| | Ian Siegal Meat & Potatoes CD Ian Siegal Discography of CDs
(2 Customer Reviews)
Ian Siegal doesn't sound like the name of a blues singer; his name doesn't have the stereotypically bluesy ring of names like Memphis Slim, T-Bone Walker, Mississippi John Hurt, Lightnin' Hopkins, Big Maceo Merriweather or John Lee Hooker. Perhaps someone who is seeking to combine Celtic music and klezmer could be named Ian Siegal (Ian is a very Scottish name, Siegal very Jewish). But this Ian Siegal (who is from England) doesn't play either Celtic music or klezmer, and Meat & Potatoes is most definitely aimed at the blues market. On this 2005 recording, Siegal favors electric blues-rock with a strong Howlin' Wolf influence; his vocals owe a lot to Wolf's raspy vocal style. But Meat & Potatoes (which was recorded in Kent, England) is far from a carbon copy of the classic '50s and '60s recordings that the Wolf made in Chicago for Chess Records. Siegal has a different writing style, and as much as he obviously admires Wolf, he does things that Wolf didn't do. "Butter-Side Up," for example, is jazzy in a way that Wolf was not, and "Brandy Balloon" recalls the bluesier funk bands of the '70s (such as War and the Ohio Players). Without question, Siegal sounds like he has spent a lot of time listening to Howlin' Wolf, but he also sounds like he has spent a lot of time listening to the Doors, Muddy Waters, Eric Clapton, and Tower of Power. While Siegal is blues-oriented, he is far from a blues purist, and there is no overlooking the fact that rock, soul and funk have also affected his musical outlook. Siegal has his heroes and his idols, but he is his own person and paints an attractive picture of himself on this promising CD. ~ Alex Henderson
Well established in the British music scene, Ian Siegal is now becoming a fixture on the European Blues scene. Having performed on a.o. The Lugano and North Sea Jazz Festival, he and his band are receiving rave reviews for their dynamic live performances and they’re stirring up quite a buzz. His second album, “Meat & Potatoes” captures the energy of his spectacular live show in 13 tracks of rockin’ and rollin’ blues with a lot of Soul. Highly recommended for fans of Howlin’ Wolf, Otis Redding and Tom Waits. Big names indeed, but mark our words :Ian Siegal brings competition to a new level!
Recording information: Rimshot Studios, Kent, England (02/2005-03/2005).
Photographer: Sam Hare.
Arrangers: Matt Schofield; Andy Graham.
Personnel: Ian Siegal (harmonica); Matt Schofield (electric guitar); Andy Graham (upright bass, electric bass).
Audio Mixers: Peter Nash; Matt Schofield; Mike Thorne.
Ian Siegal Meat & Potatoes Songs | 1. | Sugar Rush |
| 2. | Revelator (John the Apostle) |
| 3. | Butter-Side Up |
| 4. | Drowned My Sorrows (But They Sure Learned How to Swim) |
| 5. | Brandy Balloon |
| 6. | Work |
| 7. | She Got the Devil in Her/I Gotta Try You Baby |
| 8. | Interlude#1: Cookin' with Sam |
| 9. | Falling on Down Again |
| 10. | Bloodshot |
| 11. | Interlude#2: Mud Pie |
| 12. | Magdalena |
| 13. | Meat & Potatoes |
| Meat & Potatoes Music Review Purchase Meat & Potatoes CD To buy, Click on price to add to cart | Janiva Magness Bury Him At The Crossroads CD (2004)
Meat & Potatoes album
$12.65 Magness, who won a ...
| | James Hunter People Gonna Talk CD (2006)
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| | Ian Siegal Swagger CD (2007)
Meat & Potatoes music CDs
$16.19 "I don't walk, I swagger," boasts U.K. soul and blues singer/guitarist Ian Siegal on the opening title track of Swagger, the follow-up to his successful Meat & Potatoes debut. And for the rest of the disc he does just that. It's a confident, eclectic set that veers from acoustic folk to early-'60s R&B and Tom Waits-styled excursions through poetic swamp blues, but somehow never loses focus. Credit Siegal, whose deep, raspy voice mirrors that of Howlin' Wolf (he even imitates Wolf in the first tune) and adds gutsy depth to songs split between originals and ...
| | Kilborn Alley Blues Band Tear Chicago Down CD (2007)
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| | Tab Benoit Night Train To Nashville CD (2008)
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| | Eddie C Campbell Tear This World Up CD (2009)
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| | Mysteries Of The Sabbath: Classic Cantorial Recordings 1907-47 CD (1995)
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| | Roy Buchanan Malaguena CD (1997)
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| | Robert Charles Metropolitan Blue CD (1999)
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| | Eric Sardinas Black Pearls CD (2003)
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| | DJ Twelve Perfectly Safe CD (2006) (Import)
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| | Home Entertainment CD (2007) (Import)
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| | Alberto Castillo Serie De Oro CD (2008)
$7.89 | | Jim Carter Daydreamer CD (2008)
Meat & Potatoes album
$14.79 Question: What happens when a musician from the baby-boomer era with two daughters finds himself and his wife in an empty house for the first time in over twenty five years? Answer: He turns one of the bedrooms into a studio and starts recording!At least that was the answer Jim Carter came to. With both of his daughters out on their own, the oldest in New York working as the stage/house manager at Julliard School of Performing Arts, and his youngest, recently graduated from St. Andrews College in North Carolina, Jim decided that it was time to 'go for it' one more time!So he has just released his first album 'Daydreamer'. According to Jim, 'It's as if Barry White and Elton John had a baby! Now that would be 'sick' and 'wrong', but it does describe my vocal style and the type of music I've chosen for this CD. It is a combination of covers and originals performed with a touch of my own personal \"weirdness\" thrown in.\"Jim, in his early years, was a successful Singer/Actor/Musician with a long and solid list of performance credits, including ...
| | Abdel Karim Alkabli Su'Aad CD (2009)
Meat & Potatoes CD music
$12.55 Kabli, a superstar of Sudanese modern music and songs, established himself as such since the 1960s. His musical talents showed up at a very early age when he was a junior school student. He soon mastered playing the lute (Oud - strings/ melody/ percussion central instrument in Sudanese music) and used to the best his deep melodious voice to create a solid base of local fans.¨ Kabli's advanced degree of self-education and personal cultural background distinguished him among other local and regional musicians as to the lyrics he writes or selects to perform. He does not restrict him self to Sudanese colloquial wordings of rhythm. This pushed his popularity farther outside Sudan to many Arab and African countries. The larger part of more than a hundred songs he produced seems too familiar to an audience of different cultural Afro-Arab and middle Eastern background. ¨ Again, he is not restricted in theme, to love songs, a practice that dominated the musical scene. His repertoire included songs related to social and political realities whether these are Sudanese or of a more ...
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