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Telemann, G.P. - Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles CD Cover Art
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Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles CD

 Telemann, G.P. CDS

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Category Classical, Chamber Music/Recitals, Baroque Period, Sonata, Partita
Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Music


Detailed Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Music Information



List Price $15.97 (You save $1.82)
Label Eclectra
Orig Year 5/10/2005
All Time Sales Rank   59358  
CD Universe Part number 6857199
Catalog number 2070
Discs 1
Release Date May 10, 2005
Recording Time 43 minutes
Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Review


Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Classical Reviews



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Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Songs


Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Songs Detailed Work Information



1. Sonata for oboe & continuo in A minor (GMM No. 50), TWV 41:a3: Siciliano  (8:13)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  A3, Sonata For Oboe & Continuo
   Catalog No.  TWV 41
   Composer  Georg Philipp Telemann (1681 - 1767)
   Performer  Jean-Yves Gicquel (Oboe)
Dominique Joubert (Organ)
   Genre  Baroque Period
   Date Written  1728
   Period  Baroque
   Venue  L'Église Saint-Jean de Grenoble, France
   Recording Date  1983
2. Sonata for oboe & continuo in A minor (GMM No. 50), TWV 41:a3: Spirituoso  (6:27)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Francesco Geminiani (1687 - 1762)
   Performer  Jean-Yves Gicquel (Oboe)
Dominique Joubert (Organ)
   Genre  Baroque Period / Sonata
   Date Written  after 1770
   Period  Baroque
   Venue  L'Église Saint-Jean de Grenoble, France
   Recording Date  1983
3. Sonata for oboe & continuo in A minor (GMM No. 50), TWV 41:a3: Andante  (9:04)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Sonata For Flute Oboe Violin & Continuo
   Composer  Jean-Baptiste Loeillet (of Ghent) (Ghent) (1688 -
   Performer  Jean-Yves Gicquel (Oboe)
Dominique Joubert (Organ)
   Genre  Baroque Period
   Date Written  1717
   Period  Baroque
   Venue  L'Église Saint-Jean de Grenoble, France
   Recording Date  1983
4. Sonata for oboe & continuo in A minor (GMM No. 50), TWV 41:a3: Vivace  (6:39)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Sonata For Flute Oboe Violin & Continuo
   Composer  Nicolas Chédeville (1705 - 1782)
   Performer  Jean-Yves Gicquel (Oboe)
Dominique Joubert (Organ)
   Genre  Baroque Period
   Date Written  1739
   Period  Baroque
   Venue  L'Église Saint-Jean de Grenoble, France
   Recording Date  1983
5. Sonata for oboe (or flute) & continuo No. 3 in E minor (modern arrangement of Op. 1/3): Adagio  (9:27)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  G2, Partia For Violin Or Flute Oboe & Continuo
   Catalog No.  TWV 41
   Composer  Georg Philipp Telemann (1681 - 1767)
   Performer  Jean-Yves Gicquel (Oboe)
Dominique Joubert (Organ)
   Genre  Baroque Period
   Date Written  1716
   Period  Baroque
   Venue  L'Église Saint-Jean de Grenoble, France
   Recording Date  1983


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Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles Music


Elements featured on Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles CD



Composers on Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles CD : Francesco Geminiani, Jean-Baptiste Loeillet (o, Nicolas Chedeville, Georg Philipp Telemann

Genres on Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles CD : Baroque Period, Sonata

Performers on Le Hautbois Dans L'Europe Des Xviie Et Xviiie Siècles CD : Dominique Joubert, Jean-Yves Gicquel

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Yo-Yo Ma's holiday album SONGS OF JOY AND PEACE admirably aims to be all-inclusive by featuring songs from the Christian, Jewish, and Islamic traditions, as well as feel-good popular favorites like "Here Comes the Sun" and "My Favorite Things." Guests include Diana Krall, James Taylor, Joshua Redman, Chris Botti, and Dave Brubeck, among others. The set ranges across religious traditions and styles, but a feeling of open-hearted warmth, along with Yo-Yo Ma's rich, swelling cello, provides the glue that binds this diverse group of musicians and songs. Personnel: Yo-Yo Ma (cello); James "J.T." Taylor (vocals, guitar); Chris Thile (vocals, mandolin); Diana Krall (vocals, piano); David Lasley, Caroline Taylor , Carolina Assad, Kate Markowitz, Alison Krauss, Andrea Zonn, Arnold McCuller, Clarice Assad, Badi Assad (vocals); Renée Fleming (soprano); Romero Lubambo, Odair Assad, Sergio Assad (acoustic guitar); Siamak Aghaei (santur); Jake Shimabukuro (ukulele); Jonathan Gandelsman (violin); Natalie MacMaster (fiddle); Kayhan Kalhor (kamancha); Nicholas Cords (viola); Matthew Brubeck (cello); Marcus Milius (harmonica, ...
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The year was 1593. In a little town called Vintaine, a crippled & disfigured boy named Lucious Gray had dreams of one day leaving his village and becoming a court musician for the king. His father, a drunk & bitter old man, had little use for the boy, and would regularly beat and abuse him, calling him the "sin of his mother," who had abandoned him and his father years before. Some in the village were cruel, and often laughed at Lucious, pointing at his contorted face and his hunched over body, seeing him as the village idiot. Undaunted, the boy would play his lute for hours on end, hoping that some day his dreams would come true.One day, the villagers in Vintaine witnessed an extrodinary event. They noticed a tall handsome man walk from the house where Lucious and his father lived. Upon his back was an old lute, very much resembling the one the boy used to play. As he walked down the road away from the town, the villagers also saw that he wore the tattered clothes of the peasant boy, but his face was strong and well-shaped, and there was a strangely familiar look in the man's eyes, his face emanating a magical glow. None in the village knew this man, nor could they account for the whereabouts of Lucious, who had mysteriously disappeared on that very day. The boy was not seen in Vintaine ever again, and his father never spoke of him. Legend has it that something strange and wonderful happened to Lucious one night, and his crippled body and soul were healed when he decided to leave his past life behind and journey to a far-off land to search for a higher truth, while using the gift of his music to change the hearts and minds of people everywhere. The above fable follows the musical journey of Lucious as he strives to discover his true inner self by reflecting upon his life in the past, who he once was, and what he is yet to become.Most of the selections on this album hint at the musical styles of the Middle Ages, save one song, "Now We Raise Our Glass To Thee," dedicated to the fallen in the countless battles from our past who gave their ...
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