| | Miss Angel That's The Way I Tumble CD Miss Angel Discography of CDs
Mississippi born singer/songwriter Miss Angel makes her Electro-Fi debut with the down home blues drenched "That's The Way I Tumble". The disc is produced by W.C. Award winning Blues guitar legend MEL BROWN who plays sensational guitar and keyboards on t
Liner Note Author: Sarah French.
Recording information: Liquid, Toronto, CA.
Personnel: Miss Angel (vocals); Miss Angel (vocals); Leo Valvassori (bass guitar); Mel Brown (guitar, piano, organ); Jimmy Boudreau (drums).
Audio Mixer: Alec Fraser.
Living Blues (pp.66-67) - "[T]he band is strong, and Mel Brown's production skills shine through." That's The Way I Tumble Music Miss Angel That's The Way I Tumble Songs That's The Way I Tumble Review
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Purchase That's The Way I Tumble CD To buy, Click on price to add to cart | Deborah Coleman What About Love? CD (2004)
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On her seventh release after a productive five-year, five-album affiliation with Blind Pig, singer/songwriter/guitarist Deborah Coleman shifts gears slightly for her Telarc label debut. Producer Randy Labbe emphasizes Coleman's expressive voice -- sounding somewhat like a combination of Tracy Chapman and Joan Armatrading -- over her formidable guitar chops. It's a savvy move, and results in one of her most relaxed and commercial outings. Shifting from straight blues to a more laid-back (but still invigorating) R&B approach allows Coleman room to explore the previously rather limited range of her expressive velvety vocals. A cover of the Everly Brothers' chestnut "When Will I Be Loved?" refashioned as a peppy shuffle doesn't really click, but her fiery take on Delbert McClinton's "Lie No Better" -- although it pales next to Etta James' version -- effectively frames ...
| | Zora Young Tore Up From The Floor Up CD (2005)
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Of her first Delmark CD, "Learned My Lesson" (DMK 748), Living Blues magazine said "Her rough-edged croon can raise welts or love bumps. She has the versatility to strut comfortably from back-alley funk to uptown jump sophistication." "Tore Up From The F
With her mix of blues, soul, and rock, plus the just tangible presence of her native Mississippi gospel background, Zora Young can be a powerful performer when the material is there. On the best cuts from Tore Up from the Floor Up, her third album and second for Delmark, she shows a kind of hard-earned wisdom and an assurance in her vocals that rises well above mere shouting, and tracks like the moody, dynamic "Toxic" and the romping title tune (both of which are Young originals) show her to be a solid songwriter as well. She also turns in fine readings on a pair of covers, turning atmospheric on Muddy Waters' "Two Trains Running" and giving B.B. King's "I'm Gonna Do the Same Thing They Did to Me" a saucy, determined sheen. Her take on O.V. Wright's "Ace of Spades" is surprisingly by the numbers, though, and while she certainly doesn't do a disservice to Tony Joe White's "Rainy Night in Georgia," it's a song that has been done to death and no singer ...
| | Chris Thomas King Rise CD (2006)
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New Orleans musician Chris Thomas King lost both a home and a recording studio when Hurricane Katrina had landfall at the close of summer in 2005, and it's hardly startling that his album Rise takes Katrina and the devastating aftermath of the storm as a central theme. The result is a tremendously elegiac outing, and even when King goes up-tempo, as he does on a cover of Joni Mitchell's "Big Yellow Taxi," the song itself is all about incalculable loss and the incredible indifference of contemporary America to its own personal history. Things are drowning and washing away in song after song on Rise, and King isn't afraid to name names. In "Faith," the song's narrator clings to a rooftop as bodies float by and he realizes that President Bush is in a plane over New Orleans in the same instant, and it is a powerful moment that literally defines the notion of differing perspectives. Does he really care, the narrator wonders. Rise deals with loss, death and the hope for rebirth in mostly hushed tones, and while many still think of King as primarily a blues artist, the album is really closer to a kind of pop gospel outing, only stripped of much of the certainty and joy that gospel usually conveys. Rise is King's personal revaluation of America, and the truths he examines are unclear, as perhaps they have ...
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Tribute to Muddy Waters.
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On his sophomore major-label album, YOU STAND WATCHING, Texan singer/guitarist Ryan Cabrera further refines his accessible pop/rock tunes. Here the youthful Cabrera takes up the sole production reins, ...
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