Sufjan Stevens Illinois CD

The first new album since Seven Swans and the second in his 52 state series. Sufjan is one of the leading figures in the twisted folk revolution that includes Joanna Newsom, Devendra Banhart and Iron + Wine. 22 tracks, it is a breathtaking record, sure to be in all of the end of the year best of polls. ''A consistently moving, subtly beautiful experience'' -Billboard. ''A record of remarkable delicacy'' -the Guardian. ''Quietly beautiful'' -Rolling Stone. Spunk Records. 2005.

Personnel: Sufjan Stevens (acoustic guitar, electric guitar, banjo, flute, accordion, recorder, oboe, alto saxophone, piano, organ, Wurlitzer organ, vibraphone, glockenspiel, electric bass, drums, shaker, tambourine, triangle, sleigh bell); Sufjan Stevens (vocals, various instruments); Illinoisemaker Choir (vocals); Rob Moose, Julianne Carney (violin); Maria Bella Jeffers (cello); Daniel Smith (hand claps, background vocals); Rev. Dan Smith (background vocals); Craig Montoro (vocals, trumpet); James McAlister (drums); Elin K. Smith (hand claps, background vocals); Matt Morgan, Shara Worden, Katrina Kerns (background vocals).
Recording information: Carroll Music Studios, New York, NY (2004-2005); Marla's Apartment, Brooklyn, NY (2004-2005); New Jerusalem Recreational Room, Clarksboro, NJ (2004-2005); Redhook, Brooklyn, NY (2004-2005); St. Paul's Episcopal Church, Brooklyn, NY (2004-2005); Sufjan's Apartment, Brooklyn, NY (2004-2005); The Buddy Project, Astoria, Queens (2004-2005); The New Jerusalem Recreational Room, Clarsboro, NJ (2004-2005).
Arranger: Sufjan Stevens.
With two states down and only 48 to go, Sufjan Stevens' ambitious musical map of the Unites States of America should be completed -- if he puts out one a year -- sometime around 2053. It's a daunting task (and not an entirely original one at that), but if each subsequent record is as good as Illinois, fans who live long enough to witness the project's completion will no doubt find themselves to be scholars of both state history and its narrator's shape-shifting soul. Stevens' soulful folk epics, as played by his signature mini-orchestra, have changed little since his 2003 foray into Michigan -- a charge that may cause some grumbling among that album's detractors -- but there's a newfound optimism that runs through much of Illinois that echoes the state's "Gateway to the West" pioneering spirit. Glorious road trip-ready cuts like "The Man of Metropolis Steals Our Hearts," "Come On! Feel the Illinoise!," and "Chicago" have an expansiveness that radiates with the ballast of history and the promise of new beginnings. Stevens has done his research, with references to everyone from Abe Lincoln, Frank Lloyd Wright, and the ghost of Carl Sandburg to John Wayne Gacy -- the latter provides one the song cycle's most affecting moments. The lush (yet still distinctly lo-fi) indie pop melodies draw as much from classic rock as they do progressive folk. "Jacksonville," with its four-chord banjo lurch, mines "Old Man"-era Neil Young, disco strings dance around "They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!," while the rousing pre-finale "The Tallest Man, the Broadest Shoulders" is pure Peanuts-infused Vince Guaraldi as filtered through the ambiguous kaleidoscope of Danielson Famile spiritualism. There's a distinct community theater vibe to the whole affair that may or may not be the result of numerous photo shoots in which the players are dressed in adult-style Boy Scout uniforms -- it brings to mind the Blaine Players from Christopher Guest's small-town theater parody Waiting for Guffman -- but the majority of Illinois is alarmingly earnest. Stevens may be a snake-oil salesman, but he's got pretty good stuff, and like many of history's most untrustworthy wordsmiths, he somehow manages to switch the opportunist off and turn on the human being each time the listener gets suspicious of his intentions. ~ James Christopher Monger
The second entry from suiSpin (p.64) - Ranked #8 in Spin's "40 Best Albums Of 2005" - "[A] Chicago World's Fair of the ear -- a rebirth of wonder, discovery, and progress..."
Spin (p.105) - "[The album] sounds as informed by middle-American community theater, church choirs, and John Adams' American operas as any canonical 'folk rock' it may resemble." - Grade: A-
Entertainment Weekly (No. 829, p.71) - "...[F]inespun songs variously inspired by Carl Sandburg, John Wayne Gacy, Jr., and the 'Seer's' tower....ILLINOIS sounds quaint and even magical." - Grade: B+
Uncut (p.86) - 5 stars out of 5 - "ILLINOIS is an extraordinary achievement, all the more so as Stevens played most of the parts himself."
Magnet (p.52) - Ranked #5 in Magnet's "The 20 Best Albums Of 2005" - "[The album] continues his brave/insane quest to document the whole of our great nation's quilt of quirks..."
The Wire (p.41) - Included in The Wire's "2005 Rewind: 50 Records Of The Year."
Mojo (Publisher) (p.60) - Ranked #24 in Mojo's "The 50 Best Albums Of 2005" - "A boundless cornucopia utilising choir, woodwind and Vince Guaraldi-like piano..."
Mojo (Publisher) (p.98) - 3 stars out of 5 - "[W]hen focusing on life's minute joys or its mundane horror, Stevens' voice is as true and profound as an angel."