| | Big Daddy Weave What I Was Made For CD Big Daddy Weave Discography of CDs
 (1 Customer Review)
Groovy contemporary rock group Big Daddy Weave stick to a well-worn path on What I Was Made For, a straightforward collection of modern praise anthems. The quintet's peppy, uptempo rock isn't more than a stone's throw away from the likes of Steven Curtis Chapman, Casting Crowns, and MercyMe. But where those artists may occasionally attempt to address issues like social pressure or sexual transgressions, Big Daddy Weave keep things light and buoyant. Considering the album came during what critics dubbed "the year of the worship album," the boys seemed to make a refreshing name for themselves by plowing ahead with their free-spirited rock rather than reverting to an unplugged sound like Jars of Clay's Redemption Songs. A solid rhythm section and easily digestible guitar licks put meat on the bones where lyrics for the most part remain quite thin. The grooves are strongest on later tracks like "Killing Me Again" and "Give Up, Let Go." The singalong duet "You're Worthy of My Praise," featuring BarlowGirl, was a number one Christian hit. ~ Jared Johnson
Audio Mixers: Shane D. Wilson; Bryan Lenox.
Recording information: Platinum Lab, Nashville, TN; Reflections, Nashville, TN; The Spank Factory, Nashville, TN; Twelve-18 Sound Lands, Brentwood, TN.
Editors: Jeremy Redmon; Chris Henning; Shane D. Wilson.
Arranger: Otto Price.
Big Daddy Weave: Mike Weaver (vocals); Jeremy Redmon (guitar); Joe Shirk (saxophone, keyboards); Jay Weaver (bass guitar); Jeff Jones (drums).
Personnel: Jeff Roach (piano, keyboards); Jeremy Redmon (keyboards, programming).
Additional personnel: BarlowGirl (vocals); Ken Lewis (percussion); Anna Redmon (background vocals); Fred Hammond, Jeff Roach.
What I Was Made For Music | List Price | $9.97 (You save $0.68) | | Category | Rock/Pop Albums, Gospel CDs, Christian, Contemporary Christian Music, Religion | | Label | Fervent | | Orig Year | 2005 | | All Time Sales Rank |  271232  | | CD Universe Part number | 6881809 | | Catalog number | 430067 | | Discs | 1 | | Release Date | Jul 26, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Otto Price; Jeremy Redmon; Jeremy Redmon; Mike Weaver; Tony High; Otto Price | | Engineer | Otto Price; Jeremy Redmon; Bobby Shin; Jim Dineen; Shane D. Wilson | | Personnel | Jeff Jones - drums
Jay Weaver - bass guitar
Jeremy Redmon - guitar
Mike Weaver - vocals
Joe Shirk - saxophone, keyboards
Also: Fred Hammond, Ken Lewis, Jeff Roach, BarlowGirl, Anna Redmon |
Big Daddy Weave What I Was Made For Songs What I Was Made For Music Review Purchase What I Was Made For CD To buy, Click on price to add to cart | Kristin Chenoweth As I Am CD (2005)
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Kristin Chenoweth's 2001 album was a collection of standards that showcased her winning soprano and remarkable ability to shift from Broadway brassy to "My Funny Valentine"-sultry at the turn of a note. Let Yourself Go was a great follow-up to her 1999 Tony win for You're a Good Man, Charlie Brown. But since then Chenoweth has branched out from Broadway, particularly into acting (She joined the cast of West Wing in 2004), and As I Am reflects her higher profile. It's a personal album that mixes country and adult contemporary instrumentation in a set ...
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The three-disc box set Get Down Tonight: The Disco Explosion was released just after PBS premiered the program of the ...
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| | Richard Smallwood Persuaded: Live In D.C. CD (2001)
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Recorded live at Jericho City Of Praise, Washington, D.C. on April 21, 2001.
PERSUADED was nominated for the 2002 Grammy Award for Best Traditional Soul Gospel Album.
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Racist, sexist, xenophobic, and reactionary, Tim Wilson is on the more ...
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Musician, composer, and computer programmer Nick Didkovsky seems to have so many projects and possibilities rattling around in his cranium that his guitar-playing abilities tend to get overlooked. He uses interactive computer technology extensively in his Doctor Nerve group, and in their most recent recording, Ereia, he experimented compositionally with a combination of avant-rock band and string quartet. So this stripped-down trio album, recorded with longtime Soft Machine bassist Hugh Hopper and drummer John Roulat, is, in a sense, Didkovsky's equivalent of Frank Zappa's Shut Up 'N Play Yer Guitar series -- a chance for electric guitar enthusiasts to hear a great axeman at work in settings that are designed to bring his guitar front and center. However, Didkovsky's restless imagination would not allow him to settle into a predictable groove no matter what he was doing, so the overall effect of this recording is closer to Fred Frith-style experimentation than standard displays of fretboard dexterity. Musically, it covers a whole lot of territory, even if Didkovsky's instrumental prowess is the intended focus.
Techno-geek that he is, Didkovsky finds a way to indulge his interest in cutting-edge technology by never actually playing with his two fellow musicians on Uses Wrist Grab, but instead exchanging and assembling all 14 pieces on the CD through the use of MP3 and CD-ROM audio files. In fact, Didkovsky and Hopper have never even met, although their mutual interests and sympathies are obvious. Individual pieces of each composition are mixed and stacked in ...
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