Shinichi Asada More Better Smile CD Japan

More Better Smile Music

List Price	$50.99 (You save $15.30)
Category	World Albums, International CDs, Japanese
Label	Columbia
Orig Year	2005
CD Universe Part number	6868054
Catalog number	455748
Discs	1
Release Date	Jan 01, 2008
Mono/Stereo	Stereo
Additional Info	Japan

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Another 30 rockabilly obscurities from Germany's Buffalo Bop label, led off by the delightfully brainless "Jugue" by Johnny Amelio, originally released on Blue Moon records back in the primordial days of rock & roll -- Amelio's even more raucous and less cerebral "Jo Ann -- Jo Ann" churns up the middle of this collection with his raw vocals and raunchy guitar. Paul Ballenger's "I Hear Thunder" is more subtle, and Bill Bell's 1959 "Little Bitty Girl" sounds like a salacious variation on "Peggy Sue" played by a band on battery acid. Whoever the Hudson Valley Boys were -- and one assumes they came from the northeast -- they put a slightly tamer but equally exciting take on "Stop! I Like It"; Leon Mack seems to have given more than one listen to Chuck Berry's "Rock & Roll Music" before he came up with "It's You I Love"; similarly, Billy Peek hitched his fortunes to Berry's style on the exquisite "Rock to the Top" -- a goal that he might not have achieved, but did demonstrate that he had the manic energy to try. The Creepers, by contrast, don't seem to have listened to much of anything (or to have taken many lessons) before they came up with "Jammin' Granny," a crunchy rocker with manic drums. Fred Carter's pumping, funny account of teenage life, "Freeloaders," may date from the same period as his 1959 singles "Look For Me" and "Love It Up," and rates at least as highly as those established genre hits. Some of the talent here seems a little shaky, in terms of what they bring to the table; "Kangaroo" is a good enough novelty-type rock & roll song, but Eddie Palace's voice is pretty formless and toneless even by the limited standards of this field. Ron Volz isn't much more impressive on "Please Don't Talk About Me When I'm Gone," but he does coax some nice sounds out of his Fender Stratocaster. And then there's Grady Lewis, a rockabilly original who was making records in 1956, and moves through his own "I've Got a Feelin'," a slowie originally issued on the National label that still sounds like a hot record not quite 50 years after it was cut, and ought to have rated right alongside Carl Perkins' best work of 1956. Leon Mach evidently thought Elvis Presley was a more appropriate model for his work, emulating his early RCA vocal sound on "You Hurt Me So." And Bob Baker sounds like Jerry Lee Lewis' twin on the funny, rippling "Turned on the Ice," which could almost pass for a Gene Vincent number based on its sheer wildness. Charles Senns is another Lewis clone with a beguilingly larger-than-life macho presence on "Gee Whiz Liz," from 1958. Jerry & the Capris may not sound like a rockabilly act, but they were the real thing, on the Glendale label, who left behind a rock hillbilly rocker called "Dancing Dan." Darwin Nelson, a raspy-voiced screamer who sounds like a young, white Howlin' Wolf, fronted a five-piece band that included Paul Lynch on lead guitar, and they both shine (Lynch not long enough) on "Lazy Lu." Gradie O'Neal (who is sometimes credited as Gradie Joe O'Neal") is a little less interesting but no less exciting on "Baby 'Oh' Baby," which is one of the few less-than-first-rate sounding cuts ...

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