| | Berio: Orchestral Transcriptions / Chailly, Et Al CD Berio / Chailly / Ghiazza / Osmv CDS
| Category | Classical, World, Romantic Period, 20th Century Period, Orchestral/Symphonic, Baroque Period, Sonata, Variations, Fugue, Transcription, Hornpipe |
Berio: Orchestral Transcriptions / Chailly, Et Al Music | List Price | $18.98 (You save $3.73) | | Label | London / Decca | | Orig Year | 7/26/2005 | | All Time Sales Rank |  15055  | | CD Universe Part number | 6872975 | | Catalog number | 000482902 | | Discs | 1 | | Release Date | Jul 26, 2005 | | Recording Time | 1 15 |
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Berio: Orchestral Transcriptions / Chailly, Et Al Songs | 1. Hornpipe, arrangement for chamber ensemble (after Purcell) (1:07) | | Composer | Luciano Berio (1925 - 2003) | | Conductor | Riccardo Chailly | | Genre | Hornpipe | | Date Written | 1969 | | Venue | Auditorium di Milano, Milan, Italy | | Notes | Auditorium di Milano, Milan, Italy (08/25/2004-08/28/2004) | | 2. Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunc (8:41) | | Common Name | Die Kunst Der Fuge The Art Of The Fugue For Keyboard Or Other Instruments | | Catalog No. | BWV 1080 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Riccardo Chailly | | Genre | Baroque Period / Fugue | | Date Written | by 1742 | | Period | Baroque | | Venue | Auditorium di Milano, Milan, Italy | | Notes | Auditorium di Milano, Milan, Italy (08/25/2004-08/28/2004) | | 3. Quattro versioni originali della "Ritirata notturna di madrid," superimposed & transcribed for orche (6:34) | | Composer | Luciano Berio (1925 - 2003) | | Conductor | Riccardo Chailly | | Date Written | 1975 | | Country | Spain | | Venue | Auditorium di Milano, Milan, Italy | | Notes | Auditorium di Milano, Milan, Italy (08/25/2004-08/28/2004) | | 4. Variazioni "Ein Madchen oder Weibchen", for 2 bassett horns & strings (2:41) | | Composer | Luciano Berio (1925 - 2003) | | Conductor | Riccardo Chailly | | Genre | Variations | | Date Written | 1956 | | Venue | Auditorium di Milano, Milan, Italy | | Notes | Auditorium di Milano, Milan, Italy (08/25/2004-08/28/2004) | | 5. Schubert-Berio: Rendering, for orchestra (32:58) | | Composer | Luciano Berio (1925 - 2003) | | Conductor | Riccardo Chailly | | Date Written | 1989 | | Venue | Auditorium di Milano, Milan, Italy | | Notes | Auditorium di Milano, Milan, Italy (08/25/2004-08/28/2004) | | 6. Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 (22:13) | | Common Name | Sonata For Clarinet Or Viola & Piano | | Composer | Johannes Brahms (1833 - 1897) | | Conductor | Riccardo Chailly | | Performer | Fausto Ghiazza (Clarinet) | | Genre | Romantic Period / Sonata | | Date Written | 1894 | | Period | Romantic | | Venue | Auditorium di Milano, Milan, Italy | | Notes | Auditorium di Milano, Milan, Italy (08/25/2004-08/28/2004) |
Berio: Orchestral Transcriptions / Chailly, Et Al Music Composers on Berio: Orchestral Transcriptions / Chailly, Et Al CD : Johann Sebastian Bach, Luciano Berio, Johannes Brahms Conductors on Berio: Orchestral Transcriptions / Chailly, Et Al CD : Riccardo Chailly Genres on Berio: Orchestral Transcriptions / Chailly, Et Al CD : Baroque Period, Fugue, Hornpipe, Romantic Period, Sonata, Variations Performers on Berio: Orchestral Transcriptions / Chailly, Et Al CD : Fausto Ghiazza Purchase Berio: Orchestral Transcriptions / Chailly, Et Al To buy, Click on price to add to cart | John Adams Adams: Naïve & Sentimental Music / Salonen, Los Angeles Po CD (2002)
Berio: Orchestral Transcriptions / Chailly, Et Al
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This may be composer John Adams's most ambitious undertaking to date, one that moves him further out of the "minimalist" category. A massive, sprawling opus, it bombards the listener with a dizzying array of swirling melodies, chugging rhythms, vivid sonic colors, and lush orchestral textures. ...
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This album was nominated for the 2005 Grammy Award for "Best Chamber Music Performance."
ROAD MOVIES offers a portrait of acclaimed composer John Adams at different stages of his career and working in a medium he's not generally associated with. His best-known compositions are musical statements made on a grand scale. The pieces selected for this disc were written for one or two instruments, but by no means are they "small" works--there's plenty of the Adams style and substance. 'China Gates' and 'Phrygian Gates,' both for solo piano, date back to the very beginning of his professional life in 1977. They bear the mark of youthful exuberance and are excellent examples of his compositional language in the early stages of development.
The later works have the type of harmonic and melodic movement that Adams is known for and that sets him apart from other "minimalist" composers. He describes 'Road Movies' and 'Hallelujah Junction' as traveling music, and indeed they are the sonic equivalent of watching landscapes ...
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The New York Philharmonic and Lincoln Center exercised superb judgment in commissioning John Adams for a work commemorating the heroes and victims of 9/11. Few composers could effectively articulate the horror of that day or live up to the responsibility of representing the enormity of such tragedy and sorrow while appropriately honoring the memory of all those who perished. Adams, through a musical language that's erudite yet reassuringly accessible, is unique in his ability to connect with listeners without compromising artistic integrity.
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