| | Cloudberry Jam Great Escape CD - Import Cloudberry Jam Discography of CDs
DVD is NTSC format, region code 2. Great Escape Music | List Price | $44.98 (You save $1.89) | | Category | Rock/Pop Albums, Rock CDs | | Label | HANDCUT | | Orig Year | 2005 | | All Time Sales Rank | 606347  | | CD Universe Part number | 6859868 | | Catalog number | 52 | | Discs | 1 | | Release Date | Aug 16, 2005 | | Mono/Stereo | Stereo | | Additional Info | Bonus DVD; Japan |
Cloudberry Jam Great Escape Songs | 1. | Easy |
| 2. | Not Ever |
| 3. | Sleeping the Days Away |
| 4. | 7 Days a Week |
| 5. | You Did Fool Me |
| 6. | Great Escape |
| 7. | You and I |
| 8. | I Will Feel Better |
| 9. | Hey, I'm Not Afraid |
| 10. | Radio |
| 11. | Summerbreeze |
| 12. | Easy - (sunaga t experience remix) |
| 13. | Your Love - (p. drake classic club remix) |
| Great Escape Review
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Purchase Great Escape CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
Great Escape album
$11.18 With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't ...
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| | Steve Barton Charm Offensive CD (2005)
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$14.79 Producer Ed Stasium, who worked on one track for Steve Barton's solo debut, returns nearly six years later to lend his assistance to the entirety of Barton's sophomore release. It is a long interval between albums, especially considering that all four early- to mid-'80s Translator albums with Barton contributing the majority of songs were released in less than that time span. And with 11 brisk songs clocking in at just over a half-hour of playing time, this one isn't exactly overflowing with material. But Barton hasn't lost his knack for British pop hooks or tight-fisted Americana jangle pop. Although this disc shifts genres with the first-half being more punk-inflected, and the last gearing towards retro pop, the songs are well written, crisply performed and smartly produced. Kicking off with the snappy "When You're Gone," a song that would have comfortably slotted on to any Translator disc, Barton asserts the jangly power pop/punk motif that weaves its way through the disc. According to the press notes, "Tina Finds the Silences" -- a snappy rocker -- is a tribute to Talking Heads' bassist Tina Weymouth, but the lyrics don't make that clear. The album's only cover, a frantic and not particularly appropriate take on the Beatles' "She's Leaving Home," shifts the once tender and heartbreaking song kicking and screaming into a rhythmic punk mode that is either a bad joke or a failed experiment. The Beatles' influence dominates the disc but reaches a peak on the Lennon-ish ballad "Narcolepsy Baby" and the '60s Searchers' style of "Shy," which also adds a touch of psychedelia through backwards sounding guitars and Who-like riffs to its British invasion homage. "Hold a Shadow Down" continues the spot-the Beatles-song motif, a game that Charm Offensive plays a little too often. Barton is best when he loses the overt influences and just sounds like himself on the easygoing "Yours to Lose," the most natural flowing track here. Still, retro punk-poppers will find lots to like and will hopefully not have to wait another five years for Barton's follow-up. ~ Hal Horowitz
Steve Barton not only knows where his music is going, he knows where it comes from. As a founding member of 80s cult favorites Translator, Barton confounded and delighted critics and fans alike by consistently creating songs that not only embraced the excitement of classic pop, but also managed to shine a light on the future. Bands like REM were able to burst ...
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