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Xiangting, Li - Sleeping Lotus CD Cover Art
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Li Xiangting Sleeping Lotus CD

 Li Xiangting Discography of CDs

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Recording information: Bay Records, Berkeley, CA.

Photographer: Wang Fei.
Sleeping Lotus Music


Detailed Sleeping Lotus Music Information



Category Rock/Pop Albums, Rock CDs, Flute, New Age
Label Real Music
Orig Year 2005
All Time Sales Rank   304346  
CD Universe Part number 6853027
Catalog number 3170
Discs 1
Release Date Jul 18, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Joshua Mitchell; Henry Kaiser
Li Xiangting Sleeping Lotus Songs


Li Xiangting Sleeping Lotus Album Track Listing



1.Lilac Dreams
2.Pure Autumn Moon
3.Calm Lake
4.Sleeping Lotus
5.Phoenix Spreads Wings
6.Clouds Reflected on a Winding River
7.Spiral of Smoke at Twilight, A
8.Gazing at the Moon
9.Dreaming of the Forbidden Garden
10.Thoughts While Walking in a Forest
11.Moonlight on the Lake
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Digitally remastered by Stephen Innocenzi (1993, Atlantic Studios, New York). All songs written by Ornette Coleman except "Embraceable You" (George Gershwin/Ira Gershwin), "Abstraction" and "Variants On A Theme Of Thelonius Monk" (Gunther Schuller). BEAUTY IS A RARE THING was nominated for Best Album Notes in the 37th Annual Grammy Awards. BEAUTY IS A RARE THING contains Ornette Coleman's entire surviving recorded output for the Atlantic label from 1959-1961 (a number of other sessions were recorded, but they were destroyed, along with countless other priceless Atlantic masters, in their infamous warehouse fire of the mid-1970s.) BEAUTY IS A RARE THING features over seven hours of music, six previously unreleased tracks, and contains a booklet of photos, a discography and contemporary commentaries by Ornette ...
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This collection features 21 tracks from Bobbie Gentry, including her hit "Ode to Billy Joe" and covers of "Son of a Preacher Man" and "In the Ghetto." Among the most undefinable performers ever to be marketed as "country," Bobbie Gentry possessed extraordinary talents as a husky-voiced singer, pioneering female producer, and songwriter that landed her at the top of the pop charts in 1967 with "Ode to Billie Joe." While she achieved lasting fame due to that fictional incident on the Tallahatchie Bridge, Gentry's string of albums for Capitol in the late '60s and early '70s reveal a deeper, more album-oriented ...
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Written by Pete Cassani, Principle Peasant, 8/8/03. Started out playing guitar in my room stoned out of my mind. Ended up in Boston in the subway playing Dylan covers and songs about whatever was pissing me off. Started The Peasants soon after that. We've been all over New England, with special emphasis on the streets and subways of Boston. We began touring the USA in 1997 when I got some money together and bought a Ford Econoline E150, the mightiest touring vessel on earth. Soon after the first trip we put out this record, Out On The Street. The ...
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CD $16.79
They may sound like the quintessential English prog band but, in fact, Westfauster hailed from the rust belt, Cincinnati to be precise, and this gem of an album was initially released on the Nasco label in 1971. A guitar-free trio, the band did encompass a rhythm section, a variety of keyboards from harpsichord to Moog synthesizer, and a flute and saxophone within their multi-instrumental ranks. The Moody Blues and the Beatles were Westfauster's avowed influences, and you could hear subtle inflections of both on In a King's Dream. Blissful jazz ripples through the epic "Everyday," one of a clutch of flute-led numbers on the set. On that song, it's twinned with piano and organ; on "Blind Man's Epitaph" the flute flutters and flies amidst the harpsichord and choral vocals; and the harpsichord itself is showcased again on the Beatles-esque "Low Sun." In contrast, the title track, the album's other epic number, is resplendent with smoky sax, the darker, more majestic flip of the breezier, lighter "Everyday." All three bandmembers obviously had some jazz background, and it's their ability to fold elements of that style gently into the musical mix that perhaps truly sets Westfauster apart, notably on the two epics, "Where Are You" and the album closer "Did It or Didn't It (Take Us High)." That and the delicate textures of their songs and the wonderfully shimmering and dreamy quality of their atmospheres. ...
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Sleeping Lotus
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John Schmergel is the chief song-writer of Sputnik Sweetheart. He began writing songs when he was fifteen years old, and he hasn't looked back since. When John was sixteen, he fronted a rock duo called the Corduroy Suit, and the band put out an album in the spring of 2002 that was met with both critical and commercial success. After touring with the Suit for almost two years, John left the band in 2004 to pursue a solo career. That year he released his first solo album, "The Dude Does Love Songs," and while critically well received, the disc failed to find a large audience. Since that period, John has been mastering his song-writing craft, and in the summer of 2007, he entered a Brooklyn recording studio with several talented musicians to begin work on his latest project. After three months of intensive recording, John emerged with a new EP that represents the culmination of his song-writing technique. The EP, titled "Coming Back," draws influences ...
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