| | Weevil Drunk On Light CD - Import Weevil Discography of CDs
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Weevil Drunk On Light Songs Drunk On Light Review
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Purchase Drunk On Light CD To buy, Click on price to add to cart | Organ Grab That Gun CD (2004) (Import) United Kingdom
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| | Awol One War Of Art CD (2006)
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$11.99
California-based rapper, producer, and DJ AWOL One (aka Tony Martin) can't be pinned down to a specific sound or vision, which is a good thing. His ninth album (including collaborations), The War of Art, is an almost defiantly underground statement, featuring a mix that's so muddy and lo-fi that it has to have been a deliberate artistic choice. For most of the album, the beats are similarly low-key, with the distorted faux-Middle Eastern whine of "The Drums" being the primary standout simply by virtue of its novelty. As a result, The War of Art stands or falls on its lyrical merits, and luckily, this is where AWOL shines. Though not blessed with a particularly distinctive style or easy flow, he is an intelligent lyricist who makes sharp political and cultural observations on tracks like "Casting Call" and "Evil Prevails." However, at the album's end, AWOL throws out some change-ups, first with an unexpected and bracing blast of Body Count-style hardcore punk/rap called "Bloody Shoes" that takes partial lyrical inspiration from Ozzy Osbourne's "Crazy Train" but sounds more like vintage Black Flag, followed by an unlisted bonus collaboration with Canadian alternative rapper Josh Martinez built on acoustic guitars and a woozily psychedelic-phased drum pattern. By moving these songs to album's end, like bonus tracks, he avoids the scattered sense that's bogged down some previous AWOL One records, plus he whets appetites for whatever stylistic detour he plans on taking next. ~ Stewart Mason
Bursting on the scene from Planet Zero, California, Awolrus' style has taken him through the murky waters of hip-hop. In 1988, AWOL took off on his b-boy journeys influenced by KDAY and breakdance music. Soon after, vinyl became no stranger and the art of DJing lived in his knuckles. AWOL found himself DJing in underground parties, eventually moved up to night clubs, and then "Lowrider Magazine" American Tour for Thump Records in 1995 opening for Roger and ZAPP. Another aspect of AWOL's art is graffiti -- and even with unjust laws striking him in 1991 -- he still paints and does graphic design. A world that was thought to protect sometimes left AWOL in the cold. But taking control of his melodic rap style patterns have drawn him into the ears of audiences worldwide. ...
| | Interface Beyond Humanity CD (2006)
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New York’s Interface combines elements of darker EBM, trance, and industrial, all with a melodic, emotional edge. Founded and led by Eric Eldredge, plus keyboardist Jon Billian. Originally signed to Tinman Records, who released The Artemis Complex (1999) and Angels in Disguise (2002), Interface has reached audiences worldwide with tracks such as “Wasted Timeâ€, as well as numerous compilation and remix appearances.These tracks will grab you, hook you and make you dance! Imagine Funker Vogt, Kraftwerk, Assemblage 23 and cut.rate.box all rolled into one. Plus, with remixes by Combichrist, Stromkern, Assemblage 23, Imperative Reaction and (well known trance DJ) Sean Tyas, how can you go wrong?The album starts with a short, spatial ambient intro with some sci-fi post-apocalyptic spoken word samples and then jumps right into the pounding beats and futuristic theme with "Age of Computers". The vocoded vocals are a nice touch on this track giving it that mechanical and over-the-top digital feeling (or lack of feeling). However, the melodic vocals interspersed between the mechanical gives the track a human touch and should really please synthpop fans. This theme of Beyond Humanity remains strong throughout the album providing a cohesive theme and smooth transition between tracks making the entire album nice to listen to. A few tracks have various samples included which add some nice accents to each piece. "Mind Killer" builds on this feature and some harsher vocals and heavy bass and beats for another excellent dance track that has quickly become a favorite on this disc. This heavier, more aggressive tone and harsh vocals is actually more of the exception, which is nice in today's onslaught of vocals that sound like the vocalist has gargled gasoline. Adding some nice variety to the album are the mid-tempo pieces "Wonderland" and "Insomniac" with a heavy, but smooth trip-hop beat and non-distorted vocals. "Stranger in a Strange ...
| | Philips Westin Orchestra Mission Impossible CD (2007)
Drunk On Light music CDs
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