| | YOB Unreal Never Lived CD YOB Discography of CDs
(1 Customer Review)
YOB: Mike Scheidt. YOB has never exactly been easy listening. They are masters of doom metal -- slow, heavy, ominous, forceful headbanger music with a strong appreciation of Black Sabbath (whose riffs have been a primary influence on the doom/stoner/sludge field). But the Oregon residents have managed to increase the heaviness factor somewhat on The Unreal Never Lived, which favors a generally thicker, more distorted sound than their previous releases. That isn't to say that YOB has turned into one of the many ultra-dense, ultra-claustrophobic metalcore or death metal bands that believes in bruising for the sake of bruising; even with the increased heaviness, The Unreal Never Lived is not the type of metal album that goes out of its way to be harsh. Nonetheless, the thickness factor has definitely increased for YOB -- and another thing that makes The Unreal Never Lived come as a bit of a surprise is Mike Scheidt's lead vocals. Scheidt, in the past, was known in doom/stoner circles for his high-pitched vocals; he was arguably the doom equivalent of Rush's Geddy Lee or Cradle of Filth's Dani Filth. Scheidt can still hit the high notes, but this time, he surprises you with a lot of deep, guttural death metal-ish growling -- not the sort of thing one expected from him on previous albums, but it works nicely on this 2005 recording. Despite those changes and adjustments, The Unreal Never Lived still has YOB written all over it. These guys are still doom all the way, and they continue to enjoy extended performances; "The Mental Tyrant," for example, lasts 21 minutes. Bottom line: The Unreal Never Lived is a pleasant surprise that will probably be well received by the majority of YOB fans but may help them acquire some new ones. ~ Alex Henderson YOB Unreal Never Lived Songs | 1. | Quantum Mystic |
| 2. | Grasping Air |
| 3. | Kosmos |
| 4. | The Mental Tyrant |
| Unreal Never Lived Music Review Purchase Unreal Never Lived CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
Unreal Never Lived
$6.39 The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion). Recorded at Ardmore Studios in Dublin, Ireland in January 2002. You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that ...
| | Neurosis Eye Of Every Storm CD (2004)
Unreal Never Lived
$12.79 Neurosis: Dave Edwardson (bass instrument); Steve Von Till (background vocals); Noah Landis, Scott Kelly, Jason Roeder. Personnel: Scott Kelly, Steve Von Till (vocals, guitar, acoustic guitar, electric guitar); Jeffrey Luck Lucas (cello); Desmond Shea (trumpet); Noah Landis (piano, organ, keyboards, programming, sampler); Dave Edwardson (Moog synthesizer); Jason Roeder (drums). Recording information: Deaf Mute Trust Company, San Francisco, CA; Electrical Audio Recording, Chicago, IL. Veteran acts ...
| | Electric Wizard We Live CD (2004)
Unreal Never Lived
$13.05 Electric Wizard: Liz Buckingham (guitar); Rob Al-Issa (bass guitar); Jus Oborn, Justin Greaves. Personnel: Lindsey Buckingham (guitar); Justin Greaves (drums, percussion). Recording information: Chuckalumba Studios (07/2003). 2004's We Live witnessed the birth of Electric Wizard Mark II, as lone remaining founding member Jus Osborn -- tired of years of internal strife -- decided to "upgrade" the doom metal stalwarts from a power trio to a twin-guitar quartet. However, with or without the cosmetic improvement brought on ...
| | YOB Illusion Of Motion CD (2004)
Unreal Never Lived
$8.65 YOB: Mike Scheidt (vocals); Isamu Sato (bass guitar); Travis Foster (drums). Personnel: Mike Scheidt (guitar). Audio Mixers: Mike Scheidt; Billy Barnett. Recording information: Dogwood Studios, Eugene, OR (04/2004). Photographer: Jim Thompson. The terms doom metal and stoner rock have something in common with the terms death metal and black metal: they're two terms that don't mean the exact same thing, but the styles are so similar (both have a major Black Sabbath fixation) that they are often used interchangeably. And just as death metal and black metal can easily overlap, there are ...
| | Dredg Catch Without Arms CD (2005)
Unreal Never Lived
$8.49 Personnel: Nathan Calvin (vocals). Audio Mixer: Terry Date. Recording ...
| | Sword Age Of Winters CD (2006)
Unreal Never Lived
$9.49
| | After Hours Vol. 6 CD (2000)
Unreal Never Lived
$9.69
| | Ill Nino Revolution/Revolucion CD (2002) Bonus Tracks; Digipak; Enhanced CD
Unreal Never Lived
$16.29
| | Manilla Road Atlantis Rising CD (2001) (Import) Germany
Unreal Never Lived
$26.29
| | Nick Gill Cause It's True Love CD (2006)
Unreal Never Lived
$10.15
| | Vladislav Delay Whistleblower CD (2007) (Import) Finland
Unreal Never Lived
$15.89 Composer: Vladislav Delay.
| | Affinity-Origins: The Baskervilles 1965 CD (2007) (Import) United Kingdom
Unreal Never Lived
$20.99
| | Marco Paradise 2008 CD (2008) (Import) Import
Unreal Never Lived
$26.29
| | Ron Greene Sketches CD (2008)
Unreal Never Lived
$13.69 Ron Greene's music speaks to just about anyone. Rockers, rapper's, skater's, girls, guys, young & old, all take notice when Ron hits the stage. Bridging different genre's, with lyrics that focus around theme's common to us all. Ron's energetic and engaging stage presence capture's the audiences’ attention, Greene then pulls them in with lyrics focusing upon relationships, the world around us & faith. Greene's debut CD Sketches, released in February of 2008, gives listener's a glimpse into the heart & music of this talented musician.Ron grew up with singing in his home. His mother and father both sang in choir when he was a boy. "Some of my fondest memories," he states, "are lying on my father's floor listening to the various records he had in his collection." Greene's father had an eclectic taste of music, old school r & b, jazz, & rock; these albums would lay the foundation for the musical bed of Ron's future. One warm night in a Phoenix church watching a live satellite broadcast of Phil Keaggy, something clicked. "Watching Keaggy play, hearing and seeing the passion, it moved me" Greene confesses. He learned his first guitar chords the next day. A week later the first song was written and Greene has been writing ever since. Learning three basic chords in his initial guitar lesson, Ron attributes his growth as a musician to the talent of the people around him. "I learned guitar in a rich musical environment. I played with musicians who were or had been in bands. Pianist, guitarists, bass players, drummer's, it seemed everyone around me offered me some type of lesson." As the learning escalated, the talent grew as did Ron's confidence. He began playing in bands, and when covering his favorite musicians wasn't enough, he began writing. Writing about the things around him, his relationships, and everyday life, certainly, this was a man finding his muse naturally, allowing his inner voice to guide him down the right path and then everything fell into place. Greene performed with regional bands in Arizona and Idaho before finally settling in with the Nate Schierman Band in early 2003. With Schierman, Greene recorded three studio albums, performing in front of thousands as they toured throughout the West Coast, highlighted by shows ...
| | Suicide Silence No Time To Bleed CD (2009) Import
Unreal Never Lived
$26.79 Personnel: Clinton Bradley (programming). Audio Mixer: Will Putney. Recording information: The Machine Shop, Hoboken, NJ. Editors: Will Putney; Jayson DeZuzio; Bill Purcell. The Southern California-based quintet, Suicide Silence, specialize in the extreme metal subgenre known as deathcore. Combining the rapid-fire brutality of extreme death metal with the slower, mosh-pit breakdowns of metalcore, the band continue to fashion some of the most violent, no-holds-barred music the genre has seen on its sophomore album, NO TIME TO BLEED. A finely honed assault composed of ultra-fast blast beats and jarring tempo changes, front man Mitch Lucker frequently trades off between vocal extremes from demonic death growls to raspy, high-register screams, matching in intensity the caustic sensory overload provided by his bandmates. While the album's feral attack may be an acquired taste for some of genre's more melodically inclined fans, NO TIME TO BLEED is nevertheless admirable for its sheer single-mindedness of purpose. Thanks to a strong first album for Century Media (2007's The Cleansing) and to possessing one of the scene's most powerful and dynamic stage shows, California's Suicide Silence quickly managed to distance themselves somewhat from the teeming mass of deathcore bands that began crowding America's every rehearsal space, record store, and concert venue in the late '00s. Yes, detractors of the style as a whole still wondered what all the fuss was about, but the quintet's second full-length album, 2009's No Time to Bleed, may help to answer some of their questions with the corroborating evidence of an even better set of songs than their debut's. In a nutshell, the album proves that Suicide Silence are one of the only bands of their ilk to have cracked the admittedly limited, if contradiction-happy, deathcore template (which goes something like this: scream, growl, blast, doom, grind, grind, and ...
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