| | Historias Y Canciones Infantiles CD
Historias Y Canciones Infantiles Music Historias Y Canciones Infantiles Songs Historias Y Canciones Infantiles Review
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Purchase Historias Y Canciones Infantiles CD To buy, Click on price to add to cart | Anastasia CD (1997) Original Soundtrack
Historias Y Canciones Infantiles album
$8.69 Principally recorded at The Hit Factory, New York, New York; Sony Scoring Stage, The Village Recorder, Signet Sound and M5 Studios, Los Angeles, California.
Original score composed by David Newman. Songs written by Stephen Flaherty and Lynn Ahrens.
Jim Cummings (Rasputin); Jonathan Dokuchitz (Dimitri); Bernadette Peters (Sophie).
ANASTASIA's soundtrack captures all the majesty and drama of the animated tale of love and intrigue. Liz Callaway's bright, pretty voice is well-suited to the role of Anastasia, the legendary last survivor of the Romanovs, while Kelsey Grammer is lovable as Vladimir, the fallen aristocrat who befriends her. Jim Cummings is the sinister villain Rasputin, and Bernadette Peters rounds out the film's sterling cast as the regal Sophie.
In addition to orchestral music, the ANASTASIA soundtrack contains contributions by some of today's biggest pop artists--Richard Marx and Donna Lewis duet on "At The Beginning, " R&B songstress injects a more modern flair with the warm, feel-good theme "Journey To The Past," and country belter Deanna Carter delivers a huskier, more ...
| | Jewel Lullaby CD (2009)
Historias Y Canciones Infantiles CD music
$7.59 Though marketed as a children's album in conjunction with toy maker Fisher Price, LULLABIES could more accurately be described as a children-themed, adult-directed singer-songwriter album. Composed ...
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Historias Y Canciones Infantiles music CDs
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Historias Y Canciones Infantiles songs
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| | Hap Palmer Getting To Know Myself CD (2003)
Historias Y Canciones Infantiles album
$13.39 Hap Palmer pioneered the integration of music and movement in the area of early childhood education. His songs enhance the development of motor skills, language acquisition, reading readiness, and math concepts as well as nurture the imaginative process and encourage creative problem solving. His widespread popularity in schools and day-care centers for over twenty years, has made him a living legend within the teaching community for young children. Teachers have used his music for more than two generations to teach letters, numbers, phonics, days of the week, colors, shapes and more. A third generation of children are now learning with his songs and movement innovations. An accomplished musician, singer/songwriter and educator, his multiple skilled talent on guitar, bass, percussion, saxophone, and clarinet can be heard on his various recordings. His BABY SONGS ...
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Historias Y Canciones Infantiles CD music
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| | Geraldine Laurent Time Out Trio CD (2007)
Historias Y Canciones Infantiles CD music
$13.09 For her debut recording, modern mainstream jazz alto saxophonist Géraldine Laurent uses a rhythm section with just bass and drums, which keeps her personal playing firmly in focus for the listener, but may also expose drawbacks. As such, those inherent shortcomings seem obvious, but the positives of her sound are also clear. She possesses a strong sense of self and identity, emphasizing elements of dexterity and at times whimsy. At the forefront of her influences admittedly is tenor saxophonist Sonny Rollins, but you would also surmise she's heard her share of Phil Woods and Lee Konitz. Charles Mingus is another icon on her plate, as evidenced by her strong interpretation of the Latin-flavored "Tijuana Gift Shop" and funky, changing-the-changes take on "Fables of Faubus." She tends to play a lot of notes on "Autumn Nocturne," and rarely slows to smell the roses on traditional ballads like the midtempo "Skylark" or "I Fall in Love Too Easily." There's a palpable anxiety during "Skylark," the super-fast Ornette Coleman piece "Rejoicing," and her original "A Quiet," which suggests she's trying too hard to get all of her expressionism out in the moment. Listen to her sped-up and slowed-down take of Wayne Shorter's "Lester Left Town" and you really hear her impatience. Then again, an overtly long intro to "Faubus" would suggest that her need to improvise might be misplaced at times. It's clear that Laurent is making an attempt to deconstruct certain themes she loves and craft them her into own style, but at times it smacks of gimmickry. This is not to say on any level that there's only minimal talent brimming from ...
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