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Sorrento Ussery Dead Giveaway CD

 Sorrento Ussery Discography of CDs

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List Price $17.98 (You save $4.43)
Category Rock/Pop Albums, R&B CDs, Rap, Blues
Label Hep' Me
Orig Year 2005
All Time Sales Rank   230783  
CD Universe Part number 6917460
Catalog number 1125
Discs 1
Release Date Jul 26, 2005
Studio/Live Studio
Mono/Stereo Stereo
Sorrento Ussery Dead Giveaway Songs


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1.After the Party
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Back in the 1990s, Document reissued the "complete recorded works" of singing blues pianist Curtis Jones in four volumes, covering the years 1937-1953. Volume two presented 25 sides dating from a 12-month period beginning and ending in the summers of 1938 and 1939. Jones was signed to Vocalion at the time, and the "Reefer Hound Blues" was so popular that it was also issued on the Sears, Roebuck & Co.'s Conqueror label ...
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Recorded live in September and December 1974. Personnel: Roy Buchanan (vocals, guitar); Malcolm Lukens (vocals, keyboards); Byrd Foster (vocals, drums); John Harrison (vocals). Liner Note Author: Phil Carson. Recording information: 09/1974-12/1974. Powerhouse Records Release:Roy Buchanan: American Axe Live in 1974Washington, D.C. (May 15, 2003) The master of the Fender Telecaster, the late Roy Buchanan, is commemorated on a new archival CD release by Powerhouse Records. The CD, titled Roy Buchanan: American Axe Live in 1974, features highlights from two searing club sets Buchanan played nearly 30 years ago. All the material is previously unreleased. The music on this hour-long disc reveals Buchanan at the height of his awe-inspiring powers, delivering soulful ballads, wrenching blues and raw rock n\' roll for the small club audiences he preferred. Devotees of blues, rock, country and jazz will find here the tone, technique and emotive power of a masterful performer whose work still overshadows those he influenced. It\'s clear from these recordings why guitarists and music industry insiders from the 1950\'s to this day include Buchanan among a handful of the most original and influential American players. The CD\'s set list includes Buchanan classics such as the Messiah Will Come Again (a first ever live version), his signature Roy\'s Bluz, Hey Joe (a tribute to Jimi Hendrix) and the hypnotic lament Sweet Dreams. The balance of songs draws on classics from the golden age of popular music, including \'C.C. Ryder\', I hear \'You Knockin\'\', \'Get Out Of My Life Woman\' and \'Further On Up The Road\', delivered in Buchanan\'s trademark fashion, seductive yet riveting, grooving and explosive. Buchanan was born in rural Arkansas in 1939 and spent his childhood there and in Pixley, California in The San Joaquin Valley, soaking up influences and country and rock he heard on his family\'s radio. He hit the road in 1958 as rock \'n roll seized America by storm and toured the country with early rocker Dale Hawkins. During a brief stint with Ronnie Hawkins, Buchanan tutored a young Robbie Robertson, later guitarist with The Band. Guitar legend Les Paul caught Roy in the early 1960\'s and later remarked: \"Roy Buchanan and Jimi Hendrix had some things in common. Roy was one of the creators in the pioneering of unusual sounds. It seemed as though I was hearing them come first from Roy Buchanan.\" Jerry Garcia and Jeff Beck also sang Roy\'s praises. Buchanan - always a journeyman, never comfortable as a star - slipped into obscurity in the 1960\'s, and was rediscovered in 1971 through a PBS television documentary hosted by ...
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This double-disc compilation of jazz classics includes several recordings from 1957 and features jazz greates from both coasts. Manny Albam led many fine all-star big bands assembled specifically for recording sessions, and this compilation combines two related Coral LPs into a double-CD set. The first volume is a star-studded disc with Gerry Mulligan, Al Cohn, Zoot Sims, and Phil Woods in the reed section; Bob Brookmeyer, Nick Travis, and Art Farmer making up the brass section; and the rhythm team of Hank Jones, Milt Hinton, and Osie Johnson. Albam sticks mostly to originals. He spreads the solo responsibilities around a good bit while playing musicians against one another with inspired countermelodies. "My Sweetie Went Away," associated with Lester Young but dating from the 1920s, provides a bit of contrast to the remainder of the material. The second disc focuses heavily on West Coast players like Richie Kamuca, Conte Candoli, Bill Holman, and Shelly Manne, though there's a ringer on trumpet, Harry "Sweets" Edison (identified under a pseudonym on the original record). Edison makes his presence known with "Sweet's -- Bread" and his easily identified muted horn in "Jive at Five." Candoli and Jack Sheldon ...
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