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Oda, Kazumasa - Untitled CD Cover Art
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Kazumasa Oda Untitled CD

 Kazumasa Oda Discography of CDs


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Top-seller in Japan! 2005.
Untitled Music


Detailed Untitled Music Information



Category World Albums, International CDs, Japanese
Label Funhouse
CD Universe Part number 6871346
Catalog number 754950
Discs 1
Release Date Jun 21, 2005
Mono/Stereo Stereo
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" ...
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Salam Delta
Salamat Meets Les Musicians Du Nil Salam Delta CD  (1995)

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Salam Delta originated as a pan-modern Cairo musical revue assembled by Salamat leader Mahmoud Fadl for a 1994 Berlin festival. The performances so thoroughly torched audiences that Piranha decided to run the whole crew into the studio. Be glad they did, and also that the smart ass jokester aspects in the liner notes (or the presence of Hijaz Mustapha from 3 Mustaphas 3 as producer) doesn't turn up in the high-octane performances here. But solemn traditionalism doesn't rule, either -- these players, drawn from Salamat, and percussion ensemble Les Musiciens du Nil, are fronted here by singers Shamandi Tewfig Metqâl, Salama Abdel Rahman, and 12-year-old prodigy Ahmed Fathy, who sound like they're having an absolute blast. "Salamat, Salamat" opens with a very early rai feel, except these are the type of horn, accordion, and violin parts and sound the first rai guys were trying to capture via synthesizers. It's seriously rocking, nothing laid-back traditional about it, with Metqâl shouting hard while the galloping percussion drive keeps going through Salama's female vocals on "Ya Ghayeb," with its '80s rai accordion and bubbling funk basslines. Fathy's "Habibi Wa Enaya" brings the Egyptian side of Arabic pop to the fore as strings dominate a sparer arrangement supporting the near-androgynous vocals. He's a good singer, hitting his notes surely and without any tentativeness, and the fact that he's the least impressive of the three vocalists is nothing a few years of seasoning won't cure. The best may be Salama and the blend of accordion, sax, and violin lines on "Betfout" which help to fill in another piece of the sonic puzzle -- the Sudanese/Nubian music of Abdel Gadir Salim or Ali Hassan Kuban (probably the soul/R&B/funk side of the Egyptian pop equation) is that other naggingly familiar sound in the music here. "El Zol Al Asal" boasts a funky bass undertow, and the violin and vocals both hint at "Tequila" -- call it "Tequila" by the Nile in Berlin with a Washington, D.C. go-go beat if you want to (or call it messing with the kid) but it's definitely big fun. "Farawla" is the other extended feature for Metqâl with a traditional intro and low-pitched, background string drone for three minutes before percussive string riffs begin playing off the drums, vigorously driving the song forward. Salama goes more low-key trad for the closer -- "Um Ul Khaur" -- you can hear how the horn lines were duplicated by the synth ...
Essential/From The Heart
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The Essential Joan Baez/From the Heart [Live], released primarily in Asia, is a single-CD abridgement of the Joan Baez album From Every Stage, recorded at concerts held in July and August 1975 and initially issued as a double-LP by A&M Records in January 1976. The original version contained 20 tracks and ran over 80 minutes, just a little too long for one CD; this one contains 15 tracks and runs a little ...
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This release in the economy-priced Nonesuch Explorer international series sounded downright normal compared to many of the other titles released around the same time. While a listener could certainly feel like an explorer coming across music from African witchcraft rituals, Haitian voodoo drumming, or an out-of-control celebration from the Himalayas, here are two accomplished musicians holding forth a series of songs that would go ...
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This Is It
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Sinfonia Flameca
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The Elephant In The Room
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When Leila Harrison and Matt Clarke started playing music together six years ago, there wasn’t much of a plan. Matt was finishing theatre school and playing coffee shops, and Leila was busy acting and had never sung publicly; the thought of forming a band together hadn’t even crossed their minds. Oh how things change. Over the ensuing years Honey and the Money took form, as the pop singer-songwriters carefully and relentlessly carved out a sound and voice for themselves that is contemporary and forward thinking while staying emotionally loaded. They have spent the past two years writing and recording their first full length record, “The Elephant in the Room.” It is an ambitious and stunning debut. With moments that rock to moments that make you shake your ass to moments that break your heart, “The Elephant in the Room” is everything you want in a record. Produced by Jared Kuemper (Tegan and Sara, Sheryl Crow) it is pop music at its finest. Not in the cheap, material sense that pop music is often thought of these days, but filled with hooks and stories, musically and lyrically compelling.Shows, shows and more shows ...
Easy
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