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3 stars (2 Customer Reviews)

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Play: Anais Lameche, Anna Sundstrand, Rosie Munter, Faye Hamlin.
Girl's Mind Music


Detailed Girl's Mind Music Information



List Price $6.99 (You save $0.94)
Category Rock/Pop Albums, Teen Pop CDs, Rock
Label BMG Special Products
Orig Year 2005
All Time Sales Rank   137931  
CD Universe Part number 6864097
Catalog number 93737
Discs 1
Release Date Apr 05, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Jeff James (Compilation); Jeffrey James (Compilation)
Personnel Anais Lameche
Anna Sundstrand
Faye Hamlin
Rosie Munter
Play Girl's Mind Songs


Play Girl's Mind Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Us Against the World  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.I'm Gonna Make You Love Me  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Hopelessly Devoted  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Let's Get to the Love Part  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Girl's Mind  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.I Must Not Chase the Boys  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Hot  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.What Is Love?  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Another Love Story  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Ain't No Mountain High Enough  $0.99

Girl's Mind Music


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Girl's Mind Music Review


Customer Girl's Mind Reviews 




Average Rating: (3 out of 5 stars) 3 stars

2 stars same thing
these are the same songs on all they're other albums with like three new songs you know who is so much better than them no secrets i wish they didnt break up
Submitted by austin (indio,CA,USA)
Was This Review Helpful? Yes No  0 of 1 found this helpful.

4 stars pretty good
pretty good especially for girl that really arent well known....oh yea and i though play already broke up?
Submitted by Breakdancer202 (Mastic,NY,US)
Was This Review Helpful? Yes No  0 of 1 found this helpful.

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Partially recorded at Black Dog Studios, Nashville, Tennessee. Frothy and packed with hooks, harmonies and bright beats, the self-titled outing by Jump 5 takes the same stylistic path as secular brethren A*Teens while managing to incorporate a subtle Christian message. Throughout this ten-pack of devotional pledges of love to the Lord, any notions of innuendo are banished and replaced with devout expressions of faith ranging from the beat-heavy "Spinnin' Around" to equally catchy ear candy like "When I Say Your Name" and "I Belong To You." The group's love also extends to non-believers and includes the lush exhortation "Wish That I Could Read Your Mind." As an added bonus, this Nashville-based quintet include a pair of bonus cuts on its debut: a Radio Disney remix of the smash "Start Jumpin'" and a stirring version of the patriotic Lee Greenwood chestnut "God Bless The U.S.A." This self-titled album is the first full-length effort from this Christian rock group known as Jump5. Members Brandon Hargest, Chris Fedon, Libby Hodges, Lesley Moore, and Brittany Hargest range in age from 12 to 15. All of them let their vocal talents shine on this superb debut recording. Listening to the album, fans will miss one part ...
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Following in the footsteps of teen-actress-turned-singing-star Hilary Duff, Lindsay Lohan delivers SPEAK, an accomplished album of radio-ready pop. Balancing dance-floor grooves of the Britney Spears/Christina Aguilera variety with rock moves borrowed from the Avril Lavigne/Michelle Branch axis, Lohan sings with authority over razor-sharp club beats (the title track, ...
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Gothic Acoustic Tribute To Tool
Gothic Acoustic Tribute To Tool CD  (2004)

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CD $9.35  4.7 stars Top 500 Audio Samples
Continuing in their long line of Gothic Acoustic tribute records, Big Eye sets its sights on one of metal's most important acts of the past decade: Tool. There really isn't that much about this album that's gothic, and it could be presumed that the "Gothic Acoustic" tag is a means to draw in the disenfranchised mall youth to take a listen when the ferocious tenacity of Tool is inappropriate background music, say for example while studying for that algebra test with friends at the local coffeehouse. The packaging and tonal qualities of the group ring anything but gothic, and this tribute album could easily have been packaged in an earthy tan sleeve with old-timey brown font lettering proclaiming that Emmet Otter's Brownjug Acoustic band performed these tracks. Packaging aside, this album does a good job emulating the haunting atmospherics of the original compositions, but strips away all tenacity and intensity in the process. To paraphrase Vowell, it's noticing the "difference between a paper cut and a decapitation." This one is only for those curious to hear Tool recontextualized and emasuclated to the highest power imaginable. ~ Rob Theakston Continuing ...
In A Glass House
Gentle Giant In A Glass House CD  (1973) Anniversary Edition; 35th Anniversary Edition

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Gentle Giant was reduced to a quintet on In a Glass House with the departure of elder brother Phil Shulman, but its sound is unchanged, and the group may actually be tighter without the presence of his saxophones. The time signatures are still really strange, and the tempo changes are sometimes jarring, as is the wide range of dynamics, but this is also one of the group's most pleasing records -- they rock out in various places, and elsewhere perform all kinds of little experiments with percussion instruments ("An Inmate's Lullaby"), or create a strange, otherworldly sort of modern medieval-style music ("Way of Life"). None of it except possibly "A Reunion" is light listening, but the challenge does yield some rewarding sounds. ~ Bruce Eder Gentle Giant's fifth album was the maker (or breaker) of their career. Evidently of no interest to Columbia Records or to England's Vertigo label, which had issued their prior albums, it marked a break in their commercial stride; fans in England could buy it on the WAA label, but in America -- where imports were still carried mostly by specialty shops and a tiny label like WAA didn't exactly rate next to EMI, British CBS, etc. -- fans had to scramble to find it. It's arguable that the group never recovered from the lapse, because between its relative obscurity in England and the near-impossibility of finding it in America, it created a major gap in their library -- you couldn't really absorb the record that followed, The Power and the Glory, without listening to In a Glass House first, so there was a major piece in their musical matrix missing for actual and potential American fans from that day forward. Additionally, plain and simple, In a Glass House was their best album, bar none, so on that basis alone, the group was fatally damaged in the United States. On no other record did they so freely and effectively mix their strange amalgam of modern and medieval sounds, or challenge the listener (successfully) with songs that juxtaposed heartbreakingly beautiful and searing dissonant sounds within the same songs. From the opening, "Runaway," they combine a bracing attack on their instruments with surprising delicacy in the singing and highly (and finely) nuanced musicianship and vocalizing, amid some pretty bold ideas for songs. This was as close as this band ever got to intersecting with King Crimson of the same era, and heard in this remastered edition it's possible to marvel at the sheer elegance of the playing, even on the hard rocking numbers such as "Way of Life," which vaguely calls to mind Crimson's "Larks' Tongues in Aspic" or "Starless and Bible Black" (only with a better beat) until the finale, where the group suddenly switches to its neo-medieval sound. But it all works, Gary Green and Kerry Minnear's bracing guitar and keyboard playing somehow slotting in perfectly next to the faux-archaic bridge and all of it combining ...
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(2-CD set) For a band well into the fourth decade of it's existence to find itself in fashion is a strange concept, yet for Steeleye Span this is proving to be very much the case. Folk music, especially of the English persuasion, is back in vogue thanks Steeleye are indeed folk-rock pioneers, and it's a testament not only to the songs, but also the genre, that they retain a popularity 35 years after their formation. This double-disc live set from 2004 shows a band that's older and grayer now, but far from just going through the motions. The core of the heyday -- Maddy Prior, Rick Kemp and Peter Knight -- is as solid as ever, while the most recent members, ...
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