| | Rock 'N' Roll Roots: The Blues Influence CD - Import
Here are 26 jumpin' jivin' boogie bluesin' R&B classics from the '40s and early '50s. Tracks: Sally Zu-Zazz - Big Joe Turner with Albert Ammons & His Rhythm Kings / That's All Right Mama - Arthur 'Big Boy' Crudup / My Gal's A Jockey - Big Joe Turner with Rock 'N' Roll Roots: The Blues Influence Music Rock 'N' Roll Roots: The Blues Influence Songs | | Rock 'N' Roll Roots: The Blues Influence CD ROCK 'N' ROLL ROOTS - THE BLUES INFLUENCE: |
| 1. | Sally Zu-Zazz - Big Joe Turner/Albert Ammons & His Rhythm Kings |
| 2. | That's All Right Mama - Arthur "Big Boy" Crudup |
| 3. | My Gal's a Jockey - Big Joe Turner/Bill Moore |
| 4. | So Glad You're Mine - Arthur "Big Boy" Crudup |
| 5. | Tomorrow Night - Lonnie Johnson |
| 6. | Boogie Chillen - John Lee Hooker |
| 7. | Drinkin' Wine Spo-Dee-O-Dee - Sticks McGhee |
| 8. | Rockin' With Red - Piano Red |
| 9. | Rolling Stone - Muddy Waters |
| 10. | Rollin' & Tumbling (Part 1) - Muddy Waters |
| 11. | Bon Ton Roula - Clarence Garlow |
| 12. | That Ain't the Way to Do It - B.B. King |
| 13. | One Monkey Don't Stop No Show - Sticks McGhee |
| 14. | She's Dynamite - B.B. King |
| 15. | Bear Cat - Rufus Thomas |
| 16. | Passing My Blues - Howlin' Wolf/Ike Turner |
| 17. | Howlin' Wolf Boogie - Howlin' Wolf |
| 18. | Hound Dog - Big Mama Thornton |
| 19. | Cash Box Boogie - Lowell Fulson |
| 20. | Walking the Boogie - Roosevelt Sykes & His Original Honey Drippers |
| 21. | Rock My Baby Right - Elmore James & His Broomdusters |
| 22. | Hawaiian Boogie - Elmore James & His Broomdusters |
| 23. | Shake Baby Shake - Champion Jack Dupree |
| 24. | No More Doggin' - John Lee Hooker |
| 25. | My Country Man - Big Maybelle |
| 26. | Move Me, Baby - Jimmy Witherspoon |
| Rock 'N' Roll Roots: The Blues Influence Review
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It's not as if Albert King hadn't tasted success in his first decade and a half as a performer, but his late-'60s/early-'70s recordings for Stax did win him a substantially larger audience. During those years, the label began earning significant clout amongst rock fans through events like Otis Redding's appearance at the Monterey International Pop Festival and a seemingly endless string of classic singles. When King signed to the label in 1966, he was immediately paired with the Stax session team Booker T. & the MG's. The results were impressive: "Crosscut Saw," "Laundromat Blues," and the singles collection Born Under a Bad Sign were all hits. Though 1972's I'll Play the Blues for You followed a slightly different formula, the combination of King, members of the legendary Bar-Kays, the Isaac Hayes Movement, and the sparkling Memphis Horns was hardly a risky endeavor. The result was a trim, funk-infused blues sound that provided ample space for King's oft-imitated guitar playing. King has always been more impressive as ...
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