Paul Anka - Rock Swings CD

Rock Swings buy CD music A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003. Includes liner notes by Al Kooper, Michael Thomas. Includes liner notes by Michael Thomas. Full performer name: Mike Bloomfield/Al Kooper/Steve Stills. Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Reissue producer: Bob Irwin.

Rock Swings CD music Bob Sheppard, Dave Boroff (saxophone); Gary Grant (trumpet); Randy Waldman (piano, keyboards); Brian Bromberg (bass); Vinnie Colaiuta, Dave Tull, Frank Capp, Joe Labarbera (drums); Raffael Padilla (percussion); Jochem Van Der Saag, Neil Devor, Felipe Elgueta (programming); Barry Gibb (background vocals). Right off the bat, Michael Buble has you in his corner just because you know people have been calling the poor guy "Bubble" all his life (keep that accent on the second syllable, folks). Nomenclature aside, Buble's debut album positions him as something of a Harry Connick, Jr. for the 21st century. His husky croon gives him a bearing beyond his tender years, and in fact his Sinatra-phrased, pop-jazz style bears strong echoes of Connick's singing. Accordingly, the production leans heavily on the updated swing of chestnuts like "Fever" and "Come Fly With Me," but that's only part of the story. As a modern song stylist, Buble digs into the standards of a more contemporary songbook as well. George Michael's jazzy ballad "Kissing a Ballad" has been a standard-in-waiting for some time, and a version of the Bee Gees' soulful ballad "How Can You Mend A Broken Heart" features a guest turn by Barry Gibb himself. And there are worse things that could happen to Stevie Wonder's "For Once in My Life" than to be given the big-band treatment. It's refreshing to hear the debut of a young singer who's simply applying a strong voice and style to quality songs instead of cynically treading the teen-pop treadmill. Sings Standards.Prod.By David Foster. Personnel: Michael Buble, Sherree Ford (vocals); David Foster (arranger, piano, synthesizer); Dean Parks (acoustic & electric guitars, percussion); Heitor Padilla (acoustic guitar); Michael Thompson, John Pisano (guitar); Producers: David Foster, Humberto Gatica, Johnny Mandel. Personnel: Jochem van der Saag (programming). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Rock Swings songs Madeleine Peyroux's unique blend of jazz and pop was first unveiled on 1996's DREAMLAND, where she sounded like a postmodern heir to the smoky-voiced tradition that ran down from Billie Holiday through the likes of Karen Dalton and Judy Roderick. Though Peyroux made a splash with her debut, she quickly dropped out of the music scene, not to appear again until eight years later with the long-overdue follow-up, CARELESS LOVE. Here, Peyroux tackles material from a variety of sources; some songs were written expressly for her by such contemporary songsmiths as Jesse Harris (who penned Norah Jones's breakthrough hit, "Don't Know Why"). Perhaps most striking, though, are her interpretations of older compositions. Peyroux redefines the darkly yearning Leonard Cohen tune "Dance Me to the End of Love" as a sultry invitation rather than a heart-on-the-sleeve plea. Her lighter-than-air stroll through the clouds of Bob Dylan's "You're Gonna Make Me Lonesome When You Go" has a graceful ease that puts the song's many previous cover versions to shame. Throughout CARELESS LOVE, Peyroux--with highly sympathetic production from Joni Mitchell right-hand-man Larry Klein--proves fully up to the task of redefining the role of torch singer for the careworn 21st century. Liner Note Author: Madeleine Peyroux. Recording information: Market Street, Venice, Italy; Paramount Recording Studios, Hollywood, CA. Author: Dylan Thomas. Photographer: Andrew MacNaughtan. Personnel: Madeleine Peyroux (vocals, acoustic guitar); Madeleine Peyroux; Larry Goldings (piano, celesta, Wurlitzer piano, Hammond b-3 organ, pump organ, Wurlitzer organ); David Piltch (bass instrument); Jay Bellerose (drums, percussion); Dean Parks (guitar); Lee Thornburg (trumpet); Scott Amendola (percussion). Audio Mixer: Helix Hadar.

Rock Swings album for sale Audio Remasterer: Doug Sax. Arranger: Claus Ogerman. Personnel: Joel Pargman, Eun Mee Ahn, David Ewart, Amy Wickman, Gil Romero, Katia Popov, Alan Grunfeld, Helen Nightengale, Barbara Porter, Mari Tsumura, Tamara Hatwan, Razdan Kuyumjian, Sid Page, Bruce Dukov, Peter Kent, Yue Deng, Tiffiany Yi Hu, Darius Campo, Liane Mautner, Josefina Vergara, Caroline Campbell, Charlie Bisharat, Mario Diaz de Leon, Tereza Stanislav (violin); Dan Neufeld, Todd Marda, Victoria Miskolczy, Marlow Fisher, Matthew Funes, Kate Reddish, Janet Lakatos, Dave Walther, Evan Wilson, Thomas Dienner (viola); Trevor Handy, Rudy Stein, Timothy Landauer, Dan Smith , Vanessa Freebairn-Smith, Antony Cooke , Larry Corbett, Cecilia Tsan, Steve Richards (cello); Heather Clark, Steve Kujala, Geri Rotella, David Shostac (alto flute, bass flute); Earl Dumler (oboe); Joseph Meyer , Todd Miller, Bill Lane, Rick Todd, Brad Warnaar (French horn); Doug Tornquist (tuba); Robert Zimmiti (vibraphone); Drew Dembowski, Reggie Hamilton, Sue Raney, Nico Abondolo, Edward Meares (bass guitar). Audio Mixer: Al Schmitt.

Rock Swings CD music Donald Fagen may be one of the most subversive artists in the pop/rock world. Unlike, say, Prince or Sinead O'Connor, who've worn their subversion on their sleeves, Steely Dan main man Fagen has wormed his way into the American consciousness (and pop charts) with a deceptively harmless sound. Like the Dan catalog and Fagen's previous solo albums, MORPH THE CAT seems on the surface like ear candy that goes down easy. Lurking just below the skin of Fagen's trademark bouncy grooves and pristine, lite-jazz production, however, is a seamy, disconsolate underworld that bespeaks both a lifelong cynicism and a deliciously morbid sense of humor. Though MORPH isn't Fagen's first post-9/11outing (that would be Steely Dan's EVERYTHING MUST GO), it deals more explicitly with that world. For all the foreboding expressed in "Mary Shut the Garden Door," though, it takes a narrator as willfully perverse as Fagen to find himself turned on by the airport security officer giving him the once-over in "Security Joan." MORPH THE CAT is prime Fagen, existing in that singular Twilight Zone where Bob James plays the Leonard Cohen songbook and makes you love it. The first solo album in 13 years from Donald Fagan, Morph The Cat is another contemporary classic from half of the Rock and Roll Hall of Fame duo Steely Dan. With Fagan's adventurous musical depth, uniquely layered lyrics and entertaining subject matter (from a conversation with the ghost of Ray Charles to a romantic liaison with an airport security guard named Joan), Morph the Cat is the newest chapter chronicling the most sophisticated music in rock. 2006. Recording information: Avatar Studios, New York, NY; Clinton Recording Studios, New York, NY; Sear Sound, New York, NY; Sugar Sound, Kauai. Photographer: Danny Clinch. Personnel: Donald Fagen (melodica, piano, Fender Rhodes piano, organ, background vocals); Donald Fagen (vocals); Ken Wessel, Frank Vignola, Hugh McCracken, Ken Emerson (guitar); Howard Levy (harmonica); Roger Rosenberg (bass clarinet, baritone saxophone); Walt Weiskopf (alto saxophone, tenor saxophone); Mark Patterson (trombone); Ted Baker (piano, Fender Rhodes piano); Tedd Baker (Fender Rhodes piano); Harlan Post, Jr. (acoustic bass); Art Smith (drums); Jennifer Battista, Candice Predham, Eddie Jackson , Camille Meza (clappers); Gordon Gottlieb (percussion, background vocals); Bashiri Johnson , Joe Passaro (percussion); Cindy Mizelle, Jerry Barnes, Amy Helm, Carolyn Leonhart (background vocals); Jon Herington, Wayne Krantz (guitar); Lawrence Feldman (flute, clarinet, tenor saxophone); Illinois Elohainu (flute); Marvin Stamm (trumpet); Phonus Quaver (vibraphone, marimba); Freddie "Ready Freddie" Washington (bass guitar); Keith Carlock (drums). Audio Mixers: Elliot Scheiner; Brian Montgomery.

Rock Swings buy CD music In a bold move that even more experienced singers might think twice about, Renee Olstead opens her self-titled major-label debut with a stark, a cappella verse of Gershwin's melancholy classic "Summertime." Olstead sings with confidence and swings with authority on this set of standards, an astonishing accomplishment for a young lady, who, at the time of this recording, was only 14 years old. Very little indicates that this album is the work of a teenager, and certain vocal touches even bring to mind the bold vocal style of K.D. Lang. The record features big-band arrangements with lush strings, punchy horns, and even a quasi-Swingle Singers backdrop on "On a Slow Boat to China." Chris Botti provides sexy trumpet obbligato on two numbers, and Peter Cincotti joins Olstead on a stellar duet of Neil Sedaka's "Breaking Up Is Hard to Do," rounding out a remarkable first outing by a notable talent. Recording information: Henson Recording Studios, Hollywood, CA; Signet Sound Studios, Los Angeles, CA; Westlake Audio, Hollywood, CA. Arrangers: Carol Weisman; Fred Norman; John Clayton; Oscar Castro-Neves; Billy Childs Trio. Guests:Peter Cincotti,Chris Botti,Carol Welsman Personnel: Reneé Olstead (vocals); Carol Weisman (vocals); Dean Parks (guitar, acoustic guitar); Don Shelton (clarinet, alto saxophone, tenor saxophone); Don Shelton (alto saxophone, tenor saxophone); Warren Luening (trumpet); Alan Broadbent, Billy Childs, Billy Childs Trio, Gerald Clayton (piano); Brian Bromberg (bass instrument); Jeff Hamilton , David Tull (drums); Neil Devor (programming); Peter Cincotti (vocals, piano); Dennis Budimir (guitar); Chris Botti, Rick Baptist (trumpet); Chris Dawson (piano); Joe La Barbera, Vinnie Colaiuta (drums). Audio Mixer: Humberto Gatica.