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Vivaldi - Music For The Chapel Of The Pietá /Chandler, Et Al Music | List Price | $16.98 (You save $3.93) | | Label | Avie | | Orig Year | 4/5/2005 | | All Time Sales Rank |  66030  | | CD Universe Part number | 6852001 | | Catalog number | 2063 | | Discs | 1 | | Release Date | Apr 05, 2005 | | Recording Time | 1 20 |
Vivaldi - Music For The Chapel Of The Pietá /Chandler, Et Al Review
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Kicking off that phenomenally successful year, in January 2008, Sarah Brightman recorded and filmed Symphony -- Live in Vienna within the mystical walls of Stephansdome Cathedral in the heart of where classical music evolved -- Vienna, Austria. Renowned for its awe-inspiring Gothic architecture, the cathedral was the perfect setting to enter the magical world of Symphony lead by the voice of the beautiful, gothic-angel. The concert includes repertoire from her album Symphony and some of her most popular songs ('Phantom of the Opera,' 'Time to Say Goodbye'). Fans can own the live material in this DVD/CD set. Included are duets with Alessandro Safina, Chris Thompson, and Fernando Lima.
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Vivaldi - Music For The Chapel Of The Pietá /Chandler, Et Al
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Music composed by Gene De Paul. Lyrics written by Johnny Mercer.
Songwriter Johnny Mercer did not have much luck writing for Broadway, but the exception was Lil' Abner, based on the satiric Al Capp comic strip about the rural residents of Dogpatch. Mercer wrote the song lyrics to music by Gene DePaul, with whom he had worked on the movie musical Seven Brides for Seven Brothers. After the show opened on November 15, 1956, it became the only stage work with which Mercer was associated to turn a profit, running 693 performances. Actually, the score isn't as strong as that for one of Mercer's flops, St. Louis Woman, but it is appropriate to the subject matter. The songs "Jubilation T. Cornpone," "The Country's in the Very Best of Hands," and "Progress Is the Root of All Evil" wittily capture Capp's sense of humor and dim view of politics. There are also some attractive romantic ballads, notably "Namely You" and "Love in a Home," both of which became minor hits. Edith "Edie" Adams and Stubby Kaye lead a cast of unknowns who give their all to the show's broad comedy. A key element of Lil' Abner's success was the staging and choreography of director Michael Kidd, not available on record, although the 2002 reissue adds the main dance number, "Sadie Hawkins Day Ballet." The disc is, in fact, full of new material, including a stereo version of the "Overture" (Li'l Abner was Columbia Records' last cast album not recorded in stereo, but the label was experimenting); the previously unreleased song "What's Good for General Bullmoose"; an expanded version of the finale, "The Matrimonial Stomp"; "There's Room Enough for Us," from the 1959 soundtrack album; and pop versions of two songs cut from the score, Percy Faith's "The Way to a Man's Heart" and Rosemary Clooney's "It's a Nuisance Having You Around." ~ William Ruhlmann
All tracks have been digitally remastered.
Edie Adams/Stuby Kaye/Charlott Rae/Julie Newman/Tina Louise
Recorded at Columbia 30th St. Studios, New York, New Y
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Isabella Cheevers won a scholarship to study music at theRoyal Academy of Music in London when she was 13. She is a versataile musician; Diploma holder for her piano playing,she studied classical guitar to the highest level at the Royal Academy. She is the winner of many singing contests and her concert appearances have been acclaimed. For someone who was only fourteen years of age, when this was recorded, she is quite remarkable. Isabella’s recital in As Long As a Tear covers about 400 years of music. What is exceptional about Isabella Cheevers’ voice and performance is the total lack of excess and effect. She allows the music to speak for itself as it should. There are no glissandi or portamenti, no playing to the gallery, no tear-jerkers, no nonsense - just music sung for music's sake and sung remarkably well.
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Track Listing of songs: Toccata, for piano, Op. 122; Toccata-Etude, for piano; Allegro martellato, for piano, Op. 18/4; Dance for piano, Op. 10; Toccata, for piano; Sonatina for piano, Op. 5/1; Bagatelles (9), for piano: Toccata; Toccata for piano; Impromptus (3), for piano; Le Tombeau de Franz Liszt, Op. 100; Toccata, for piano, Op. 54; Toccata for piano No. 3; Toccata for piano; Toccata & Arietta, for piano; Sonatina for piano No. 1; Toccata solenne, for piano, Op. 15/4;
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