| | One Bright Sunny Morning CD
The 19 artists on this semi-political compilation--its title is Woody Guthrie-inspired and the songs are loosely motivated by the 2004 election--are more notable for their other projects (Nation Of Ulysses and Shellac are among them), but their pedigrees serve them well here. The record starts off on an ambient note with Lichens' "Crowley Framework" and continues with moments of avant experimentation--the noisy techno of Bernkurn Nekovak's "Orange Pen," Grey Ghost's abstractly jazzy "Folpulpast." But those excursions are balanced with carefully placed surges in energy, whether it's Pinecone's Minutemen-inspired punk-funk workout "TX" or Mandarin Movie's industrial thrash on "The Green Giraffe." One Bright Sunny Morning Music One Bright Sunny Morning Songs One Bright Sunny Morning Review
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This reissue of RUBBER SOUL has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner ...
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Recorded live at Madison Square Garden, New York, New York on November 27-28, 1969.
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New York City's the Witnesses play straight-up rock & roll with garage-style energy and neo-Stones swagger on their second full-length ...
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Earle Douglas was born and grew up in Brisbane, Australia. He started playing guitar in his early teens and has been playing with varying degrees of commitment and intensity ever since. Probably his earliest musical jolt resulted in him putting on quite a tantrum when his parents would not allow him to attend the Beatles concert in Brisbane in 1964. He felt being 6 years old and not having a ticket was beside the point and completely irrelevant. He played in numerous bands in his teens and early twenties playing rock and pop covers of the day at school dances and the likes around Brisbane.His second most significant musical awakening came when he heard Ry Cooder playing 'Feeling Bad Blues' on a sports program of all places on Brisbane TV in 1986. That slide guitar sound was unforgettable and totally infectious. That sparked Earle's foray into American Blues and Roots music. After many years of different endeavors and travels he eventually recorded his first album 'While out in California' which won the "Sunnie" award of a '2000 Blues Album of the Year'. He was playing as regularly as possible at various clubs in Brisbane and enjoyed some local notoriety. In 2001 he decided to try and further his musical pursuits in the United States. After arriving in the USA, he was fortunate enough to easily jump into the blues scene in Phoenix, Arizona. He soon got to know many of the local blues performers and soon put a trio, Earle Douglas and the Jukes together and began playing quite regularly around Phoenix. For the most part of 2006 he took a break from playing at the clubs to produce and record his second album titled 'Slide Rule'. This album is predominantly slide guitar, with a strong country blues theme. Earle recorded this album at his home in Fountain Hills, Arizona. He wrote ...
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Contemporary R&B singer Mario was just a tender teen when his self-titled debut was released in 2002, but by his fourth release, 2007's GO, Mario had matured into an accomplished performer. His radio-ready mix of pop, hip-hop, and urban contemporary style is refined to perfection on GO, with the roster of all-star collaborators paying further tribute to Mario's status in the industry. Songwriting help comes from Ne-Yo, Akon, and Pharell, while producers Scott Storch, Timbaland, and Sean Garrett, among others, helm production duties. Guest appearances by Alicia Keys and Nelly round out this glittering pop-R&B gem.
So much for "You should let me love you," then. "You down or what?" is the softest line from the opening title track of Mario's third and many times delayed album, and from there, the track -- a prodding Neptunes production with the requisite synthetic, sticky-sweet coatings -- is an obvious bid to surprise or even shock, with Mario proclaiming, "I ain't trying to meet your mother/I just wanna f*ck you like no other" and "If I stop f*ckin' you, it'll make your world end." Go is indeed Mario's most aggressive and assertive album, but no other song comes close to out-vulgarizing "Go" itself. There are several sensitive ballads, including "Music for Love," bearing a definite resemblance to J. Holiday's gently rocking and swaying "Bed," and an excellent choice for a cover in Keith Sweat's "Right and a Wrong Way." (Eighties babies will also catch a reference to Zapp's "Computer Love" in the former.) There is a handful of deceptively clever moments, too. "Kryptonite," ...
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