nine minutes, and "Barbary Ellen" tops 12 minutes. Stecher believes a song needs as long as it needs to tell the story right, and that patience and eye for detail (not to mention his sturdy and wonderful playing) makes this album of ballads a true treasure. ~ Steve Leggett Two-time Grammy-nominated artist Jody Stecher makes his Appleseed debut with the 1999 release of "Oh The Wind and Rain," a stunning collection ...
John Barry: The Collection
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This is a lot of soundtrack music -- 258 minutes' worth, actually -- which is understandable, as it covers approximately 40 years in the career of John Barry. The 40 years isn't quite comprehensive, skipping past Barry's earliest screen compositions for the films Beat Girl, Never Let Go, and The Amorous Prawn, as well as his music for The L-Shaped Room, Dutchman, Seance on a Wet Afternoon, and King Rat, in favor of the bigger films that the composer worked on during the '60s and beyond. Beginning with his thunderous score for Zulu, represented by a seven-minute track here, the collection concentrates primarily on the international side of Barry's career, while also offering little oddities out of his history, such as his 1968 theme "The Girl With the Sun in Her Hair," from a commercial for Sunsilk. The collection runs right up through Barry's music for Cry the Beloved Country and Mercury Rising, and ends with the disputed "James Bond Theme" (in what is one of the few relatively flat, unexciting performances in this set). All of this material is presented in new recordings by Nic Raine and the City of Prague Philharmonic Orchestra, accompanied on a half-dozen cuts by the Crouch End Festival Chorus. They're spirited enough, as is Raine's conducting, and the producers have given most of this collection (apart from obvious small-scale pieces such as "A Man Alone" from The Ipcress File) a big, lush orchestral sound that makes much of the material seem larger than life and even larger than it looms in the memory (the main title from Born Free, for example, gets a treatment akin to Mahler's "Third Symphony"); a lot of it works brilliantly, though one isn't too thrilled with his reworking and toning down of the music from Goldfinger. Still, the essentials are here, including perennial favorites such as Somewhere in Time (though ...
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