| | Audioslave Out Of Exile CD Audioslave Discography of CDs
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Audioslave: Tim Commerford (bass guitar); Chris Cornell, Tom Morello, Brad Wilk. Personnel: Chris Cornell (vocals); Tom Morello (guitar); Brad Wilk (drums). Audio Mixer: Brendan O'Brien. Photographer: Ethan Russell. Given that most supergroups last little longer than a single album, it was easy to assume that Audioslave -- the pairing of Soundgarden vocalist Chris Cornell and the instrumental trio at the core of Rage Against the Machine -- was a one-off venture. That suspicion was given weight by their eponymous 2002 debut, which sounded as if Cornell wrote melodies and lyrics to tracks RATM wrote after the departure of Zack de la Rocha, but any lingering doubts about Audioslave being a genuine rock band are vanished by their 2005 second album, Out of Exile. Unlike the first record, Out of Exile sounds like the product of a genuine band, where all four members of the band contribute equally to achieve a distinctive, unified personality. It's still possible to hear elements of both Rage and Soundgarden here, but the two parts fuse relatively seamlessly, and there's a confidence to the band that stands in direct contrast to the halting, clumsy attack on the debut. A large part of the success of Out of Exile is due to the songs, which may be credited to the entire group but are clearly under the direction of Cornell, sounding much closer to his past work than anything in Rage's catalog. Even the simple riff-driven rockers are tightly constructed songs with melodies and dramatic tension -- they lead somewhere instead of running in circles -- while the ballads have a moody grace and there's the occasional left-field surprise like the sunny, sweet psych-pop gem "Dandelion"; it's the strongest set of songs Cornell has written in a decade. Which is not to say that Out of Exile is without excesses, but they're almost all from guitarist Tom Morello; his playing can still seem laborious, particularly when he clutters single-string riffs with too many notes (the otherwise fine opener, "Your Time Has Come," suffers from this), and his elastic stomp box excursions verge on self-parody on occasion. Still, these are isolated moments on an album that's otherwise lean, hard, strong, and memorable, a record that finds Audioslave coming into its own as a real rock band. ~ Stephen Thomas Erlewine OUT OF EXILE presents a band that has grown comfortably into its own skin. Three years after Audioslave's highly successful debut, the supergroup crafted a truly formidable rock album with a fresh, live-in-the-studio rawness. Former Rage Against the Machine guitarist Tom Morello rolls back the distortion subtly, playing with a notably more melodic touch, best evidenced on "Heaven's Dead" and "Dandelion." Soundgarden's Chris Cornell's weathered voice at times walks a perilous ledge, yet never to a fault--that very danger and heartfelt soulfulness are part and parcel of his revered approach. The heady and poetic "#1 Zero" and "Be Yourself" strongly uphold Cornell's consummate lyrical prowess. OUT OF EXILE could hardly be an Audioslave record without a crop of head-thrashing, foot-stomping riffs, as revealed in "Your Time Has Come," "The Worm," and the powerful title track. Bassist Tim Commerford remains supportive and inventive in his playing, while Brad Wilk notches up his drumming considerably, taking chances and stretching beyond his dependable grooves on the band's first release. With the crack production and mixing of Rick Rubin and Brendan O'Brien, respectively, OUT OF EXILE raises the bar for the quartet on all levels.Spin (pp.97-98) - "Drummer Brad Wilk drives, bassist Tim Commerford is solely in charge of grooves, and guitarist Tom Morello works hard at being amazing." - Grade: A- Mojo (Publisher) (p.95) - 3 stars out of 5 - "[T]he quartet display a welcome lightness of touch. 'Be Yourself' is a soar-away piece of drivetime empathy..." Audioslave Out Of Exile Songs Out Of Exile Music Review Average Rating: (3.7 out of 5 stars)    List All Reviews Not As Good I prefer their debut in contrast to some previous reviews! I think this disc although good is not as solid as the 1st disc. As with Soundgarden I prefer their more melodic offerings that flow smooth and not the choppier songs. The disc is more on the choppy side with less melodic offerings than the 1st disc. The 1st disc had about 6-8 solid songs where this one 0ny abou 2-4 standout! Submitted by WB (Petersburg)  Was This Review Helpful? Yes No 1 of 1 found this helpful.
Not really that good. I thought this CD was going to be filled with high energy great sounding music but instead it's full of boring, tedious, faceless worst than the last CD tracks. Submitted by jlarthey (South Jersey)  Was This Review Helpful? Yes No 1 of 1 found this helpful.
not too shabby i am pleased to hear morello actually using his playing ability and technique here as opposed to how he just makes wierd noises with the switch and whammy pedals and such (dont get me wrong but i love that stuff too) its just good to hear him doing a bit of playing.
definitely that distinctive ratm riffage in a few of the songs. those big chunky slow pentatonic riffs that we all love
there are also some beautiful melodies and chord progressions, and some nice hard/heavy rock
very pleased with this follow up to their brilliant debut Submitted by slinky_flea (bega, nsw, Australia)  Was This Review Helpful? Yes No
It's a good CD It's a good CD, but I prefer the first one. Submitted by alainabreu (Miami, FL)  Was This Review Helpful? Yes No
lord cornell Im sick of people saying audioslave are soft. They are compared to the previous bands. audioslave are a total different band, therefore the sound is different. the album is not crap, its quiet good. just listen to 'Your Tome Has Come' and 'Be Yourself'. The album is more consistent the the self-titled and is heavily dominated by the excellent voice of cornell Submitted by phil (syd, nsw, aus) Was This Review Helpful? Yes No
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$14.45 Personnel: Ted Birkey (keyboards). Recording information: 14the Street Music Works; Silent Sound. Photographer: Steve Vacariello. Unknown Contributor Role: Mickey Benzo. Calling an album GANGSTA RAP might seem like an absurd platitude coming from any rapper other than Ice-T, the undisputed originator of the genre. Ice takes time off from his acting gig on LAW & ORDER: SVU to douse listeners with a potent shot of classic ghetto storytelling ...
| | Black Keys Attack And Release CD (2008) Digipak
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$11.69 The Black Keys: Dan Auerbach (vocals, guitar, guitars); Patrick Carney (drums). Personnel: Marc Ribot (guitar); Ralph Carney (e flat clarinet); Danger Mouse (piano, organ, Moog synthesizer). Audio Mixers: Danger Mouse; Kentaro Takahaski; The Black Keys. Recording information: Suma Recording Studio, Paineville, OH (08/09/2007-08/23/2007). Initially planned as a collaboration between the Black Keys and Ike Turner, ATTACK AND RELEASE became solely a Black Keys project when Turner died in late 2007. Under the producing hand of Danger Mouse--who had introduced the Akron duo to Turner--ATTACK AND RELEASE continued the Keys' progression from scabrous blues avatars to elder statesmen in full command of their muse. Bolstered by Danger Mouse's bizarro pop sensibility, the arrangements eschew heavy bluster in favor of a more expansive pallet. Signature Keys blues stomps such as "I Got Mine" and "Strange Times" are cut by soul experiments such as "Remember When (Side A)" and "Things Ain't Like They Used To Be" that emotionally unfold over patient tempos. The Black Keys always were in the vanguard of the thousands of Zep-worshipping bands, but ATTACK AND RELEASE finally puts them at the top of the heap. Back in 2002, it seemed easy to discern which of the Midwestern minimalist blues-rock duos was which: the White Stripes were the art-punks, naming albums after Dutch art movements, while the Black Keys were the nasty primitives, bashing out thrilling, raw records like their 2002 debut The Big Come Up and its 2003 follow-up Thickfreakness. Six years later, the duos appear to have switched camps, as Jack White leads the Stripes down a path of obstinate traditionalism while the Black Keys get out, way out, on their fifth album, Attack & Release. Evidently, their 2004 mini-masterpiece Rubber Factory represented the crest of their brutal blues wave, as ever since singer/guitarist Dan Auerbach and drummer Patrick Carney have receded from the gnarled precision of their writing and the big, brutal blues thump, they started to float into the atmosphere with their 2006 EP-length tribute to Junior Kimbrough, Chulahoma. Ever since then, the Black Keys have emphasized waves of sound over either ballast or song, something that ...
| | Buckfast Superbee Turn Of The Radio Age CD (2008)
Out Of Exile
$15.19 BUCKFAST SUPERBEE—emotional, powerful and convincing are just some of the words that closely follow this super-charged San Diego quartet’s name. One of the most watched bands in the southern California music scene; you’d better catch these guys while you can still afford to see them. With all the attention and critical acclaim this band attracts, it’s only a matter of time until they’re considered one of California’s’ best musical exports. Buckfast Superbee is on tour now supporting their new release: TURN OF THE RADIO AGE. Recorded and Produced by Pall Jenkins (Three Mile Pilot, Black Heart Procession) and mixed by Joe Marlett (Foo Fighters, Queens of the Stone Age), T.O.T.R.A is a 13 song thrill ride proving to be the bands best work to date by far. The guitars and undeniable hooks are full effect for the duration of the record but also a sense that these guys aren’t your average rockers. The lyrics point to much more introspective and at times a downright satirical train of thought. From the opening hyper-drive of “The Heavy Persuader” to the epic soaring and anthem-worthy pounding of the records closer: “Pitch vs. Rotation”, BfSb didn’t miss a chance to grab you in ways you weren’t expecting. This is a great rock record in a time when not so ...
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