| | Crosby, Stills, Nash & Young Deja Vu CD - Import Crosby, Stills, Nash & Young Discography of CDs
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Crosby, Still, and Nash topped their enormously popular self-titled 1969 debut by adding Neil Young to their ranks and expanding their stylistic and sonic range. The result, released in 1970, was an artistic and commercial success, representing the talents of the four primary players to excellent effect. More ambitious and incisive than its CSN predecessor, DEJA VU brings together folk, psychedelia, jazz, African, and Middle Eastern flavors, Tin Pan Alley, and hard rock in a manner that captures the tenor of the era's counterculture without sounding dated.
The group's distinctively lush harmonies are spread across the album, notably on the record's two centerpieces--"Carry On," which segues into a chugging, percussion-fueled groove halfway through, and "Woodstock," the band's hard rock re-working of the Joni Mitchell tune. Elsewhere, the songs are stamped by individual personalities, as on David Crosby's driving "Almost Cut My Hair," Graham Nash's quaint "Our House," and Stephen Stills dark, folky "4+20." Young's aching, plaintive "Helpless" is one of the highlights here, as is Crosby's complex title cut (with its intricate rhythms and vocal arrangements). Though their time together was tumultuous and short-lived, CSNY were one of the most successful acts of the era, and DEJA VU finds them at their peak.
2005 Japanese pressing is packaged in a standard jewel case and features the same tracks as the US edition. A bonus booklet and OBI is included. Warner.
Remastered Japanese version.Rolling Stone (12/11/03, p.131) - Ranked #148 in Rolling Stone's "500 Greatest Albums Of All Time" - "Young's vision and guitar transformed the earlier folk-rock CSN into a rock & roll powerhouse." Deja Vu Review
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Buy Deja Vu CD  | | Crosby, Stills, Nash and Young, Rolling Stone no. 168, August 1974
17 x 24 inch Photographic Print
Price: $39.99 |  | | Crosby, Stills & Nash
14.5 x 20.5 inch Framed CD
Price: $49.99 |  | | Crosby, Stills and Nash, Rolling Stone no. 240, June 1977
17 x 24 inch Photographic Print
Price: $39.99 |  | | David Crosby, Rolling Stone no. 44, October 1969
17 x 24 inch Photographic Print
Price: $39.99 | See all 5 matchesPurchase Deja Vu CD To buy, Click on price to add to cart | Walk Right Back: The Everly Brothers On Warner Brothers, 1960-1969 CDs (1993)
Deja Vu
$15.65 Recorded between 1960 & 1969. Includes liner notes by Colin Escott.
For those unfamiliar with the rich legacy of the Everly Brothers, this is the definitive compilation, chronicling their fertile '60s Warner Bros period. The Everly's patented close-harmony sound was unique in pop, but not without precedent in American music. It came from other fraternal duos, those ...
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| | Rolling Stones Out Of Our Heads (UK) CD (1965) Uk; Remastered
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$10.39 Recorded in Hollywood, California, Chicago, Illinois & London, England. Includes liner notes by Andrew Loog Oldham.
This is a Hybrid Super Audio CD playable on both Super Audio and regular CD players.
Early Stones recordings don't get much better than this. Firmly established as celebrities, the band began to use the pandemonium it inspired as an artistic source. Nowhere is the band's initial reaction to fame and music business drama more apparent than in the humorous, mocking "The Under Assistant West Coast Promotion Man," in which the Stones effectively skewer the sleazier side of the record industry. Naturally, this will always be known as the album that features the original version of "Satisfaction," which would remain the band's signature tune throughout its career, but that's really just the tip of the iceberg.
Equally effective as a Jagger-Richards distillation of rock and R&B is "The Last Time," a tune easily the equal of Bobby Womack's ...
| | Sly & The Family Stone Essential Sly & The Family Stone CDs (2002) Limited Edition; Remastered
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$15.95 For all the multi-cultural hippie freedom Sly and the Family Stone stood for in their pre-RIOT glory days, frontman Sly Stone was smart and talented enough to know that it was through catchy pop singles that his band's message would gain its widest dissemination. All 11 of Sly and the Family Stone's Top 40 hits are here (some of which, like "Hot Fun in the Summertime" and "Thank You (Falettinme Be Mice Elf Agin)" were never on LPs back in the day), along ...
| | John Lennon/Plastic Ono Band CD (1970) Gold; Omr
Deja Vu
$25.19 JOHN LENNON PLASTIC ONO BAND came out at the same time as an album by Lennon's wife Yoko Ono (also titled PLASTIC ONO BAND).
John Lennon's 1970 official solo debut is as remarkable for its startling contrast to the Beatles as it is for the passion and force of its songwriting. Stripped-down, gripping, and emotionally resonant, PLASTIC ONO BAND has little to do with the hook-heavy pop of his early Beatles work, or the psychedelic, word-salad approach of his songs on SGT PEPPER'S LONELY HEART'S CLUB BAND and ABBEY ROAD. Instead, this is an album of intensely confessional songs that lay bare the personal demons Lennon was trying to exorcise at the time--the ghosts of fame, family, faith, and individual identity, among them.
The sound of the album is straightforward and hard-hitting. Spare, lean rock arrangements with piano, drums, bass, and guitar frame the songs effectively, letting Lennon's narratives carry the weight. The songs are shot through with bitterness ("I Found Out"), disillusionment ("God"), ...
| | Syndicate Of Sound Little Girl CD (1966)
Deja Vu
$11.55 The teen-band pride of San Jose, CA, the Syndicate of Sound scaled the heights of the rock & roll world for a very brief moment in the summer of 1966 with their Top Ten hit "Little Girl." With a catchy, jangly electric 12-string riff, a solid beat, a macho teen vocal, and a chord progression heavily influenced by "Hey Joe," the tune perfectly mirrored the sound of the times and was a can't-miss hit, a British sound played with American garage enthusiasm. But their success ride was short; within a year or two, their ranks were decimated from the draft, touring exhaustion, and the musically changing times. This reissue serves as their lasting legacy, combining the original 12-song album with four bonus tracks. Kicking off with a pair of souped-up R&B covers, the album casts a pretty wide net, with half of the tunes penned by various bandmembers. Of these, ballads sit alongside rockers like "Lookin' for the Good Times (The Robot)" and "Rumors" (complete with Yardbirds-style fuzz guitar rave-up in the middle), while the Kinks-style "That Kind of Man" is an imaginative British-sound knockoff. The outside material, however, is where the band shows their true chameleon-like strength. Covers of the Hollies' "I'm Alive," Louis Jordan's "Is You Is or Is You Ain't My Baby" (via Buster Brown's version), the Sonics' "The Witch," and Roy Orbison's "Dream Baby" show a band that could either play a song "just like the record" or bring their own twist to the proceedings. The four CD bonus tracks ...
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