| | Reader's Digest Faith: Worship CD
Director: Len Handler.
Personnel: Mark Taylor (vocals).
Reader's Digest Faith: Worship Music Reader's Digest Faith: Worship Songs Reader's Digest Faith: Worship Review
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Purchase Reader's Digest Faith: Worship CD To buy, Click on price to add to cart | Newsong Christmas Shoes Album CD (2001)
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This album, Second Skin, is Ashley Cleveland's fifth. With it the Grammy and Dove Award-winning singer has pulled off another lineup of impressive CCM to carry fans rocking through the first track to the last. Kenny Greenberg served as producer for this offering, but as usual, Cleveland did ...
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The Insingizi heard here is the current form of an older group of Zimbabwean musicians from Bulawayo who acted as something of a cultural troupe, touring throughout Europe. After settling in Austria, the group quietly disbanded, but three of the members have re-formed the core of it as a trio of mbube singers. As such, the sound is relatively similar to the bulk of the Ladysmith Black Mambazo albums, but with key differences. The sound is somewhat sparser, as there are here only three singers rather than the full array of singers in Ladysmith. Also, there are touches of Western music theory from time to time here, quite likely hailing from some time spent ...
| | Linda Sharpe We Are Called CD (2004)
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"we are called"A New Voice and a New Musical CD of Inspiration, Praise, Discipleship and Worship!!by Ms. Linda SharpeMs. Linda Sharpe For Immediate Release6107 SW Murray Blvd. #269 for More Information:Beaverton, OR 97008-4467 Linda Sharpe 503.644. 5773e-mail: Lsharpe4@juno Portland, OR November 17, 2003..................I am Linda ...
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Resurrection is Nicol Sponberg's second solo outing. Here, with producer Mark Heimermann, she takes some chances and showcases the full-blown power of her considerable voice. While the music is made up of mostly ultra-slick, lightweight, funky dance and R&B tunes, there are some surprises. For starters, the album opener, "Jacob's Well" is a clear standout. Sponberg sounds like Annie Lennox trying to imitate Aretha Franklin. And no, that's not a bad thing. With its slow, dirge-like tempo, it retains the tension and power of a gospel track set to a dance beat. With its low-end bassline and programmed beats, it feels synthetic until Sponberg opens her mouth and delivers the entire tune to the listener with not only conviction, but plenty of chops as well -- without oversinging. "Not You Again" feels like an updated late-'70s disco tune, but once again her voice, with its studied yet emotional delivery, is what carries it over. The title track is pure pop dreck, however, and not even an instrument like hers can save its schmaltzy production, overworked arrangement, and crummy lyric and melody line. "Anything and Everything" is a standard praise number with some breathy backing vocals added for background texture. And that's the problem. Sponberg's talent is massive. She is a fine, perhaps even gifted singer and understands the ambiguities and nuances in a lyric line, but she is seldom given the chance to put her own tunes across that way. One suspects the uptight Nash Vegas suits at Sony and her producer have decided to amp everything up in terms of drama to get it across to an audience who has been told -- no matter what they feel -- that they can accept only white-bread music, and who indeed may be afraid of true spiritual and emotional conviction. The set is all too snappy and polished and doesn't jive well with the raw edge in Sponberg's voice. The production and song choices lack imagination or taste. Only the depth and breadth of the singer, who has to work twice as hard as she should to rise above ...
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