| | Bells Of The Cotswolds: Historic Recordings Of Bristol Bells CD - Import
Bells Of The Cotswolds: Historic Recordings Of Bristol Bells Music Bells Of The Cotswolds: Historic Recordings Of Bristol Bells Songs | 1. | Burford, Oxon: 8 Bells (Double Norwich Court Bob Major) - Various Artists |
| 2. | Bledington, Glos.: 6 Bells (Cambridge Surprise Minor) - Various Artists |
| 3. | Stow-On-the-Wold, Glos.: 8 Bells (Grandshire Triples) - Various Artists |
| 4. | Moreton-in-Marsh, Glos.: 8 Bells (Kent Treble Bob Major) - Various Artists |
| 5. | Bourton-On-the-Hill, Glos.: 6 Bells (Plain Bob Minor) - Various Artists |
| 6. | Chipping Campden, Glos.: 8 Bells (Grandshire Triples) - Various Artists |
| 7. | Ebrington, Glos.: 6 Bells (Grandshire Minor) - Various Artists |
| 8. | Ilmington, Warks: 6 Bells (Plain Bob Doubles) - Various Artists |
| 9. | St. Mary Redcliffe, Bristol: 12 Bells - Various Artists |
| 10. | Lord Mayor's Chapel, Bristol: 6 Bells, The - Various Artists |
| 11. | Bristol Cathedral: 8 Bells - Various Artists |
| 12. | St. Stephens, Bristol: 10 Bells - Various Artists |
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Bells Of The Cotswolds: Historic Recordings Of Bristol Bells Review
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Purchase Bells Of The Cotswolds: Historic Recordings Of Bristol Bells CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
Bells Of The Cotswolds: Historic Recordings Of Bristol Bells album
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall.
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Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on FEARLESS: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on "Fifteen," a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age--a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only hint of girlishness here; her writing--and she had a hand in penning all 13 tracks here, with six of them bearing her solitary credit--is sharply, subtly crafted and the music is softly assured, never pushing its hooks too hard. Like many ...
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Despite his status as one of hip-hop's most prolific artists, Z-Ro never quite spreads himself too thin. The provocatively titled COCAINE is his second release from 2009, and features his trademark self-aware, yet rapier-sharp lyrics over some of the hotter beats out of the fertile Houston scene. The Intro skilfully sets out the landscape as the dark-vocaled MC reflects upon his choice of a life of street dealing without a shred of remorse, while stressing his decision was ...
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Percy Faith recorded these two albums, Koga Melodies (1970) and Ryoichi Hattori Melodies (1972), expressly for the Japanese market, and neither has seen domestic release until now. The albums feature Faith's arrangements of music by two Japanese composers, Masao Koga and Ryoichi Hattori, both of whom integrated elements of Eastern and Western music into their pieces: Koga blended popular song styles while Hattori mixed jazz with traditional Japanese ...
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