| | Tony Yayo Thoughts Of A Predicate Felon CD Tony Yayo Discography of CDs
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Personnel: Tony Yayo (rap vocals); 50 Cent (vocals, rap vocals); D. Prosper, Olivia (vocals); Eminem, G-Unit, Lloyd Banks, Obie Trice, Spider Loc (rap vocals); Anthony Burgess, Steven King (guitar); Jeff Bass, Luis Resto (keyboards); Tsehay Hailu (background vocals); Jagged Edge (vocals). Audio Mixers: Eminem; Mauricio "Veto" Irragorri; Patrick Viala; Steve Baughman; Steven King; Carlos Bess. Photographer: Jonathan Mannion. It's near impossible to ignore all the drama that colored the release of Thoughts of a Predicate Felon. Tony Yayo, the mythical fourth member of G-Unit, was locked up during his crew's rise to supreme power, big boss Eminem wore a "Free Yayo" shirt to the Grammys, and just when everyone throws on their "Yayo's Home" shirt, the man lands himself lands another jail sentence within 12 hours of getting out, because of a forged passport he handed to a parole officer. Course, everything associated with 50 Cent and crew has such hype leading up to it that you'd think the hood closes shop for a day to honor the release date, but the events in the weeks right before this drop date tell a different story. The album was leaked across the Internet like a dam busted, and nobody at the label seemed to mind and didn't bother to push the release date up. Plus, the guy finally gets his shot and lands the same release week as Time cover boy Kanye West's sophomore debut. All this hype and then all eyes on Kanye? It's actually crazy like a fox because Yayo's album is unable to support the big build-up, so let Kanye draw the five-star reviews while Internet downloaders sing the praises of the album's excellent highlights to their homies. Yayo's craftier and smarter than expected considering the thug myth built around him. He handles hooky party numbers like "So Seductive" extremely well, he drops the occasional stinger that draws a "damn!" and even on the lukewarm bedroom number "Curious" with Joe, he saves face with a decent flow over the sickeningly slick production. He has the fiercest growl and bite in the G-Unit family, but he's also a loose canon who delivers a clumsy dis at Fat Joe during the otherwise hot "Tattle Teller" and delivers a euphemism for the female anatomy that would make R. Kelly embarrassed on the horribly titled "Project Princess." Maybe 50 handled Yayo with too much reverence and not enough grooming, but if Predicate Felon only offers a few tracks of interest to the general hip-hopper, it offers a bit more to the loyal G-Unit soldier. He bleeds hood from his veins and while Young Buck and Lloyd Banks benefited greatly from the polish, Yayo is rightfully served some of the toughest bangers and darkest cuts from the crew. Add another exciting production from Eminem ("Drama Setter") and a whimsical highlight in the fourth quarter ("Dear Suzie"), and you've got an album worth every G-Unit fan's attention. If he held back any longer the myth was going to blow up in his face. Sneaking an uneven but occasionally thrilling hood album out under Kanye's shadow is another stroke of brilliance from 50's marketing department and excellent way to transition Yayo from monolithic myth to gutsy second-line soldier. ~ David Jeffries On 50 Cent posse G Unit's platinum first release, 2004's BEG FOR MERCY, Tony Yayo appears as a ghost, pictured in the flap but unable to rap on the record due to his incarceration on a weapons charge. When Yayo was freed from prison he cut his debut solo record, THOUGHTS OF A PREDICATE FELON. It bears the mark of a man releasing a lifetime of pent-up rhymes in a torrent, yet he delivers his raps with the kind of deliberation that helped made Biggie Smalls a household name. The album opens on a note befitting its title, as Yayo spins a grim tale of vengeance on "Homicide," followed by glimpses of violent autobiography on "It Is What It Is" and a scathing indictment of snitches on "Tattle Teller." Despite his harsh presence, Yayo excels on tracks of love and desire, as on the soulRolling Stone (No. 984, p.152) - 3 stars out of 5 - "...Like every G Unit release, FELON wraps its gun violence and over-the-top boasts in opulent, catchy streetscapes..." Vibe (pp.143-144) - 3.5 discs out of 5 - "[T]hough Yayo holds his own playing the role of the uberthug dominating the club, it's his incarcerated Scarface mind-set that makes the strongest impression." Thoughts Of A Predicate Felon Music | List Price | $15.93 (You save $5.54) | | Category | Rock/Pop Albums, R&B CDs, Rap, Urban Soundtrack, Gangsta, East Coast Rap | | Label | Interscope | | Orig Year | 2005 | | All Time Sales Rank | 18484  | | CD Universe Part number | 6872819 | | Catalog number | 000487302 | | Discs | 1 | | Release Date | Aug 30, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Domingo; Eminem; Havoc; L. T. Moe; J.R. Rotem; Anthony Burgess; Ron Brownz; Focus; Jeff Bass; Luis Resto; Punch; Sam Sneed; Black Jeruz; Domingo; Sebb; Focus Distrbution Group; Havoc | | Engineer | L. T. Moe; Tony Campana; Kyla Miller; Steve Simmons; Taurus Scott; Wesley Morris; Pat Viala | | Personnel | Tony Yayo - rap vocals Luis Resto - keyboards Jeff Bass Olivia - vocals Steven King - guitar Spider Loc - rap vocals D. Prosper Anthony Burgess Tsehay Hailu - background vocals
Also: Eminem, 50 Cent, JOE, Jagged Edge, Lloyd Banks, Obie Trice, G-Unit |
Tony Yayo Thoughts Of A Predicate Felon Songs Thoughts Of A Predicate Felon Music Thoughts Of A Predicate Felon Music Review Average Rating: (3.2 out of 5 stars)    List All Reviews Could've been Better..... I think this album started off a lil' weak. Then he contradicts himself song after song. Example: "Pimpin" and right after that song he's "Curious" what the ... Submitted by battoh1 (Atsugi, Japan)  Was This Review Helpful? Yes No
Mediocre at best Nothing spectacular...So Seductive is the best song and as can be found with a seductive woman, it can be appealling by site, you find out lacks any substance upon closer inquiry. Submitted by Crazy T (PG County, Maryland)  Was This Review Helpful? Yes No
HORRIBLE! i bought bucks and banks album, and they was hard, but this was horrible
his flow is wack and his voice sucks! Submitted by hassankareem (Baltimore, MD, USA) Was This Review Helpful? Yes No
good beats i thought it was aiight. i mean the beats was bangin, the songs with 50 were on point. Drama Setta wit Em was hot. for real this cd is betta than the previous reviews. great punchlines and his timing is precise with clever word play. it be bangin my sub woofers in my car too. some slow songs for chicks on here but they cool. Submitted by Ram (Washington, DC) Was This Review Helpful? Yes No
Terrible Album No skills, lyrism, or anything good Submitted by Bill (Minneapolis, MN) Was This Review Helpful? Yes No
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$15.65 This is a Hyper CD, which contains which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser. Producers: Hans Zimmer, Mark Mancina, Jay Rifkin, Chris Thomas. Compilation producer: Steven Stern. Principally recorded at Media Ventures and Ocean Way Studios, Los Angeles, California; Townhouse Studio, London, England; BPO Studios, Mmabatho, South Africa. All songs written by Tim Rice and Elton John. Instrumental score written by Hans Zimmer. "Can You Feel The Love Tonight" won the 1995 Grammy Award for Best Male Pop Vocal Performance; "Circle Of Life" won the Grammy for Best Instrumental Arrangement Accompanying Vocals; and THE LION KING won the Grammy for Best Musical Album For Children. "Can You Feel The Love Tonight" and "Circle Of Life" were also both nominated for Song Of The Year and Best Song Written Specifically For A Motion Picture Or Television; and the album's instrumental tracks were nominated for Best Instrumental Composition Written For A Motion Picture Or For Television. The heady influence of Paul Simon, Peter Gabriel, David Byrne--and all the other musicians who've introduced pop fans to the sounds and style of Africa--resonate subtly throughout the Hollywood flourishes of THE LION KING. Part of THE LION KING's appeal can be traced to Hans Zimmer's imagistic evocative instrumental score. Instrumental excerpts such as "This Land" and "Under The Stars" are a vibrant amalgam of lush orchestral passages with flashes of idiomatic African vocal colors and ceremonial percussive textures (while "King Of Pride Rock" echoes elements of Mozart's REQUIEM and traditional African six-beat rhythms). But it's THE LION KING's comic ...
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