| | Flyleaf CD Flyleaf Discography of CDs
 (6 Customer Reviews)
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Flyleaf: Lacey Mosley (vocals); Sameer Bhattacharya, Jared Hartmann (guitar); Pat Seals (bass instrument); James Culpepper (drums). Average Rating: (4.7 out of 5 stars)   List All Reviews woohoo
i 3 Flyleaf...
and they're from my hometown,
so that's basically amazing!!
Submitted by Ashley (Temple)
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Flyleaf Rocks
Although the songs are really short Lacey's voice touches your soul with her amazing vocals and lyrics that will make you fight tears every time you listen to it. It’s an amazing CD. Can’t wait for more Flyleaf music.
Submitted by nottelling (New Jersey, USA)
Was This Flyleaf Music Review Helpful? Yes No  i m surprized
i dont lisin to anything thats not christain and i heaad theese people sirus spirt and man they rock
Submitted by tim (las vegas nevada)
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Flyleaf blew me away!
I just saw flyleaf at Starland Ball Room in Jersey, while on tour with taproot and staind,Lacey completely shocked me! her vocals are AMAZING! The rest of the band completely rocked! And the CD is just as good, they give so much energy to the CD and on stage!!!!
Submitted by Carlyn (South River, New Jersey)
Was This Flyleaf Music Review Helpful? Yes No Buckle up and hold on!!!
My first experience with Flyleaf was their live appearance on the Fall Brawl tour with POD and Staind in Amarillo, TX. Flyleaf brings a tremendous amount of energy both through their music and in person on stage. Their music is crisp and edgy, producing a technically solid foundation of sound to support Lacey's powerfully gripping vocals. Their live performance prompted me to purchase this album, then to find that I love every song on the album!
Submitted by Matt (Amarillo, TX)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Flyleaf CD To buy, Click on price to add to cart | Israel Iz Kamakawiwo'Ole Facing Future CD (1993)
Flyleaf
 $13.29   
| | 20th Century Masters: The Millennium Collection - The Best Of Village People CD (2001)
Flyleaf
$6.79
Incl. 12" Mix Of Ymca
Village People: Victor Willis, Ray Simpson (vocals); David Hodo, Glenn M. Hughes, Randy Jones, Alex Briley, Felipe Rose (background vocals).
Additional personnel includes: Horace Ott (arranger, conductor).
Producers: Jacques Morali, Henri Belolo.
Compilation producer: Bill Levenson.
Includes liner notes by Joseph F. Laredo.
All tracks have been digitally remastered.
Personnel: Victor Willis, Ray Simpson (vocals).
Audio Mixer: Michael Hutchinson.
Liner Note Author: Joseph F. Laredo.
20th ...
| | Kickboxer DVD (1989) Lions Gate Home Entertainment
Flyleaf
 $6.99
When American kickboxing champ Eric Sloane is crippled in the ring by the dastardly Tong Po, his younger brother Kurt (Jean-Claude Van Damme) ...
| | 3-Ring DVD Album (2004)
 $18.15 | | Poultrygeist - Night Of The Chicken Dead DVDs (2006) Widescreen
Flyleaf
$19.99
| | Long Way Down DVDs (2008)
Flyleaf
$32.09
| | Best Of Stephan Sulke, Vol. 1 CD (1997)
Flyleaf
$13.95
| | Magada Compilation No 1 CDs (2008) (Import) Import
Flyleaf
$18.39
Track Listing of songs: So Out of Luck; Soul Power; You Can Leave Your Hat On; Numb; I Can Hear Your Love Calling; Wrong Kind of Love; Sanctuary; Until the Day We Die; Where You Leave Off; Legendary Love; Rock & Roll Machine; Warm and Welcome Place; Crawling from the Edge; I Don't Know; Following ...
| | Will Sanctuary CD (2002)
Flyleaf
$12.39
"SANCTUARY" Will's much anticipated debut album finds the singer/songwriter in top form and breaking out with a collection of tightly woven songs that beg to be heard. Fused with elements of Drum and Bass, Garage, Pop, Electronica and R&B, the album takes you on a journey of intense emotions and picturesque landscapes of life through Will's eyes. From floor-thumping dance cuts like the title track "Sanctuary" to heartfelt, emotional and honest ballads like Lost in Your Soul and "Girl Named Kate" (Acoustic Version) "SANCTUARY" delivers Will's emotive and expressive voice and his ability to elicit different moods and feelings from love, to doubt, anger, bliss, and spirituality which singularly prove he is a true master of the craft. "This album has taken about three years to complete" says Will "and it was a personal journey that I needed to accomplish. My first love is music and to complete this album meant to me that I could do anything I put myself to." People tried to steer me in other directions, but it was my love of music that kept me focused and brought me this far. Music is what I hold on to as I move forward in my Journey. The 13 songs found on "SANCTUARY" are all a part of Will's unique and complex psyche. Along the way Will picked up some extraordinary players to round out the sound he wanted. Jason Nuccio and Billy Harkowsky (great pop songwriters) Ami Ortiz ( fantastic Vocalist and member of the 50's Girl Group "The Chantals" and collaborator Mike Degen (known in NY as one of the best independent producers available) whom, not only produced the album but tweaked most of the gadgets used to create Will's encompassing sound. "Working with these different people has helped me tremendously. I'm used to working by myself, but I have a new found respect for the differences that other people bring to the project." Will doesn't only bring himself to the table when working on projects, he brings his professionalism, determination and a willingness to try new things. Will has never been afraid to push the envelope and its apparent in accomplishments Will has achieved in his short but varied career. In 1997 Will joined an Electronic Pop group called Carol Masters as the lead singer. Within a few short months Will was on touring with the band opening for such acts as Anything Box and Modern English.In 1999 Will decided to start laying the ground work for his debut album "Sanctuary". With no corporate sponsors, Will financed his project alone.In 2002, Will was on stage performing and wooing new fans everywhere. He even wooed BUDWEISER into sponsoring him for one of his shows in New York City. One of Will's greatest accomplishments was his performance ...
| | 70'S Greatest Hits CD (2004)
Flyleaf
$6.49
| | Gordon Giltrap Remember This CD (2003)
Flyleaf
$16.05
| | Royals Scots Dragoon Guard Gikyokuonsou CDs (2001) Import
Flyleaf
$22.99
Un Voyage En Progressif - Volume Un is a catalogue-compilation that includes a certain number of tracks issued on Musea's albums in 1998: DRAMA, PRIAM, Jean-Pascal BOFFO, TIEMKO, MINIMUM VITAL, HALLOWEEN and ECLAT from France, BLUE SHIFT from the USA, GALADRIEL from Spain, STARLESS from Japan and APOGEE from Germany. This CD allows you to discover (For a reasonable price !) the great quality of Musea's productions and to enjoy the magic of Progressive rock in various different ways: live or atmospheric, with a jazzy touch or a psychedelic one or even with a heavy ...
| | Tony Williams Mosaic Select CDs (2007)
Flyleaf
$41.75
Personnel: Billy Pierce (soprano saxophone, tenor saxophone); Donald Harrison (alto saxophone); Wallace Roney (trumpet); Mulgrew Miller (piano); Bobby Hutcherson (vibraphone); Tony Ruption Williams (drums, drum machine, electronic drums).
Audio Remixers: David Cole; Jason Corsaro; Peter Darmi; Bob Brockman.
Liner Note Author: Michael Cuscuna.
Recording information: Capitol Studio B, Los Angeles, CA (06/18/1985-12/01/1991); Clinton Recorders, Studio B, New York, NY (06/18/1985-12/01/1991); M & I Studios, New York, NY (06/18/1985-12/01/1991); The Power Station, New York, NY (06/18/1985-12/01/1991).
Photographer: Lee Tanner.
For the 24th Mosaic Select box set of reissues from the Blue Note vaults, series producer Michael Cuscuna has chosen five recordings in a seven-year span from 1985-1991 by drummer/bandleader Tony Williams. Note that this is not the complete Tony Williams on Blue Note, excluding his sessions after having left the Miles Davis Quintet, especially Life Time, Spring, and his sideman work with Jackie McLean, Eric Dolphy, and Sam Rivers. The complete latter-period group recordings included are Foreign Intrigue, Civilization, Angel Street, Native Heart, and The Story of Neptune. All are solidly in the modern mainstream post-bop mode, featuring the forceful, driving drumming of Williams, and all the sets feature the brilliant pianist Mulgrew Miller with Miles devotee trumpeter Wallace Roney. Tenor and soprano saxophonist Bill Pierce is paired on the sides except Foreign Intrigue. Ron Carter, Charnett Moffett, and Ira Coleman are the bassists, with Robert Hurst making a cameo on three tracks. These are individualistic, solid players, giving Williams the opportunity to not only jam with the best, but write music geared toward their personalized sounds and stances. Four of the five sessions were done in New York City; only Civilization was done elsewhere, in Los Angeles. Of the 38 selections, four are unaccompanied drum solos, and three are covers or standards. There are a few waltzes and no ballads as one might expect, though Miller's piano rhapsodically introduces two tracks. The remainder are original compositions of Williams. Give the drummer some credit, as a total musician and composer. The recordings are programmed in chronological order, starting with Foreign Intrigue, which likely is overall the best of the lot. Williams introduces some of these compositions and utilizes his acoustic kit with a drum machine and electronic drums. There are some classics on this one, like the title track, the hard bopper "Clearways," the cool bluesy "Takin' My Time," and the loping by-now standard "Sister Cheryl." Bobby Hutcherson's presence on vibes truly uplifts this session, as does Donald Harrison's alto sax, the only alto on the compilation.
Civilization also uses a bit of drum machine, but not much. The happy, cartoonish melody on "The Slump" is a melodic standout. "Mutants on the Beach" (part of the repertoire of Herbie Hancock's V.S.O.P. quintet tribute to Miles Davis that included Williams) and a hard bopping "Warrior" deliver Williams and his band at full force. The gorgeous, serene "Soweto Nights" is a piece everyone should revisit. Angel Street includes three of the solo drum pieces, while the highlights are the urgent "Dreamland" and the now-standard "Pee Wee" (written before Williams was exiting the Davis Quintet in 1967 and on the V.S.O.P. set list). Native Heart and The Story of ...
| | 10 Years Division CD (2008)
$9.99
DIVISION, the follow up to 10 Years' hit debut, THE AUTUMN EFFECT, reflects the turbulence in the band, and its emotional aftereffects, during the period following their breakout success. Songs like the storming opener, "Actions and Motives," and the emo power ballad, "Dying Youth," obliquely address this turmoil, while the first single, "Beautiful," and the unexpected sitar-and-tabla inflected "Alabama" stretch the Tennessee band's reach to include sounds and emotions beyond those heard on the more straightforward THE AUTUMN EFFECT.
Knoxville, TN, alt-metal act 10 Years made their major-label debut with 2005's The Autumn Effect, an utterly ordinary effort much beholden to the likes of Tool and Staind, and the album nonetheless scored a big radio hit with the single "Wasteland." Reportedly recorded in a fractious intra-band environment (hence the title), Division sounds like the work of a band that carefully and thoroughly deconstructed its previous hit and attempted to replicate it several more times for the follow-up. Division is a smooth, radio-friendly record with the debut's aggressive tendencies almost entirely sanded off in favor of new producer Rick Parashar's glossy layers of instruments and vocals. Even potentially powerful quiet-to-loud rockers like "Russian Roulette" and "11 AM (Daydreamer)" feel over-manicured and far too polite, singer Jesse Hasek's vocals losing their emotive power in the overall listlessness. Even worse, hints that the bandmembers now consider themselves "artists" occasionally rear their ugly heads: the coda of "Picture Perfect (In Your Eyes)" is nearly as long as the body of the song itself, and even worse, it features a spoken word poem read by one of the album's female backing vocalists. (Simply that the album has female backing vocalists in the first place is a warning sign for this brand of alt-metal -- call it "November Rain" syndrome -- but really, a poem? Why not just call the guy from the Moody Blues? He can't be busy.) It may well have the intended effect of prolonging the band's chart life temporarily, but Division sounds if anything like the exact opposite of artistic maturation. ~ Stewart Mason
Knoxville, TN, alt-metal act 10 Years made their major-label debut with 2005's The Autumn Effect, an effort much beholden to the likes of Tool and Staind, and the album scored a big radio hit with the single "Wasteland." Reportedly recorded in a fractious intra-band environment (hence the title), Division sounds like the work of a band that carefully and thoroughly deconstructed its previous hit and attempted to replicate it several more times for the follow-up. Division is a smooth, radio-friendly record featuring new ...
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