| | Shook Ones Sixteen CD Shook Ones Discography of CDs
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Our Price: $11.55  CDFor Sale Usually ships in 1-2 days
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Recording information: Castle Ultimate, Oakland (02/07/2005-02/10/2005). Shook Ones Sixteen Songs | 1. | Please Read |
| 2. | Crunch Time in Tooth Town |
| 3. | Panic Attack on the Terraces |
| 4. | I Try |
| 5. | Never Underground, The |
| 6. | Attitude Is the Agent |
| 7. | Jersey Beach Pail |
| 8. | I Take |
| 9. | Mexico-4-Life |
| 10. | Wishin' Roulette |
| 11. | Sheep vs. Lynx |
| 12. | Bellingham Lads Club |
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Sixteen Review
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| | Loudness Thunder In The East CD (1985)
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Loudness was a Japanese hard rock quartet that had numerous hit albums in the 80's and early 90's. Thunder In The East reached number 74 on the Billboard charts in 1985. Wounded Bird. 2003.
With 1985's Thunder in the East, Loudness were faced with the daunting challenge of conquering heavy metal fans outside their homeland of Japan for the first time. Knowing that their early sound might prove a tad too heavy and complex for American audiences, the foursome rose to the occasion by dispensing their most melodic compositions ever. Yet, except for a few obvious examples, like "We Could Be Together," first single "Crazy Nights," and the power ballad "Never Change Your Mind," the band doesn't seem at all self-conscious about this transition. A few all-out headbangers like ...
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Despite recording two hit studio albums with Black Sabbath (1980's HEAVEN AND HELL and 1981's THE MOB RULES) and playing throughout the world to huge crowds, Ronnie James Dio left the band in 1982-the year of his final release with Sabbath, the in-concert LIVE EVIL. As soon as the announcement of his departure ...
| | Judas Priest Screaming For Vengeance CD (1982)
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Also available in a 3-pack with BRITISH STEEL and POINT OF ENTRY.
In the early '80s, a new musical movement, dubbed "The New Wave of British Metal," swept across England. The conspirators include such heavy bands as Iron Maiden, Motorhead, Saxon, and Def Leppard, but Judas Priest is often credited as the originator and leader of the pack. Rob Halford's vocal histrionics and the dual guitar attack of K.K. Downing and Glen Tipton mesmerized metal-heads everywhere. While Priest had been together since the early-'70s, the band's big U.S. breakthrough came with 1982's SCREAMING FOR VENGEANCE.
Like most other metal bands that broke through in the early '80s (Motley Crue, Twisted Sister, etc.), Judas Priest took advantage of the then-developing video medium. MTV put the clip for "You Got Another Thing Coming" in heavy rotation, and the song became one of heavy metal's all-time classic anthems. Other album ...
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w. trio
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The sophomore album of jazz from the Acoustic Jazz Quartet that isn't actually acoustic (amps and pickups are used throughout). The pieces are written primarily by Jamie Findlay, the guitarist and devout Baha'I follower. Taking the influence ...
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| | Dick Gregory In Living Black & White CD (1961)
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1961 was unquestionably humorist Dick Gregory's breakthrough year. After numerous nightclub and television appearances Gregory's first long-player In Living Black and White (1961) was issued to considerable acclaim, even charting at a very respectable number 23 on the Top Pop Album survey. More than simply a comedian, Gregory was able to diffuse and dilute the racial bias being felt throughout America with his own seemingly innocuous observations. In actual fact, Gregory's modus operandi was to point out some of the glaring inconsistencies that existed between traditional old-school rationales and the newer, hipper and, for its era, radical points of view emerging from outside the establishment. So different were Gregory's insights, a narrator of sorts is incorporated to place the artist in context. 2000s listeners -- many of whom won't be familiar with the concept of the comedy or the "party record" phenomenon to begin with -- will undoubtedly be non-plussed by the presence of ABC Network's so-called "Man on the Move" Alex Dreier as he tempers Gregory's act -- basically telling Middle America that is it OK to listen. Dreier sets the stage, which is located at the original Chicago, Il-based Playboy Club, and without wasting a beat, Gregory immediately spins the media's skewed mentality back to them. He tells his audience that instead of reading the local Windy City area newspapers -- which were concurrently calling him the "...white Mort Sahl... -- they should read the "Congo Daily Tribune" and see where they are "...calling Mort Sahl the white Dick Gregory. Each of the LP's eight tracks centers on a specific theme. However the contents are presented in highly edited pastiches as opposed to a single audio vérité performance that moves organically from topic to topic. That certainly doesn't impact the power of Gregory's delivery or the potency of his messages. Although his raps would take on the mantle of dissertations, here he simply plants the seeds of change. Of course, there is much more to his ...
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