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Gunnar Johansen - Ferruccio Busoni: Piano Concerto, Op. 39 CD Cover Art
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Ferruccio Busoni: Piano Concerto, Op. 39 CD

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Category Classical, Live Performances, 20th Century Period, Orchestral/Symphonic, Concerto
Ferruccio Busoni: Piano Concerto, Op. 39 Music


Detailed Ferruccio Busoni: Piano Concerto, Op. 39 Music Information



List Price $15.97 (You save $2.82)
Label Music & Arts
Orig Year 9/27/2005
All Time Sales Rank   34134  
CD Universe Part number 6901024
Discs 1
Release Date Sep 13, 2005
Recording Time 1 9
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Ferruccio Busoni: Piano Concerto, Op. 39 Songs


Ferruccio Busoni: Piano Concerto, Op. 39 Songs Detailed Work Information



1. Piano Concerto, for piano & orchestra with male chorus in C major, Op. 39, KiV 247  (68:31)
   Composer  Ferruccio Busoni (1866 - 1924)
   Conductor  Hans Schmidt-Isserstedt
   Performer  Gunnar Johansen (Piano)
   Genre  Concerto
   Country  Italy
   Recording  Live
   Venue  Hamburg, Musikhalle
   Notes  Hamburg, Musikhalle (01/15/1956-01/16/1956)


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Ferruccio Busoni: Piano Concerto, Op. 39 Music


Elements featured on Ferruccio Busoni: Piano Concerto, Op. 39 CD



Composers on Ferruccio Busoni: Piano Concerto, Op. 39 CD : Ferruccio Busoni

Conductors on Ferruccio Busoni: Piano Concerto, Op. 39 CD : Hans Schmidt-Isserstedt

Genres on Ferruccio Busoni: Piano Concerto, Op. 39 CD : Concerto

Performers on Ferruccio Busoni: Piano Concerto, Op. 39 CD : Gunnar Johansen

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Derived from the score "Neural Synthesis Plus," used to accompany Merce Cunningham's dance Enter. The primary electronic instrument employed in the piece is a synthesizer with 64 non-linear amplifiers (metaphorical neurons) with 10,240 programmable interconnections, emulating neuron cells in the human brain and capable of processing many analog signals in parallel. Sound oscillators are created by connecting 16 of the 64 "neurons" in feedback circuits, with tank circuits to control their frequencies. During a performance, Tudor chooses up to 14 channels of output, further modifying them with other electronic devices, while he also listens, learns patterns (heuristically), and responds and modifies his actions. In this recording, Tudor uses a new binaural technique for translating sound into out-of-head localizations, seeming to surround the listener. For all this technology, the results still reflect Tudor's love of simple sounds that are full of character and often drolly humorous, even if not identifable in any ordinary context. ~ "Blue" Gene Tyranny This set contains both stereo and binaural recordings. Audio Mixers: Roger Warnatsch; John D.S. Adams . Liner Note Author: John D.S. Adams . Recording information: The Banff Center For The Arts (10/1993-11/1993).
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