| | William Lawes, Henry Purcell: Exquisite Consorts CD Harp Consort CDS
William Lawes, Henry Purcell: Exquisite Consorts Music | Label | Berlin Classics | | Orig Year | 6/28/2005 | | CD Universe Part number | 6900921 | | Discs | 1 | | Release Date | Jul 01, 2005 | | Recording Time | 1 1 |
William Lawes, Henry Purcell: Exquisite Consorts Review
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William Lawes, Henry Purcell: Exquisite Consorts Songs | 1. Symphony to the Lira Consort (1:48) | | Composer | William Lawes (1602 - 1645) | | Genre | Baroque Period | | Date Written | 16th Century | | Ensemble | Harp Consort | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 2. If music be the food of love, song, Z. 379 (3 settings) (4:01) | | Catalog No. | Z 379 | | Composer | Henry Purcell (1659 - 1695) | | Performer | Ellen L. Hargis | | Genre | Baroque Period / Song | | Date Written | 1692-1775 | | Ensemble | Harp Consort | | Period | Baroque | | Country | England | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 3. Pavan to the King of Denmark's Harp Consort (4:50) | | Composer | Cormacke MacDermott | | Genre | Baroque Period / Pavane | | Ensemble | Harp Consort | | Period | Baroque | | Country | Denmark | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 4. To Be or Not To Be, song (5:27) | | Composer | Anonymous, English | | Performer | Douglas Nasrawi
Andrew Lawrence-King (Harp)
Paul O'Dette (Lute) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 5. The merry cuckold, song (1:13) | | Composer | Anonymous, English | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 6. The French King's Masque to the Consort of Six (1:07) | | Composer | Anonymous, English | | Genre | Masque / Renaissance Period | | Ensemble | Harp Consort | | Period | Renaissance | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 7. The Battle of Harlaw (1:55) | | Composer | Anonymous, English | | Performer | Andrew Lawrence-King (Harp) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 8. Fantasy Suite for 2 violins, bass viol & organ (3:49) | | Composer | William Lawes (1602 - 1645) | | Performer | David Douglass (Violin)
Andrew Lawrence-King (Organ) | | Genre | Baroque Period / Fantasy / Suite | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 9. Masque (1:58) | | Composer | William Lawes (1602 - 1645) | | Performer | Andrew Lawrence-King (Harp) | | Genre | Baroque Period / Masque | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 10. Cupid's Dance (1:25) | | Composer | Anonymous, English | | Performer | Nancy Hadden (Flute)
Andrew Lawrence-King (Organ) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 11. The Scolding Wife (0:31) | | Composer | Anonymous, English | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 12. The Pleasant Widow (1:34) | | Composer | Anonymous, English | | Performer | Andrew Lawrence-King (Organ) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 13. The Mock Widow (1:29) | | Composer | Anonymous, English | | Performer | Andrew Lawrence-King (Harp) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 14. Antic (0:45) | | Composer | William Lawes (1602 - 1645) | | Genre | Baroque Period | | Ensemble | Harp Consort | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 15. In Envy of the Night to the Consort of Wire Strings (1:44) | | Composer | William Lawes (1602 - 1645) | | Performer | Ellen L. Hargis | | Genre | Baroque Period | | Ensemble | Harp Consort | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 16. Pavan, for harp consort (10:10) | | Composer | Giovanni Coprario (circa 1575 - 1626) | | Genre | Baroque Period | | Ensemble | Harp Consort | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 17. Old Tom O'Bedlam (1:03) | | Composer | Anonymous, English | | Performer | Paul O'Dette (Lute) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 18. Mad Tom (2:50) | | Composer | English Traditional | | Performer | Andrew Lawrence-King (Harp) | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 19. From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 (4:46) | | Catalog No. | Z 370 | | Composer | Henry Purcell (1659 - 1695) | | Performer | Ellen L. Hargis | | Genre | Baroque Period | | Date Written | 1683 | | Ensemble | Harp Consort | | Period | Baroque | | Country | England | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 20. Hence Ye Profane to the Consort Masquers (2:33) | | Composer | William Lawes (1602 - 1645) | | Performer | Ellen L. Hargis
Douglas Nasrawi
Rodrigo del Pozo
Harry van der Kamp | | Genre | Baroque Period | | Ensemble | Harp Consort | | Period | Baroque | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 | | 21. The Night Peace (2:59) | | Composer | Anonymous, English | | Ensemble | Harp Consort | | Venue | Kirche Sengwarden | | Recording Date | 03/1995 |
William Lawes, Henry Purcell: Exquisite Consorts Music Composers on William Lawes, Henry Purcell: Exquisite Consorts CD : English Anonymous, Cormacke MacDermott, English Traditional, Giovanni Coprario, Henry Purcell, William Lawes Ensembles on William Lawes, Henry Purcell: Exquisite Consorts CD : Harp Consort Genres on William Lawes, Henry Purcell: Exquisite Consorts CD : Baroque Period, Fantasy, Masque, Pavane, Renaissance Period, Song, Suite Performers on William Lawes, Henry Purcell: Exquisite Consorts CD : Douglas Nasrawi, David Douglass, Ellen L. Hargis, Nancy Hadden, Harry van der Kamp, Andrew Lawrence-King, Paul O'Dette, Rodrigo del Pozo Purchase William Lawes, Henry Purcell: Exquisite Consorts To buy, Click on price to add to cart | Christmas Festival With Arthur Fiedler & The Boston Pops CD (1994)
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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part One ...
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With EDEN, Broadway diva Sarah Brightman ("Requiem," "Cats") stretches beyond the constraints of what's considered show music. Here, she sings an assortment of classical adaptations, rock, and sleek modern pop songs.
The entrancing opener, "In Paradisum" combines pre-recorded nature sounds, atmospheric textures, and echoes of Gregorian chant, setting the regal and eclectic mood. "Nella Fantasia" is an adaptation of a tune by movie soundtrack composer Ennio Morricone, with Italian lyrics by Ferrau, and here the exquisite longing in Brightman's voice transcends all language barriers. She transforms Kansas' philosophical hit "Dust in the Wind" into a theatrical ballad that transcends time or setting. The production ...
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