| | Airplay CD Airplay Discography of CDs
 (2 Customer Reviews)
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This 25th anniversary reissue of Airplay's self-titled album features performances by David Foster, Jay Gradon, Tommy Funderburk, and members of Toto.
Digitally remastered 25th Anniversary edition of the only album by a trio of future heavyweights that would change the face of popular music in their near future. The members of this group included David Foster (keyboards and later acclaimed producer), Jay Graydon (guitar and vocals, also a future producer and arranger) and Tommy Funderburk (who contributed background vocals to over 50 different albums). They were backed by drummer Jeff Porcaro and bassist David Hungate, both of Toto. Airplay Songs | 1. | Stranded |
| 2. | Cryin' All Night |
| 3. | It Will Be Alright |
| 4. | Nothin' You Can Do About It |
| 5. | Should We Carry On |
| 6. | Leave Me Alone |
| 7. | Sweet Body |
| 8. | Bix |
| 9. | She Waits for Me |
| 10. | After the Love Has Gone |
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Purchase Airplay CD To buy, Click on price to add to cart | Praying Mantis Time Tells No Lies CD (1981) (Import) Import; Germany
Airplay album
 $32.85  
| | Black N Blue Collected CD (2005) (Import) With DVD; Limited Edition; Box Set; United Kingdom
Airplay CD music
$31.69 
| | Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak
Airplay music CDs
$19.79
The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more Lindsey Buckingham sounds than one would expect, especially since the two guitarists come from two different musical worlds. "Odds and Ends" is more lighthearted, the kind of music Paul McCartney toyed with on The White Album's "Rocky Raccoon." What Second Chapter immediately sets forth is the importance of Kirwan as a pop artist, and how, despite Fleetwood Mac's success ...
| | Dallas - The Complete Tenth Season DVDs (2008) Full Frame
Airplay songs
 $32.55
| | 20th Century Masters: The Millennium Collection: The Best Of Gladys Knight & The Pips CD (2000)
Airplay album
$7.19 
| | Jacques Loussier Satie: Gymnopedies/Gnossiennes CD (1998)
Airplay CD music
$15.65
| | Flora The Red Menace CD (1965)
Airplay music CDs
$8.49
Flora, the Red Menace, which opened on Broadway on May 11, 1965, and closed after only 87 performances on July 24, is one of those musicals that is more memorable for the people who worked on it than for the show itself. It marked the beginning of the stage partnership of composer John Kander and lyricist Fred Ebb, who would go on to such successful works as Cabaret and Chicago. And it was the Broadway debut of 19-year-old Liza Minnelli. The story, based on Lester Atwell's novel Love Is Just Around the Corner, was set in New York in 1933 and concerned the romance between an aspiring fashion designer and a Communist party member, occasioning the amusing song "Sign Here," in which Harry Toukarian (Bob Dishy) induces Flora (Minnelli) to join the party, which he represents as the embodiment of all things ...
| | All American Rock 'N' Roll: The Fraternity Story, Vol. 2 CD (2001)
Airplay songs
$17.39
Compilations that dig into the vaults of relatively minor rock & roll independent labels are like digging your fist into a Halloween trick-or-treat bag. Whatever you come up with, you know that it's going to be varied and that not all of it will be to your taste. If this 25-track assortment of 1957-1962 singles on the Fraternity label, with a half-dozen previously unissued tracks thrown in, doesn't yield many delicacies, at least there aren't any candy-coated razor blades. Just two names here made it big: Bobby Bare, who recorded the hit Elvis Presley satire "All American Boy" for Fraternity in 1958 (though Bill Parsons got the credit on the label), and Jackie DeShannon, who was going by the name Jackie Shannon when she recorded for the company. DeShannon's 1959 single "Just Another Lie," done with the Cajuns when she was a teenager, is one of the best cuts, with a smoky sax and equally smoky, unmistakably DeShannon vocal on a reasonably gutsy, ...
| | Elam Drift CD (2005)
Airplay album
$15.19
| | Lua & Kaili Sottovoce CD (2006) (Import)
Airplay CD music
$30.19
| | Mike Hansen Relay CD (2004)
Airplay music CDs
$20.29
Mike Hansen, record players, electronicsTomasz Krakowiak, amplified drum table, electronics, minidisc live sampling Hansen/Krakowiak attack and disseminate both the turntable and the drum. Their improvisations are built through layers of sound where the instrumentation interpolates becoming musical coitus. Hansen/Krakowiak constuct new waves of contemporary sound, influenced by experimental and electroacoustic practices. This duo walk roads yet travelled. Creating sound art for our times. What the critics are saying;Both electronic and acoustic instruments get a workout here as steady thunder from a kettle or upright bass drum first complement intonations that could be made by a fan belt slipping off a motor, then are amplified through a piano's internal speaking length. Minidisks and live sampling provide the subsequent rumble and buzz, as if overloaded circuits have been surmounted by unidentified items rotating on a turntable."Ken Waxman, JazzWeekly.com Does Canadian politeness reside even in the worlds of sound art? Relay would seem to indicate so. Following last year’s collaborative release with saxophonist John Butcher, the Toronto duo of Hansen and Krakowiak offer up four long tracks of turntables, amplified percussion, mini-disc and miscellaneous electronics. Immediately evident is the impression of an outer space surrounding the generated noises. The sounds are initially familiar enough to mistake for room ambience, eventually they are overtaken by more obviously manipulated segments of quiet feedback and looped metal tapping. The pieces undulate, at times gaining more kinetic energy and volume, then dropping back into a trough of near-silence. The duo play well together, not excessively fussy about overcrowding the sound space, but mindful of maintaining an engaging rate of dynamic change. By employing a more physical relationship with their instruments, they also manage to charge their quiet (polite) works with an energy that similar laptop improvisation often lacks.Eric Hill, Exclaim.Mike HansenHansen approaches the record player as an instrument, needles cut ...
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