| | Don Ellis Essence CD Don Ellis Discography of CDs
(2 Customer Reviews)
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The rarest of all Don Ellis sessions, Essence matches the trumpeter with pianist Paul Bley, bassist Gary Peacock, and either Nick Martinis or Gene Stone on drums. Ellis, who sought during this period to transfer ideas and concepts from modern classical music into adventurous jazz, often experimented with time, tempos and the use of space while still swinging. His renditions of Billy Strayhorn's "Johnny Come Lately," "Angel Eyes" and "Lover" are quite fresh, he contributes four interesting originals and introduces Carla Bley's "Wrong Key Donkey" (here simply called "Donkey"). This is thought-provoking music that was certainly way overdue to be reissued. ~ Scott Yanow
Liner Note Authors: Don Ellis; Michael Cuscuna.
Recording information: Pacific Jazz Studios, Hollywood, CA (07/15/1962-07/17/1962).
Photographer: Woody Woodward.
Personnel: Don Ellis (trumpet); Don Ellis; Gary Peacock (bass instrument); Nick Martinis, Nick Martinis (drums); Paul Bley (piano); Gene Stone (drums).
Audio Remasterer: Mantis Evar.
Essence Music Review Average Rating: (5 out of 5 stars)   No Gimmicks Here! If you only know of Don Ellis as the leader of a big band that sometimes seemed to be too clever for its own good, then you are in for a big surprise here, as well as a treat.
Simply put, this is a program of no-nonsense, forward-thinking small-group jazz that is played with conviction and sincerity. Much of it still sounds refreshingly modern today, 40+ years after the fact. The supporting cast is incredibly strong, and plays to the music with both energy and empathy.
Don't let preconceptions of the leader dissuade you from checking out this most invigorating set of music. It's a keeper! Submitted by Jim Sangrey (Tx, USA) Was This Review Helpful? Yes No 2 of 2 found this helpful.
Finally! I've been waiting for 40 years for this album to be reissued. Ellis could be a fascinating improviser and his playing is more exposed here than in his big band albums, but what makes this session special is the combination of Paul Bley, Gary Peacock and Gene Stone. Good sound.
Submitted by jw (Pittsfield, MA, USA) Was This Review Helpful? Yes No
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Purchase Essence CD To buy, Click on price to add to cart | Andrew Hill Passing Ships CD (1969) Remastered
Essence album
$9.49 This larger group session was recorded for Blue Note in 1969 but had to wait until 2003 to see the light of day. It was worth the wait, since PASSING SHIPS is one of composer-pianist Andrew Hill's most varied and distinctive efforts. Actually, the group here isn't all that big when you check the lineup, but Hill's skillful writing makes it sound as if we're listening to a more spacious ensemble. In addition, he makes most effective use of reedman Joe Farrell's multi-instrumental talents here. Not only does Farrell excel in the usual tenor and soprano saxophone roles but it's his English horn that sings the plaintive theme on the title track and his dusky alto flute that establishes the mood of the exotic "Noon Tide." The writing throughout is fresh and, most of all, coherent, which can't be said for all free-jazz endeavors of the era. But Andrew Hill had ...
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Essence CD music
$88.59 Initial pressings of SEVEN STEPS are packaged with a deluxe metal spine.
Also includes a 92-page booklet with rare photos, complete discography and essays by Michael Cuscuna and Bob Blumenthal.
All tracks have been digitally mastered using 24-bit technology.
In the 1960s, trumpeter Miles Davis became a star outside of the jazz world, first with what history refers to as "the Quintet" with Wayne Shorter and Herbie Hancock, then with his highly influential post-BITCHES BREW electric bands. But there was a "transitional" period, after John Coltrane left Davis's employ and before the Shorter/Hancock era, which the SEVEN STEPS box set based around the SEVEN STEPS TO HEAVEN album documents in its entirety, often ...
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Essence album
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Essence CD music
$9.59 Assisted by the trombonist Bob Brookmeyer, the post-bop guitarist Jimmy Raney is heard here in a 1956 session performing a varied set that displays his lyrical, often cerebral playing to its best advantage, including the standards "How Long Has This Been Going On?" and "Isn't It Romantic."
Though Jimmy Raney recorded under his own name as early as 1953, it's this 1956 set that is regarded as his arrival as a leader. Raney is as fine an arranger as he is a guitarist. These eight tracks with Bob Brookmeyer on trombone -- another fine arranger in a soloist's role -- shine with the ease and fluidity of the best of the cool sessions recorded at the dawn of hard bop. One of the finest examples of the interplay between Raney and Brookmeyer occurs at the beginning of the album's second track, "How Long Has This Been Goin' On," where the ...
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