| | Savoy Brown Blue Matter/A Step Further CD - Import Savoy Brown Discography of CDs
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This BGO double disc places two of Savoy Brown's finest recordings in one package. Thoroughly remastered, both Blue Matter and A Step Further were recorded in 1969 and featured the enigmatic Chris Youlden on vocals, Kim Simmonds and Lonesome Dave Peverett on guitars, Roger Earle on drums, Jobe Rivers on bass, and pianist Bob Hall. In its original LP format, Blue Matter contained both studio and live sides, and A Step Further contained a live medley that included everything from Jerry Lee Lewis and Chuck Berry covers to Jimi Hendrix's "Purple Haze." But it was the studio cuts that stood out on both albums. The former featured the amazing "Train to Nowhere" and "Don't Turn Me from Your Door," while the latter included "Made Up My Mind" and "Life's One Act Play." ~ Thom Jurek
Two albums, one from 1968 and one from 1969, on a double CD. Remastered, slip-cased and with new notes. BGO. 2005.
2 LPs on 1 CD: BLUE MATTER (1969)/A STEP FURTHER (1969).
Savoy Brown: Chris Youlden (vocals); Kim Simmonds, Lonesome Dave Peverett (guitar); Alan Moore (trombone); Derek Wadsworth, Brian Perrin, Terry Flannery, Keith Martin (tenor trombone); Bob Hall (piano); Rivers Jobe (electric bass); Roger Earl (drums, percussion); Mike Vernon (percussion).Dirty Linen (p.62) - "[T]wo of its best releases in the blues catalogs, with some originals...the explosive extended blues jam 'Savoy Brown Boogie,' and a signature tune..." Blue Matter/A Step Further Music Blue Matter/A Step Further Music Review Purchase Blue Matter/A Step Further CD To buy, Click on price to add to cart | Black Sabbath Master Of Reality CD (1971)
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$11.49 Leroy Justice: The Loho SessionsBy: Dennis Cook (published at Jambase 5/26/09)There's a moment late in opening track "All My Life" where lead singer-songwriter Jason Gallagher pleads for a dream his voice betrays his doubts about. The only backing is sympathetic, dizzy organ and then a chest slamming blast of electric guitar pushes you into your seat. It's a classic "classic rock" moment, absolutely free of premeditation, careless, exposed and a little rough like all the music we associate with this subset of rock. And it is but one of many more such moments that follow. In Leroy Justice we find a modern band ready, willing and able to go toe-to-toe with The Faces, Lynyrd Skynyrd and the like, and their sophomore release, The Loho Sessions shows they're not prepared to give an inch to their ancestors in the face off.Much like the massive growth spurt exhibited by obvious forebear The Black Crowes between their debut and Southern Harmony and Musical Companion, Leroy Justice's second album takes their heaping initial promise and molds it into a full featured, highly appealing band able to reinvigorate the basics in a way that rejuvenates one's love for melodic, powerful rock that centers on common things (loss, heartache, dreams, jealousy) with uncommon acumen. Captured with intuitive lightness of touch by the great producer John Siket (Phish, moe., Yo La Tengo) at the legendary, now-defunct NYC studio which gives the album its name, The Loho Sessions, in spirit, is actually closer to Skynyrd's justifiably beloved Second Helping - workingman's grub that feeds heart and soul in ways as effecting as whiskey and women.Like the Crowes and Ronnie Van Zant's outfit, these guys excel at mid-tempo bittersweetness, and where one's manly pride says they should like the rockers best it's the stripped down, bruised honesty of "Bathroom Wall" and "Mickey" that one keeps playing over and over. That's no dig at the rockers like "Out To Sea" or "Patriot," which careen with bare knuckle whomp – Leroy Justice is pretty swell at all speeds. And no matter the mood, Gallagher is a primo singer, full of feeling ...
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