| | Marty Stuart Souls' Chapel CD Marty Stuart Discography of CDs
 (6 Customer Reviews)
Country star Marty Stuart's gospel album, SOULS' CHAPEL, bears not the slightest whiff of dilettantism. Every cut shines with the intensity of Stuart's passion for both the sound and the message of gospel music. Half the tunes are originals, and half come from the old-school gospel playbooks of Pops Staples, Albert Brumley, et al., but they all boast an undeniable power. Utilizing classic vocal-harmony arrangements and a twangy, reverb-laden guitar once played by the late Staples himself, Stuart lovingly adds the touch of gritty blues that is at the heart of all the greatest gospel music. The results are a fair distance from what one might call "country," but they stay close to the heart of American roots music, and consequently remain right in line with Stuart's inclusive musical vision.
Marty Stuart: Kenny Vaughan, Marty Stuart (vocals, guitar); Brian Glenn (vocals, bass guitar); Harry Stinson (vocals); Barry Beckett (Hammond b-3 organ); Glenn Worf (bass guitar); Paul Griffith, Chad Cromwell (drums).Dirty Linen (p.84) - "[A] memorable and authentic voyage into the realm of Southern gospel." Marty Stuart Souls' Chapel Songs Souls' Chapel Music Review Average Rating: (4.7 out of 5 stars)   List All Reviews Marty did it again
Has all the elements, gospel ,country blues,and a lot of soul,along with excellent vocal arrangements and the harmonys.Only thing missing for a true Marty fan is the mandolin, that said though fantastic from start to finish.
Submitted by BobbyVan (White Salmon, WA)
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Gospel Meets Roots Music
This album is a wonder, the kind of music that can make a difference in someone's life. Thank you Marty, now Let's all get to Church!
Submitted by Jimmie ThunderLizard (Edwardsville, IL)
Was This Review Helpful? Yes No Uplifting and gets you on your feet!
I love this cd. It lifts your spirits and brings you to your feet shouting and singing the words along with the songs.
Submitted by folkartist1950 (Arkansas)
Was This Review Helpful? Yes No  Marty shows us the light.
Great gospel sang blues, R&B, rockabilly, country and all Marty.
Submitted by Ivan (Evansville IN)
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wow! marty ande his
this soon will great album by marty
let he advesial, to music playing bluegrass, country, hillbilly rock, and
now soul, blues which what gospel music is made from.. i will listen this for years to come.....
Submitted by radfordjohn2000 (murphy, n.c. usa)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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On their fifth album, the Old 97's veer closer to their alt-country roots following the slight pop detour led by frontman Rhett Miller on 1999's brilliant FIGHT SONGS. This time out, Miller and his bandmates return to their collaborative ways and the result is a batch of songs about young love delivered by a group with a lean bar-band sound.
Miller's characters throughout are hard-up for love but in an endearingly awkward sort of way. "Rollerskate Skinny" finds him pitching a date at a bowling alley in the process of looking for romance, while the crackling "Buick City Complex" sees him coming right out and asking "Do you wanna mess around?" amid the ruins of a crumbling small town. Heartbreak also finds a spot at the table, whether it's the empty feeling of rejection reverberating through the lament that is "Nervous Guy," or the high-lonesome lament of "Up the Devil's Pay" that brings to mind Chris Isaak's more yearning moments. Matching up well with Miller's desperate pleas are guitarist Ken Bethea's wiry riffs that drive the honky-tonk stomp of "Am I Too Late," punctuate the soaring cheating song "Designs On You," and make "What I Wouldn't Do" an irresistible, harmony-laden delight.
Initial pressings include a free limited edition bonus CD.
1st Pressing LTD Ed
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This album's title is an ironic one, since Vince Gill has spent plenty of time as the Big Thing in country music. He started out as a hot-pickin' bluegrass guitarist before going solo in the mid-'80s. Some 20 years down the line, Gill has nothing to prove but still plenty to say. As always, his sound is a mix of Rodney Crowell-style '80s New Traditionalism, white soul, and pop, with a touch of that bluegrass influence coming through in his keening tenor. He's still the Mr. Nice Guy of contemporary country, soft-pedaling both the songs and the singing in a manner not unlike the Timothy B. ...
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