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The Hospitals: Adam Stonehouse (various instruments); Ned Meiners (guitar). Personnel: Eric Parks (guitar). Audio Mixer: Chris Woodhouse. Following up a covers EP with a second album of all-original songs, the Hospitals embrace the noise-via-Load Records aesthetic through, on the face of it, expected ways. Unconventional/"ugly" mixes, the blunt art-yet-not cover art and design, aggro-spacticism, and so forth. But the flip side of the noise approach has always been a sometimes subliminal fascination with silence and space as the counterpart, and that element, plus a similarly low-key catchiness, is what makes this album stand out a bit from the crowd. Adam Stonehouse's drumming is often a massively rumbling rampage but is rarely messy, but it's his singing that's arguably the band's secret weapon. Often swathed in reverb, he sings but most of the time doesn't scream, sounding more like a bemused, slightly stoned observer instead of trying to drown out or compete with the sheer racket created by himself and guitarists Ned Meiners and Rob Enbom. "Olympic Ghost" is a good example -- the piercing feedback and monstrous riffs are (intentionally excruciating), but Stonehouse sounds almost calm, a contrast not all that far removed from a number of early songs by fellow San Franciscans Chrome. That legendary band also serves as a touchstone musically, in that while everything on the face of sounds utterly deranged there's a core set of hooks and arrangements that anchor everything down, to the point of drum fills on "She's Not There." Meanwhile, the moments of relative quiet -- the drum/vocal-only start to "Moving and Shaking," the fade-up-and-in style start to "Rich People," even the piano chaos adding to "Be" -- further flesh out the approach. For all that, there are moments of total "yup, it's a noise band all right" recognition throughout -- almost title track "Jocks and Jazz" in particular has a solo guitar break that sounds like it was painful to play, much less listen to. ~ Ned RaggettUncut (p.105) - 3 stars out of 5 -- "Chaotic, no-wave inspired rock 'n' squall in the spirit of Pussy Galore..." Mojo (Publisher) (p.126) - 3 stars out of 5 -- "Think Coachwhips and Pussy Galore smashing-it-up in a very small closet." Mojo (Publisher) (p.110) - 3 stars out of 5 -- "[T]he duo are frontiersmen of the irritation threshold, a gleeful pile-up of serrated drums, needling guitars and Echoplex-garbled drug-babble." I've Visited The Island Of Jocks And Jazz Music Hospitals I've Visited The Island Of Jocks And Jazz Songs I've Visited The Island Of Jocks And Jazz Review
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Purchase I've Visited The Island Of Jocks And Jazz CD To buy, Click on price to add to cart | Ex Singles. Period. The Vinyl Years 1980-1990 CD (2005)
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| | Animal Collective Feels CD (2005) Digipak
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| | Sugababes Taller In More Ways CD (2005) (Import) Import
I've Visited The Island Of Jocks And Jazz
$14.45 With the departure of one member of the group, Mutya Buena, Keisha Buchanan and Heidi Range will continue with Sugababes with new member Amelle Berrabah. Taller In More Ways features 2 new tracks 'Strungout' and 'Now You're Gone', plus revised versions of the 3 tracks 'Red Dress', 'Gotta Be You' and 'Follow Me Home'. 13 tracks. Island UK. 2006.
Sugababes were one of the most consistently successful British pop acts of the 2000s, with an unparalleled string of innovative Top Ten singles and solid if not faultless full-lengths. Their fourth, the awkwardly named Taller in More Ways, was no exception -- indeed it was their first album to hit number one, and among their strongest. As usual, the singles tend to shine the brightest, but there are only a handful ...
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