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Cornerstone - In Concert CD Cover Art
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Cornerstone In Concert CD

 Cornerstone Discography of CDs

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The first live album by the Danish/English melodic metal quintet featuring ex-Rainbow singer Dougie White and bassist Steen Mogensen (ex-Royal Hunt) was recorded during their European tour in January/February 2005. This 2 CD set includes a bonus video clip and has been mastered by Andy Horn (Cage, Edenbridge,Lanfear). 17 total tracks. Massacre. 2005.
In Concert Music


Detailed In Concert Music Information



List Price $25.98 (You save $3.73)
Category Rock/Pop Albums, Rock CDs, Heavy Metal, Live Performances
Label Massacre
Orig Year 2005
All Time Sales Rank   182834  
CD Universe Part number 6920451
Discs 2
Release Date Aug 02, 2005
Studio/Live Live
Mono/Stereo Stereo
Additional Info Import
Cornerstone In Concert Songs


Cornerstone In Concert Album Track Listing



In Concert CD DISC 1:
1.Intro - (studio)
2.Welcome to Forever - (studio)
3.Wounded Land - (studio)
4.Future Rising - (studio)
5.Passion to Warfare - (studio)
6.21st Century Man - (studio)
7.House of Nevermore - (studio)
8.When the Hammer Falls - (studio)
9.Some People Fly - (studio)
10.Once Upon Our Yesterdays - (studio)
In Concert Songs DISC 2:
1.Hour of Doom - (studio)
2.Singing Alone - (studio)
3.Black Masquerade - (studio)
4.Scream - (studio)
5.Unchosen One - (studio)
6.I'm Alive - (studio)
7.Midnight in Tokyo - (studio)
8.Video Clip - (studio)
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CRISTO FONTECILLA QUARTETDo I still look like the Pumuckel?Jon Robles: saxDick Them: double bassEnric Illa: drumsCristo Fontecilla: guitarFormed in Barcelona (Spain) by the end of the summer 2003, the band entered the studio after a few rehearsals, to record what would become their first release: "do I still look like the Pumuckel". All the tunes in the CD are original compositions by Cristo Fontecilla, except one - evitando -- composed by former double bass player Dick Them. The CD also features electric bass player, Joan Rectoret, on the tune "narcosis", and drummer Sebas Fontecilla, on the tracks "narcosis", "almost on time", and "Erasmus" , as special guests. When asked about the line up, Cristo says ¨i like it small, to keep the interaction really happening. Actualy, the only rule in this band is: mind the melody and keep track of what the other guys are doing. obviously, sometimes a bass line or a drum pattern is an important part of the piece, in wich case we try to keep it as it is¨. As he points out, ¨i think the fact that we all played in rock and funk bands at some point, gives us a clear sense of structure. No matter how far we go, when the bridge comes it all falls back in its place¨. The music is quite eclectic, wich seems only normal considering Cristo's musical background. Listening to his compositions, his phrasing and the different sounds he uses, it is easy to guess he's been to many places on his musical journey. From aggressive, rock sounding pieces, to the most classical jazz esthetics, the playing on this recording is modern and sophisticated, but raw, and direct. Always faithful to the idea of spontaneous interpretation, the band doesn't seem to allow itself many boundaries.

The first tune "one last breath", is an up tempo swinging bass pattern with some rough, slightly distorted, guitar riffs a la Scofield. It is also a good show case for the band, with its short and hard boppin' solos from Cristo , Jon and Enric. Next tune, "solidere solitaire", has a flamenco feel with some Arabic flavor to it, and features Jon on soprano sax. The melody is based on the "buleria" beat, and an Arabic scale whose structure is 1 2 b3 #4 5 b6 7. Basically an harmonic minor scale with a sharped 4th. The undefined genre of this tune allows the players much freedom. "Atomic jazz" is mainly a tough 5 to 4 beat, with a melody that sounds as some kind of Mike Stern meets John Scofield meets the Brecker brothers. A twelve tones row on 7/8 takes us to a straight 4/4 bridge . Here the double bass and the heavy drum playing create a really unusual sound, along with the edgy distortion on the guitar.

The rock ballad "almost in time" is, as Cristo quotes, an "etude" on the ninth interval, with some odd time signatures on the bridge section. Here, he uses a smooth, almost Methenyesque guitar sound.

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