| | Asmodeus Diabolique Royale CD Asmodeus Discography of CDs
Asmodeus Diabolique Royale Songs | 1. | Phantasmo |
| 2. | Ectoplasm |
| 3. | Heat |
| 4. | Ride2night |
| 5. | Farewell |
| 6. | 5Ft. High |
| 7. | Idiot Song |
| 8. | Park, The |
| 9. | RNR Sexmole |
| 10. | Heel on the Shovel |
| 11. | Too Late |
| 12. | Semi-Crazy |
| 13. | Fall, The |
|
Diabolique Royale Review
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Purchase Diabolique Royale CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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Of the "big four" original thrash bands (the other three being Metallica, Anthrax, and Megadeth), Slayer was the least ...
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The latest album from Swedish doom rockers Katatonia, their first studio effort since 2006, is as moody and beautiful as their other latter-day work. The group's career can be marked in two stages based on the condition of singer Jonas Renske's vocal cords -- basically, after the band's first two albums, he developed health problems that prevented him from performing harsh death growls, and ever since the band has moved in ...
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| | Frank Zappa Joe's Garage Acts I, II & III CDs (1979) Remastered
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The superlative repackaging and remastering undertaken by Ryko has put the original three-part, two-record set of this magnificent nonsense tale together for the first time. This is back to the madness of Freak Out, with more pop and doo-wop bursting through all the complicated stuff, letting you know that Zappa could write a hit single, if he could be bothered to do so. Joe's Garage is a hoot and harmlessly pornographic. ...
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals).
The P.M. All Star Choir includes: Nicki Richards, Stephanie James, Andricka Hall, Deborah Cole, Misa S. Rebel, Keith Fluitt, John James, Andrew Smith, Lawrence Hamilton (background vocals).
It's always a sign that a group is ...
| | Rage Against The Machine The Battle of Los Angeles CD (1999)
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"Guerrilla Radio" won the 2001 Grammy Award for Best Hard Rock Performance. THE BATTLE OF LOS ANGELES was nominated for the 2001 Grammy Award for Best Rock Album.
Rage Against the Machine doesn't release rushed albums for the sake of exposure. Each of the band's ...
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| | Drones Gala Mill CD (2006)
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Australia's Drones set the American underground on fire with 2005's Wait Long by the River and the Bodies of Your Enemies Will Float By. It is a wily combination of Aussie garage rock, country, psychedelia, and pathological sonic experimentation presented raw and immediate with the poetically strange and storytelling lyrics of frontman Gareth Liddiard. The songs, played with a spiky crackling energy and recklessness, pushed critics to the brink of superlatives in order to describe them. Released in 2006, Gala Mill is named for the rural place in southeast Tasmania where the album was recorded. The Drones are no less on the fringe this time out, and the album's sound is, if possible, even more immediate than its two predecessors. One can hear dogs barking, musicians coughing, and birds singing in and between cuts. And Liddiard is even wordier this time out -- to positive effect.
"Jezebel," the slow, roiling eight-minute opener, is coiled to bust loose at any moment and addresses topics as unrelated as the death of journalist Daniel Pearl in the Middle East, nuclear testing in the Australian homeland, and a school massacre that is infamous in Aussie history. Liddiard refers to world events, history, mythology. Politics, sex, desire, tragedy, and other indecipherable topics are presented side by side as a way of weaving a new series of myths and texts that erupt from the belly of rock & roll. While there may be no direct influence at all, former Aussie rockers Crime & the City Solution fronted by Simon Bonney did the same on their cult gem The Bride Ship in the late '80s. "Dog Eared," with a gorgeous violin played by Michelle Lewitt, feels like Neil Young's "Cortez the Killer" crossed with Nick Cave's Boatman's Call album. The kind of love revealed in this tune is so vulnerable that it becomes abusive. The slow, plodding lyric lines adorned by switchblade guitars and unraveling instrumental passages are infectious and purely Australian -- they feel closer to the strange experimentation the Band did on Stage Fright, but are culturally outside the North American experience and feel closer to Australia's wild country music read through garage rock and post-punk.
Gala Mill gets even slower for the next two cuts, the whispering shambles of "I'm Here Now," about drug addiction -- observing it, not participating in it -- and the truly hunted "Words from the Executioner to Alexander Pearce," about a convict in the 19th century who escaped the Sarah Island Penal Settlement not once but twice, only to be caught the third time after having murdered and eaten six men. This is a gallows pole conversation that is chilling in its close observations of an executioner who seems to care. Spooky? Hell yes. Spiny rock & roll returns in "I Don't Ever Want to Change," with its mutant Chuck Berry leads and open-chorded riffs. Liddiard sprays his anthemic wash of words into the mike and the band responds with a fury. The rest moves form slow to slower to skeletal to barely restrained anarchy in cuts like "Work ...
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