| | North Sea Jazz Festival Vol. 6-North Sea Jazz Festival CD
North Sea Jazz Festival Vol. 6-North Sea Jazz Festival Music North Sea Jazz Festival Vol. 6-North Sea Jazz Festival Songs | 1. | Dolphin Dance - Toots Thielemans & Kenny Werner |
| 2. | Clax's Theme - Till Bronner |
| 3. | Afrocentric - Jimmy Dludlu |
| 4. | Happy Hour - Trio Toykeat |
| 5. | Ghost - Beady Belle |
| 6. | Japanese Blue - Silje Nergaard |
| 7. | Kalabancoro - Richard Bona |
| 8. | Salt - Lizz Wright |
| 9. | Route 66 - Al Jarreau |
| 10. | Wind Cries Mary - Jamie Cullum |
| 11. | Nearness of You - Laura Fygi |
| 12. | Speak Low - Diana Schuur |
| 13. | O Rel E Rosa Cruz - Jorge Ben Jor |
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North Sea Jazz Festival Vol. 6-North Sea Jazz Festival Review
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Purchase North Sea Jazz Festival Vol. 6-North Sea Jazz Festival CD To buy, Click on price to add to cart | Brian Culbertson Live From The Inside CDs (2009) With DVD
North Sea Jazz Festival Vol. 6-North Sea Jazz Festival album
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Many people think of smooth jazz as something that didn't start until the 1980s, but arguably, smooth jazz started around 1966-1968 with the overtly commercial, pop-drenched albums that guitarist Wes Montgomery recorded during the last few years of his life. Love it or hate it, Montgomery's more commercial output had a major impact on Peter White and many other guitarists who have contributed to smooth jazz (including George Benson, Lee Ritenour, Earl Klugh, Chuck Loeb, and Henry Johnson). Musically, a lot has changed since the '60s, but the more things change in music, the more they inevitably stay the same -- and 2009 found White (like Montgomery 41, 42, and 43 years earlier) still struggling with a desire to improvise and a desire for mass acceptance (the thing that jazz, for the most part, lost after World War II). Of course, one doesn't necessarily rule out the another; the late saxophonist Grover Washington, Jr. knew how to be commercial and adventurous at the same time, but most smooth jazz artists play it way too safe -- which is what White usually does on Good Day. This 2009 release is, on the whole, an album of pleasant but not very memorable background music; White usually sounds like he is yearning to let loose as an improviser but has to hold back because he dare not ...
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