| | Jason Sinay Band CD Jason Sinay Discography of CDs
Jason Sinay: Jason Sinay (vocals, guitar); Angus Thomas (bass guitar); Alvino Bennett (drums).
Audio Mixer: Martin Pradler.
Recording information: Bay 7 Studios; Drive By Studio; Redwing Studio; Rumbo; The Mile High Club.
Photographer: Henry Diltz. Jason Sinay Band Review
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Purchase Jason Sinay Band CD To buy, Click on price to add to cart | Norah Jones Fall CD (2009)
Jason Sinay Band album
$15.05 With The Fall, Norah Jones completes the transition away from her smooth cabaret beginnings and toward a mellowly arty, modern singer/songwriter. Jones began this shift on 2007's Not Too Late, an album that gently rejected her tendencies for lulling, tasteful crooning, but The Fall is a stronger, more cohesive work, maintaining an elegantly dreamy state that's faithful to the crooner of Come Away with Me while feeling decidedly less classicist. Some of this could be attributed to Jones' choice of producer, Jacquire King, ...
| | Carla Bley Carla's Christmas Carols CD (2009)
Jason Sinay Band CD music
$15.35
| | Herb Alpert Christmas Album CD (1968) Remastered; Special Edition
Jason Sinay Band music CDs
$9.79 Despite the sometimes syrupy background vocals (courtesy of arranger Shorty Rogers), CHRISTMAS ALBUM is a fairly straightforward Herb Alpert outing, with plenty of uptempo numbers given the Brass's good ole Mexican cantina treatment. The rub here, naturally, ...
| | Diana Krall Look Of Love CD (2001) SACD Hybrid
Jason Sinay Band songs
$15.19 THE LOOK OF LOVE won the 2002 Grammy Award For Best Engineered Album.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
While there's no denying that jazz-pop star Diana Krall's movie-star good looks went a long way toward endearing her to mainstream America, that's just the tip of the iceberg. Just as undeniable are Krall's gifts as a pianist and singer. Far from a crass populist, she's a subtle, nuanced performer who approaches her craft with an excess of skill and knowledge. This is apparent from the very beginning of THE LOOK OF LOVE, when Krall tackles the overly familiar Gershwin chestnut ...
| | Harry Connick, Jr What A Night! A Christmas Album CD (2008)
Jason Sinay Band album
$10.99
| | Nini Rosso Il Silenzio CD (2007) (Import)
Jason Sinay Band CD music
$14.45
| | Vince Guaraldi At Grace Cathedral CD (1965)
Jason Sinay Band music CDs
$10.05 Digitally remastered by Joe Tarantino (1997, Fantasy Studios, Berkeley, California).
In a year that also saw Duke Ellington, ...
| | J J Johnson Standards: Live At The Village Vanguard CD (1988)
Jason Sinay Band songs
$12.15
| | Serge Chaloff Blue Serge CD (1956) Bonus Track; Reissue
Jason Sinay Band album
$9.35
| | Cliff Habian Havana Sunset CD (2001)
Jason Sinay Band CD music
$11.69
| | George Gee Swingin' At Swing City Zurich CD (2004)
Jason Sinay Band music CDs
$13.85
| | Nana Katsuki Airenkaikyo/Suitotto (2007) (Import)
$15.75 | | Roy Orbison Orbison Way CD (1966)
Jason Sinay Band songs
$12.05 On his second MGM album, Roy Orbison works alternately in an orchestral and a band setting (the latter with his new backing group the Candy Men), and offers two distinctly new wrinkles on his sound throughout this album, while guitarists Billy Sanford and John Rainey Adkins reveal themselves as powerful yet amazingly articulate players. The band-backed stuff has a lean texture that's a marvel of sonic conciseness, while the orchestra-accompanied sides allow Orbison to open up vocally as never before, casting him in an almost operatic setting, in terms of emotional pitch, though the material itself is pure pop/rock with some elements of country-pop. "The Loner" (co-authored by Adkins), "Maybe," "Breakin' Up Is Breakin' My Heart," "Time Changes Everything" and much of the rest here could have passed muster on any of Orbison's Monument albums, though some of the other songwriting and some of the stylistic choices are debatable. The other problem is its timing -- Orbison's second album for MGM, The Orbison Way was recorded in October and November of 1965, and issued in January of the following year -- had he released an album such as this in 1963, or even 1964, it might have achieved more respect than it did (and it still managed to chart decently, especially in England, where it was issued by London Records), but ...
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