| | Evil Devil Drink To Kill My Pain CD Evil Devil Discography of CDs
Drink To Kill My Pain Music Evil Devil Drink To Kill My Pain Songs | 1. | Intro |
| 2. | No Roof Over Head |
| 3. | Burning Roses |
| 4. | What Is Death, What Is Live |
| 5. | Way of Damnation, The |
| 6. | Devil Crew (Greetings Song) |
| 7. | Back in the Far West |
| 8. | Come Back |
| 9. | S.R.L. |
| 10. | You Are Gonna Die! |
| 11. | No Pain |
| 12. | Outro |
| 13. | I Can't Believe in Your Eyes |
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Drink To Kill My Pain Review
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NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more raucous rock & roll with healthy dollops of soul and twang thrown in for good measure. Always looking for a good songwriter ...
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Unknown Contributor Role: Daniela Castro.
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"Absolutely beautiful" - Amplifier MagazineKEY FACTS:* Luna meets Fairport Convention/Pentangle soft electric folk pop* Debut cd produced by The Kennedys (acclaimed folk duo currently hosting "Dharma Cafe" on Sirius Radio Folktown. Pete & Maura Kennedy also play on CD)* Group principals are Edward Rogers and Amanda Thorpe, two British musicians living in NYC; joined by author/music journalist Mac Randall on guitar* Edward Rogers has a solo album on Not Lame and is the producer of the popular Beat Goes On concert series in New York* Amanda Thorpe has two solo cds out and is ex-Wirebirds* Group was named by Colin Blunstone (Zombies singer)* Keyboards by Andy Burton (Ian Hunter)* Group has played NXNE Toronto and Los Angeles IPO FestivalBIO: Edward Rogers (vocals, percussion) and Amanda Thorpe (vocals, guitar, keyboards) may have burgeoning solo careers but the shimmering understated pop of their Bedsit Poets collaboration has become a surprise hit that has undertaken an exciting life of its own. As two British musicians in New York, the duo have always shared a friendship but had never really thought of writing together until they were prompted by mutual friend Colin Blunstone (Zombies singer) who even gave them the Bedsit Poets name to get them started. With guitarist Mac Randall on board, the new band called up the production expertise of The Kennedys (good friends, who, conveniently, had a home studio not too far from Ed's apartment). The result is their debut cd, The Summer That Changed. Produced over the course of one year; imagine Fairport Convention crossed with Belle and Sebastian, with a touch of Serge Gainsbourg and Jane Birkin (in English). Haunting, tuneful, lyrically off-kilter, and stamped by the intricate warm harmonies of Edward and Amanda; it's an intimate, gentle breeze of summer. Here. Now. Forever. Their inspired cover of "Don't Ask Me To Be Friends" (Everly Brothers) has been the unanimous audience favourite at both the NXNE and IPO festivals. Another highlight is "February ...
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Austrian-born electric guitarist Alex Machacek is one of the young post-John Scofield/John McLaughlin/Allan Holdsworth performers whose melodic sense is in a phase of being developed. While he's beyond the noodling stage on this, his fourth album, one gets a sense that he's still a work in progress to find his clear and present voice, preferring to toy with sounds, voicings, and techniques that will serve his ideas better down the road. This live performance in Raleigh, NC, at the Lincoln Theatre is an exercise in that searching process, the guitarist teamed with drummer Jeff Sipe and electric bassist Neal Fountain. While certainly in the jam band area, one could mistake them for a quintessential power trio, but they are not there yet. Instead, Machacek and his mates are satisfied with elongating linear single lines stretched out over a ten-minute average until they slightly change up the mood. The more toned-down and prettier tracks seem to suit them, as the electrified improvisations simmer and at times explode, but rarely boil. The most interesting idea the group espouses collectively is during "Yoga for Cats 1," a spacy and soupy, deep and dark mood, followed by the pleasant "Neal's Fountain" in a traipse pulse, as Machacek's processed guitar is switched off on an alternate passage in shades of McLaughlin. The straight ...
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