Pere Ubu Ray Gun Suitcase CD

Pere Ubu: David Thomas, Jim Jones, Michele Temple, Robert Wheeler, Scott Benedict.
Additional personnel: Garo Yellin (cello); Paul Hamann (bass, bells); Scott Krauss (drums).
Pere Ubu: David Thomas , Michele Temple, Robert Wheeler, Jim Jones , Scott Benedict.
Personnel: Garo Yellin (cello); Scott Krauss (drums).
Recording information: Suma (1994).
Unknown Contributor Roles: Michele Temple; Robert Wheeler; Scott Benedict; Jim Jones .
Astonishingly, this 1995 album--the band's 10th--is as sweaty with inspiration and ideas as any of its predecessors, and keeps several stylistic balls in the air. It also boasts both a song called "The Beach Boys" and a song by the Beach Boys, the former a kind of tortured folk-rock song with a surprisingly catchy chorus. Other standouts include "My Friend is a Stooge of the Media Priests," a hard-hitting metallic rocker wth an imposing hook, and "Montana," which sounds like marching band music for a very twisted parade.
Returned to indie label status for their tenth studio album, Pere Ubu again made music in the style familiar from their earliest recordings -- staccato rhythms and noisy guitars backing David Thomas' disjointed singing of repeated, obscure lyrics. Typical was "Vacuum in My Head" (with some of the ominous tone of "30 Seconds Over Tokyo"), in which Thomas spoke-sang, "Vacuum cleaner in my head/It sucks up everything I know." The playing often had more delicacy and precision than early on, and Thomas varied his effects from mutters to shrieks. An acoustic guitar rendition of the Beach Boys' "Surfer Girl" was a distinct change of pace, even if its author, Brian Wilson, might not have recognized it in Thomas' performance. But Ray Gun Suitcase was an album for the cult of fans who delighted in the band's offbeat lyrical viewpoint and musical cacophony, which was just as well, since the more conventional orientation attempted in the late 1980s and early '90s did not pay off in an expanded following. ~ William Ruhlmann
Returned to indie label status for their tenth studio album, Pere Ubu again made music in the style familiar from their earliest recordings -- staccato rhythms and noisy guitars backing David Thomas' disjointed singing of repeated, obscure lyrics. Typical was "Vacuum in My Head" (with some of the ominous tone of "30 Seconds Over Tokyo"), in which Thomas spoke-sang, "Vacuum cleaner in my head/It sucks up everything I know." The playing often had more delicacy and precision than early on, and Thomas varied his effects from mutters to shrieks. An acoustic guitar rendition of the Beach Boys' "Surfer Girl" was a distinct change of pace, even if its author, Brian Wilson, might not have recognized it in Thomas' performance. But Ray Gun Suitcase was an album for the cult of fans who delighted in the band's offbeat lyrical viewpoint and musical cacophony, which was just as well, since the more conventional orientation attempted in the late '80s and early '90s did not pay off in an expanded following. [This version of the release contains bonus material.] ~ William RuhlmannRolling Stone (10/5/95, pp.69-70) - 3.5 Stars - Good Plus - "...If underground rock had a Hall of Fame that gave awards for influence and creativity, Pere Ubu would be more decorated than Magic Johnson..."
Q (9/95, p.119) - 4 Stars - Excellent - "...frothy melodies share space with mangled guitars as sleighbells, feedback and warped cellos drift in and out of the mix..."
Alternative Press (10/95, p.71) - "...After 20 years of breaking trails, they're still walking ahead of the pack. The major difference is that these days David Thomas doesn't sound so strange anymore..."
Option (1-2/96, p.108) - "...a gem...darts from full-bodied pop to minimalist weirdness...another weapon in this alternative pioneer's arsenal..."