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Lyricist: Dickie Moist.
Moistboyz: Dickie (vocals); Mickey (guitar, bass guitar).
DJ: Mickey Moist.
Audio Mixers: Jorge; Andrew Weiss.
Photographer: Aaron Freeman. Moistboyz I & II Review
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In conjunction with the 2006 DVD documentary of record collector Joe Bussard, Dust-to-Digital released this companion CD, featuring 19 tracks in some of the kind of styles -- rural blues, jazz, and old-timey country music, mostly from the '20s and '30s -- that Bussard loves. Desperate Man Blues: Discovering the Roots of American Music isn't exactly a soundtrack to the documentary, since these records ...
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Although the Greatest Show on Earth (GSOE) were not the first bunch of rockers to incorporate a powerful brass and woodwind section, they are among the best and heaviest-sounding British bands to have emerged from the post-psychedelia of the late '60s and early '70s. GSOE were, in essence, the invention of EMI Records subsidiary Harvest, who were focusing in on new and progressive artists such as Pink Floyd and Deep Purple. When the group was initially signed in 1968, they were an R&B/soul revue whose forte was more along the lines of Stax or Motown, instead of trippy acid rock. After ditching their original vocalist, Ozzie Lane, they eventually settled on Colin Horton Jennings, a multi-faceted performer who would begin to compose originals that would allow the octet to incrementally abandon their Yankee soul leanings. After a few months of woodshedding new tunes, they emerged with a fresh sound and material for their debut, Horizons (1970). The extracted single "Real Cool World" is marked by its open-throttle, galloping tempo and some equally pungent electric organ riffs. As such, it was also given a few cursory spins on BBC's Radio One; however, the remainder of the disc ...
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As WTO has proven, the revolution will indeed be televised, and judging by Underground Network, Anti-Flag's anthemic songs will be wafting across the frontlines. From their earliest days, the group have worn their politics proudly on their sleeve, a shared belief which has seen them through lineup changes and expansion from trio to a quartet. Some things have changed over time, however, both sonically and lyrically. After several label moves, Anti-Flag are now happily denizened at Fat Wreck Chords, a melodic punk home far removed from their early purer hardcore sound. The sea change in style was evident on A New Kind of Army, and now crests in an ocean of powerful pop-punk melodies, which bind them firmly to the Southern Californian sounds of their labelmates. That said, Underground Network contains more than enough pugilistic hardcore to keep their old fans loyal, as well as enough echoes of punk's past to capture old-school geezers' hearts. It's this solidifying meld of styles past and present into a unique ...
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