| | More Big Band Magic - Sounds Like The Fabulous Forties CD - Import
(2-CD set for the price of one CD) This is the follow-up to Big Band Magic (JAS #382). It's wver 2 hours and 30 minutes of that classic big band sound. This set was compiled by Don Kennedy - Host of Big Band Jump (U.S. syndicated radio show). More Big Band Magic - Sounds Like The Fabulous Forties Music More Big Band Magic - Sounds Like The Fabulous Forties Review
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$9.44 Here is an overlooked gem from a most unlikely source, recorded in a most unlikely genre -- commercial '70s jazz/funk -- just as the disco era was gathering steam. Tom Scott controlled the production, with Severinsen overdubbing all of the brass choruses and occasionally passing his horns through a phase shifter and wah-wah pedal. The coterie of overworked sessionmen from L.A. and NYC -- Richard Tee, Eric Gale, Lee Ritenour, Anthony Jackson, Ralph MacDonald, ...
| | Peter White Glow CD (2001)
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$7.59 This is a multi-channel Super Audio CD playable only on Super Audio CD players.
More than most jazz lite artists, Peter White flaunts a restless improvisational sense, which is fully evident on Glow. Aside from a few incidental fills tossed into the breeze by this or that horn player, this is entirely White's ...
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| | Coleman Hawkins Stanley Dance Sessions CD (2005) (Import) France
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$11.79 This digitally remastered collection of 13 jazz tunes by legendary saxman Coleman Hawkins features "Bird Of Prey Blues" and "Honey Flower."
In February 1958 Stanley Dance oversaw two recording sessions headed up by Coleman Hawkins. By this point in his long and eventful career, Hawkins was still an eminently sophisticated improviser. His tone was gradually beginning to harden and his way of handling the changes could swiftly become downright rambunctious when tempos and occasions called for extroverted exposition. There is, at times, a thrilling ...
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| | Jack Grassel Ghost Ridge CD (2006)
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$12.69 Finally, a great recording of this trio playing at it's best featuring the unbelievable drumming that is unique to Dane. Recorded live at the Cuda Cafe 4-22-06. The music draws from the entire range of jazz tradition, including bebop, modern, latin, ballads, and free improvisation. Jack sums it up nicely, "We put the history and future of music in the blender and play that."Jack and Kirk have spent many years perfecting and playing the "super-ax". The instrument has both bass and guitar strings which allow them to take turns soloing and comping for each other. When one solos, the other complements with chords on the guitar section and lines on the bass section, eliminating the need for a bass player."Live at the Uptowner, a trio effort with fellow guitar player Kirk Tatnall and drummer Ernie Adams, showcases the liquid interplay between Grassel and Tatnall on melodies whose deceptive ease belies their complex structure. Both Grassel and Tatnall play the Superax, an instrument that combines guitar with bass." Dave Luhrssen (Live at The Uptowner)"Tatnall's playing is extremely fiery; at times he can sound like rock/fusion guru Allan Holdsworth, with long, lyrical lines of improvisation. Both are capable of incredible virtuosic soloing and when they switched bass lines it was hardly noticeable." - Rick Tvedt, Rick’s Café Press (Jack Grassel, Kirk Tatnall concert review)"This device is exclusive to him and Kirk, mainly because it’s so difficult to play and hasn’t been marketed much. What’s so amazing about it, you might ask? The device enables the musician to play both guitar and bass simultaneously. In fact, Jack and Kirk have become so proficient at it that they’re able to improvise melody, bass, and chord rhythm simultaneously. Adding ...
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| | Acoustic Alchemy This Way CD (2007)
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$12.65 With the release of This Way, Acoustic Alchemy's guitarists Greg Carmichael and Miles Gilderdale celebrate a remarkable two decades since Red Dust & Spanish Lace established the British ensemble as an ever-evolving powerhouse of contemporary jazz. Carmichael and Gilderdale's natural chemistry is very apparent on this set of loose and spirited songs, as is the soloing by the complementing musicians on such jazzy tracks as "Egg," which has a very British, blues-drenched, straight-ahead sound. By contrast, "Ernie" has an exotic Latin jazz flavor complete with great solos by Terry Disley, Jeff Kashiwa, and trombonist Dennis Rollins. Rick Braun makes a guest appearance on "Carlos the King," a ...
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