| | Peter Hammill Fool's Mate CD Peter Hammill Discography of CDs
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Although not on par with his best albums (1977's Over, 1978's The Future Now, etc.), this solo debut, Fool's Mate, shows Van der Graaf Generator's Peter Hammill taking his first steps toward later prog rock perfection. What makes Fool's Mate different than VdGG's material is that it's more mainstream, and for the most part, piano and acoustic guitar-based. But Hammill is still able convey the grandness of classic VdGG, as heard in the sweeping sounds of "Re-Awakening." And Hammill never grows predictable. The tracks "Sunshine" and "Imperial Zeppelin" show that he doesn't take himself as seriously as many of his then-contemporaries (an important reason why Hammill's music has held up far better over the years than some other prog rockers). But Hammill's lyrics weren't as sophisticated and developed as they would later come to be, which is understandable, since it is his very first solo outing, after all. And the album's closing song, "I Once Wrote Some Poems," hinted at the style Hammill would pursue more thoroughly on future releases (venomous vocals set against contrasting music). Fool's Mate is not as bad as some Peter Hammill purists make it out to be, but casual fans should check out Over or The Future Now first. ~ Greg Prato
Peter Hammill is one of the most unique and influential voices in prog. He was the pivotal figure in VDGG, who formed in 1967 at Manchester University. His obsession with lost love, lost faith, time, space and existence itself are the cornerstones of both his work with the band and his solo albums. This Reissue of the original 1970 release of 'Fool's Mate' features the 12 original tracks and 5 bonus tracks of the 'Early Demo Versions' for 'Re-Awakening', 'Summer Song In The Autumn', 'The Birds', 'Sunshine' & 'Happy'. Charisma. 2005.
All songs written by Peter Hammill.
Recorded at Trident Studios, London, England.
Personnel: Peter Hammill (vocals, acoustic guitar, piano); Dave Jackson (alto, tenor, flute, saxophone); Bob Fripp (electric guitar); Ray Jackson (harp, mandolin); Rod Clements (violin, bass instrument); Hugh Banton (piano, organ); Nic Potter (bass instrument); Guy Evans (drums, percussion); Martin Pottinger (drums); Paul Whithead.
Personnel includes: Peter Hammill (vocals, acoustic guitar, piano), Robert Fripp (guitar), Ray Jackson (harp, mandolin, background vocals), Dave Jackson (alto & tenor saxophones, flute, background vocals), Hugh Banton (piano, organ, background vocals), Rod Clements (bass, violin), Nic Potter (bass), Guy Evans (drums, percussion, background vocals), Martin Pottinger (drums), Paul Whitehead (tam-tam), John Anthony (background vocals).
Mojo (Publisher) (p.122) - 4 stars out of 5 - "It's a confident, potent set, a peculiar mixture of groovy pop; bittersweet love songs and existential poetics." Fool's Mate Music | List Price | $23.99 (You save $8.84) | | Category | Rock/Pop Albums, Rock CDs, Pop, Art Rock | | Label | Caroline Distribution | | Orig Year | 1971 | | All Time Sales Rank | 41821  | | CD Universe Part number | 6881039 | | Catalog number | 853667 | | Discs | 1 | | Release Date | Nov 29, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | John Anthony | | Engineer | Robin Geoffrey Cable | | Personnel | Robert Fripp - guitar Ray Jackson - harp, mandolin Peter Hammill - vocals, acoustic guitar, piano Guy Evans - drums, percussion Hugh Banton - piano, organ Nic Potter - bass instrument Dave Jackson - alto, tenor, flute, saxophone John Anthony - background vocals Rod Clements - violin, bass instrument Bob Fripp - electric guitar Martin Pottinger - drums Paul Whithead
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$11.99 Back in the days when the Earth was flannel, metal had gone"'nu," and stoner rock was young (i.e., the late '90s), Boston quartet Roadsaw regularly found themselves mentioned alongside charter groups like Nebula and Fu Manchu during discussions of the burgeoning genre. But even though they had unleashed their debut album, Nationwide, in the midst of that movement's biggest surge of popularity, Roadsaw were really disciples of a much more timeless, clique-less school of stripped-down hard rock (no space flights for these cats). Hence the informative title of their sophomore record, Rawk n' Roll, which sadly vanished without a trace after being released through tiny independent Luna Sound in 2002, but was deservingly reissued by Small Stone five years later. But whether you've listened to it in 2002, 2007, 2009, or, by some miracle of time travel, 1977, chances are you'd find Roadsaw's universal brand of heavy blues-rock perfectly "contemporary" with that of '70s icons like the James Gang, Ted Nugent, or hometown heroes Aerosmith. Montrose is another band that comes immediately to mind (think "Bad Motor Scooter") while listening to Roadsaw specialties like "Right on Through," "Bad Ass Rising," "The Finger," and "Buried Alive," whose riffs actually sound like a stock car's motor revving. Elsewhere, guitarist Ian Ross pulls out all the stops for some truly sizzling guitar work on the Atomic Bitchwax-like "Disconnected," drummer Hari Hassin inserts a half-backwards drum solo into "Blackout Driver," and guest organist Eric Welsh adds another dimension to Hammond-ized cuts like "Foot" and the Doors-ish instrumental "That's Mr. Motherfucker to You." Finally, and definitely ...
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