| | Solo Viola Da Gamba / John Dornenburg CD Dornenburg, John CDS
| Category | Classical, Chamber Music/Recitals, Classical Period, Baroque Period, Sonata, Suite, Prelude, Renaissance Period, Partita, Minuet, Pavane, Chaconne |
Tobias Hume/Christopher Simpso John Dornenburg,Viola Da Gamba Solo Viola Da Gamba / John Dornenburg Music | List Price | $17.97 (You save $3.48) | | Label | Centaur Records | | Orig Year | 5/31/2005 | | All Time Sales Rank |  19916  | | CD Universe Part number | 6867113 | | Catalog number | 2713 | | Discs | 1 | | Release Date | May 31, 2005 | | Recording Time | 1 7 |
Solo Viola Da Gamba / John Dornenburg Review
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Includes chaconne in c minor (boquet) / dialogue in c minor by various composers.
Includes chaconne in g major (mouton) / le perier in g mino by various composers.
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Track Listing of songs: St. John Passion, Bwv 245: Herr, Unser Herrscher; St. John Passion, Bwv 245: Jesus Ging Mit Seinen Jungern; St. John Passion, Bwv 245: O Gross Lieb, O Lieb Ohn Alle Masse; St. John Passion, Bwv 245: Auf Dass Das Wort Erfullet Wurde; St. John Passion, Bwv 245: Dein Will Gescheh, Herr Gott, Zugleich; St. John Passion, Bwv 245: Die Schar Aber Und Der Oberhauptmann; St. John Passion, Bwv 245: von Den Strikken Meiner Sunden; St. John Passion, Bwv 245: Simon Petrus Aber Folgete Jesu Nach; St. John Passion, Bwv 245: Ich Folge Dir Gleichfalls; St. John Passion, Bwv 245: Derselbige Junger War Dem Hohenpriester Bekannt; St. John Passion, Bwv 245: Wer Hat Dich So Geschlagen; St. John Passion, Bwv 245: Und Hannas Sandte Ihn Gebunden; St. John Passion, Bwv 245: Ach, Mein Sinn, Wo Willt Du Endlich Hin; St. John Passion, Bwv 245: Petrus, Der Nicht Denkt Zuruck; St. John Passion, Bwv 245: Christus, Der Uns Selig Macht; St. John Passion, Bwv 245: Da Fuhreten Sie Jesum von Kaipha; St. John Passion, Bwv 245: Ach, Grosser Konig, Gross Zu Allen Zeiten; St. John Passion, Bwv 245: Da Sprach Pilatus Zu Ihm: So Bist Du Dennoch Ein Konig?; St. John Passion, Bwv 245: Betrachte, Meine Seel; St. John Passion, Bwv 245: Erwage, Wie Sein Blutgefarbter Rukken; St. John Passion, Bwv 245: Und Die Kriegsknechte Flochten Eine Krone; St. John Passion, Bwv 245: Durch Dein Gefangnis, Gottes Sohn; St. John Passion, Bwv 245: Die Jüden Aber Schrieen Und Sprachen; St. John Passion, Bwv 245: Eilt, Ihr Angefochtnen Seelen; St. John Passion, Bwv 245: Allda Kreuzigten Sie Ihn; St. John Passion, Bwv 245: In Meines Herzens Grunde; St. John Passion, Bwv 245: Die Kriegsknechte Aber, Da Sie Jesum Gekreuziget Hatten; St. John Passion, Bwv 245: Auf Dass Erfullet Wurde Die Schrift; St. John Passion, Bwv 245: Er Nahm Alles Wohl In Acht; St. John Passion, Bwv 245: Und von Stund an Nahm Sie Der Junger Zu Sich; St. John Passion, Bwv 245: Es Ist Vollbracht; St. John Passion, Bwv 245: Und Neiget Das Haupt Und Ve
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Goebel,Musica Antiqua Koln W/LTD.Ed.Bonus CD.
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Rolf Lislevand is a lutenist and guitarist; a professor of lute and historical performance practice in Trossingen, Germany. The reason for mentioning the academic credentials is because Nuove Musiche is anything but an "academic" recording. Quite the contrary. on this offering, Lislevand (a former member of Jordi Savall's Hyperion XX), and his septet "say goodbye once and for all to the authenticity creed." They know the rules, they understand the music inside and out, and they refuse to believe that the only way to perform it is the way it was supposedly heard nearly half-a-century ago. The rules are not broken so much as they are extrapolated upon by the often sketchy nature of the original scores. Lislevand believes that to try to perfectly replicate a performance from centuries ago is boring and perhaps a conceit -- because this approach tries to erase all that we have learned about music from hearing it in the interim between then and now. His opinion would mean nothing if the music found here wasn't so utterly seductive, compelling, and quietly moving, and he and his band didn't perform with such authority, elegance, grace, and adventure. To think that it's possible to make something from Baroque era sound so contemporary without pillaging the original music, to take it out of the academy and the institution and bring it to the level of the modern sensibility without selling out the composer is a small marvel. But Lislevand does it all through the 52 minutes of Nuove Musiche. Other instruments in the ensemble are triple harp and voice (both courtesy of Arianna Savall) percussion (used then, but it was never scored), double bass and colascione, organ, and clavichord, the nykelharpa, and the 12-string chitarra battente (a Baroque "strumming" or "beating" guitar). The album was beautifully produced by ECM head Manfred Eicher. The sound here is full and warm, the playing quietly and deliberately passionate. Source material comes from composers such as Kapsberger,
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This is a Super Audio CD playable only on Super Audio CD players.
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